|
Framed (Sensational Alex Harvey Band Album)
''Framed'' is the 1972 debut album by The Sensational Alex Harvey Band. The title track is a cover of a Leiber and Stoller song originally recorded by The Robins. Other tracks include a cover of the Willie Dixon song " I Just Want to Make Love to You", originally performed by Muddy Waters. Both of these songs had appeared on Alex Harvey recordings as far back as the 1963 live recording from Hamburg, released in 1964 as " Alex Harvey and His Soul Band". "Hammer Song" and "Midnight Moses" are two Harvey originals that first appeared on his solo LP '' Roman Wall Blues'' in 1969. "Hole In Her Stocking" had been recorded by Alex Harvey in 1970 on the Rock Workshop eponymous release of the same year. Release Recorded at Morgan Studios in London during 1972, ''Framed'' was released on vinyl by Vertigo Records in December 1972. A CD version was released by Universal International in 2002. There is a 2 in 1 CD release with ''Next''. "There's No Lights On The Christmas Tree Mother, T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Glen
Christopher John Glen (born 6 November 1950), known simply as Chris Glen, is a Scottish rock musician. He is best known for playing with The Sensational Alex Harvey Band from 1972 to 1978, and Michael Schenker Group from 1980 to 1984, 2008 to 2010, and 2016 to present. He currently performs with Michael Schenker Fest; featuring original MSG band members. Early career and The Sensational Alex Harvey Band Glen began his career as bassist for a band known as The Jade in 1969. That band changed their name to Mustard, which eventually was composed of Eddie Campbell (keyboards), Zal Cleminson (guitar), Chris Glen (bass, vocals), Gilson Lavis (drums) and Andi Mulvey (vocals). After changing their name to Tear Gas, Mulvey was replaced by David Batchelor, and Lavis was replaced by Richard Munro. This lineup recorded their first album ''Piggy Go Getter'' in 1970. Eventually another personnel change saw Campbell leave and Ted McKenna and his cousin Hugh McKenna take over for Munro and Batc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Guitar
Lead guitar (also known as solo guitar) is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs. History The first form of lead guitar emerged in the 18th century, in the form of classical guitar styles, which evolved from the Baroque guitar, and Spanish Vihuela. Such styles were popular in much of Western Europe, with notable guitarists including Antoine de Lhoyer, Fernando Sor, and Dionisio Aguado. It was through this period of the classical shift to romanticism the six-string guitar was first used for solo composing. Through the 19th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zal Cleminson
Alistair Macdonald "Zal" Cleminson (born 4 May 1949) is a Scottish guitarist, best known for his role in The Sensational Alex Harvey Band between 1972 and 1978. In 2017, he put together a new rock band - /sin'dogs/, which recorded and released a 4-song CD and toured Scotland and England at the end of the year. Career A self-taught guitarist, at the start of the 1970s he played and recorded with the Glasgow-based band Tear Gas. The musicians in that band then provided the backing for Alex Harvey in The Sensational Alex Harvey Band (SAHB). Cleminson was an extremely distinctive stage presence with SAHB owing to his white-face mime makeup. He started wearing the mime makeup when the band started playing larger venues, so they could see what he was doing on stage easier. Cleminson has said "The mime face came about with bigger gigs – more people could see what I was up to". When SAHB split up, in 1978, they decided to tour as the Zal Band, recruited The Tubes' vocalist Leroi J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Vocals
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role (such as strumming a guitar part), or playing a lead instrument/instrumental solo role when they are not singing (as in the case of lead singer-guitar virtuoso Jimi Hendrix). The lead singer also typically guides the vocal ensem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritchie Valens
Richard Steven Valenzuela (May 13, 1941 – February 3, 1959), known professionally as Ritchie Valens, was an American guitarist, singer and songwriter. A rock and roll pioneer and a forefather of the Chicano rock movement, Valens was killed in a plane crash eight months into his music career. Valens had several hits, most notably " La Bamba", which he had adapted from a Mexican folk song. Valens transformed the song into one with a rock rhythm and beat, and it became a hit in 1958, making Valens a pioneer of the Spanish-speaking rock and roll movement. He also had an American number-two hit with "Donna". On February 3, 1959, on what has become known as "The Day the Music Died", Valens died in a plane crash in Iowa, an accident that also claimed the lives of fellow musicians Buddy Holly and J. P. "The Big Bopper" Richardson, as well as pilot Roger Peterson. Valens was 17 at the time of his death. In 2001, Valens was posthumously inducted into the Rock and Roll Hall of Fame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isobel Gowdie
Isobel Gowdie was a Scottish woman who confessed to witchcraft at Auldearn near Nairn during 1662. Scant information is available about her age or life and, although she was probably executed in line with the usual practice, it is uncertain whether this was the case or if she was allowed to return to the obscurity of her former life as a cottar’s wife. Her detailed testimony, apparently achieved without the use of violent torture, provides one of the most comprehensive insights into European witchcraft folklore at the end of the era of witch-hunts. The four confessions she made over a period of six weeks include details of charms and rhymes, claims she was a member of a coven in the service of the Devil and that she met with the fairy queen and king. Lurid information concerning carnal dealings with the Devil were also provided. A combination of demonic and fairy beliefs, the narratives were used by Margaret Murray as the basis for her now mostly discredited theories about cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and "King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spector. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Leiber
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Framed (Leiber And Stoller Song)
''Framed'' is a song written by Jerry Leiber and Mike Stoller. It was originally recorded by The Robins in August, 1954, in Los Angeles and released on Leiber and Stoller's label Spark Records in October of that year as the B side of ''Loop De Loop Mambo''. Jerry Leiber talks about the song, saying, “Another rap took the form of a police drama. We called it “Framed” and gave it a subtext that, despite the humor, refers to the legal brutality that impacted the black community.” Personnel * Billy Richards, Roy Richards, Ty Tyrell, Bobby Nunn, Carl Gardner, vocals * Mike Stoller, piano * Gil Bernal, saxophone * Barney Kessell, guitar * Ralph Hamilton, bass * Jesse Sailes, drums In 1955, the Robins disagreed over whether to remain on the West Coast or sign with Atlantic Records and move to the East Coast. This led to a split within the group. Music producers and songwriters Jerry Leiber and Mike Stoller took former Robins members Nunn and Carl Gardner, recruited singers Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
