Fragment Of A Crucifixion
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Fragment Of A Crucifixion
''Fragment of a Crucifixion'' is an unfinished 1950 painting by the Irish-born figurative painter Francis Bacon. It shows two animals engaged in an existential struggle; the upper figure, which may be a dog or a cat, crouches over a chimera and is at the point of kill. It stoops on the horizontal beam of a T-shaped structure, which may signify Christ's cross. The painting contains thinly sketched passer-by figures, who appear as if oblivious to the central drama. Typical of Bacon's work, the painting is drawn from a wide variety of sources, including the screaming mouth of the nurse in Sergei Eisenstein's 1925 film ''Battleship Potemkin'' and iconography from both the Crucifixion of Jesus and the descent from the cross. The chimera's despair forms the centrepiece of the work; its agony can be compared to Bacon's later works focusing on the motif of an open mouth. Although the title has religious connotations, Bacon's personal outlook was bleak; as an atheist, he did not belie ...
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Francis Bacon (painter)
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to render "the brutality of fact." He built up a reputation as one of the giants of contemporary art with his unique style. Bacon said that he saw images "in series", and his work, which numbers in the region of 590 extant paintings along with many others he destroyed,Harrison, Martin.Out of the Black Cavern. Christie's. Retrieved 4 November 201Archivedon 11 November 2019 typically focused on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on single motifs; including the 1930s Picasso-infl ...
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Three Studies For A Crucifixion
''Three Studies for a Crucifixion'' is a 1962 triptych oil painting by Francis Bacon. It was completed in March 1962 and comprises three separate canvases, each measuring . The work is held by the Solomon R. Guggenheim Museum in New York. Background Bacon produced a number of works inspired by the Crucifixion since his early paintings ''Crucifixion'' and '' Crucifixion with Skull'' (both 1933). His '' Wound for a Crucifixion'' (also 1933) was exhibited in Bacon's first solo exhibition in February 1934, but it was destroyed by Bacon after negative reviews. His artistic reputation was grounded on his first large triptych, the 1944 masterpiece ''Three Studies for Figures at the Base of a Crucifixion'', and he created his ''Fragment of a Crucifixion'' in 1950. He returned to the triptych format in 1962, with this painting, which is today seen as a marking point between his early and mature periods. He returned to the crucifixion two further times, with the ''Crucifixion'' in 1965, ...
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Eisenstein Potemkin 2
Eisenstein may refer to: * Bayerisch Eisenstein, (until 1951 just ''Eisenstein'') a village and a municipality in the Regen district, in Bavaria, Germany * Eisenstein (Ore Mountains), a mountain in Saxony, Germany * Eisenstein, Wisconsin, a town in the United States * Eisenstein (surname) ** Gotthold Eisenstein, German mathematician ** Odile Eisenstein, French chemist ** Sergei Eisenstein, Soviet filmmaker and theorist * ''Eisenstein'' (film), a 2000 Canadian biography of Sergei Eisenstein * ''Eisenstein'', a fictional spacecraft in ''The Flight of the Eisenstein'' by James Swallow See also * Einstein (other) Albert Einstein (1879–1955) was a German-born theoretical physicist. Einstein may also refer to: * Einstein (surname), a surname (including a list of people with the name) Science and technology * Einstein Observatory, the first fully imaging ...
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Armin Zweite
Armin (Armyn) is a given name or surname, and is: * An ancient Indo-European name: ** a German/Dutch given name, *** a modern form of the name Arminius (18/17 BC–AD 21), a German prince who defeated a Roman army in the Battle of the Teutoburg Forest (the name Arminius being itself a Latinized form of a Germanic name which may have been derived from the element ''ermen'' meaning "whole, universal"). ** a Persian given name. *** Son of Kai Kobad, a legendary character in Shahnameh, belonging to the mythical Kianian Dynasty in Persian literature and mythology; *** The and short name of Ariobarzanes of Persis (or Ariobarzan), a Persian general who fought against Alexander the Great; *** The of Ariobarzanes, meaning "exalting the Aryans" in ancient Persian. Surname * Robert Armin (–1615), English actor, member of the Lord Chamberlain's Men * Mohsen Armin (born 1954), Iranian politician * Jart Armin, cybersecurity expert Given name * Arminius, Germanic tribal leader who foug ...
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Owls (Francis Bacon)
Owls are birds from the order Strigiformes (), which includes over 200 species of mostly solitary and nocturnal birds of prey typified by an upright stance, a large, broad head, binocular vision, binaural hearing, sharp talons, and feathers adapted for silent flight. Exceptions include the diurnal northern hawk-owl and the gregarious burrowing owl. Owls hunt mostly small mammals, insects, and other birds, although a few species specialize in hunting fish. They are found in all regions of the Earth except the polar ice caps and some remote islands. Owls are divided into two families: the true (or typical) owl family, Strigidae, and the barn-owl family, Tytonidae. A group of owls is called a "parliament". Anatomy Owls possess large, forward-facing eyes and ear-holes, a hawk-like beak, a flat face, and usually a conspicuous circle of feathers, a facial disc, around each eye. The feathers making up this disc can be adjusted to sharply focus sounds from varying distanc ...
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Sotheby's
Sotheby's () is a British-founded American multinational corporation with headquarters in New York City. It is one of the world's largest brokers of fine and decorative art, jewellery, and collectibles. It has 80 locations in 40 countries, and maintains a significant presence in the UK. Sotheby's was established on 11 March 1744 in London by Samuel Baker, a bookseller. In 1767 the firm became Baker & Leigh, after George Leigh became a partner, and was renamed to Leigh and Sotheby in 1778 after Baker's death when Leigh's nephew, John Sotheby, inherited Leigh's share. Other former names include: Leigh, Sotheby and Wilkinson; Sotheby, Wilkinson and Hodge (1864–1924); Sotheby and Company (1924–83); Mssrs Sotheby; Sotheby & Wilkinson; Sotheby Mak van Waay; and Sotheby's & Co. The American holding company was initially incorporated in August 1983 in Michigan as Sotheby's Holdings, Inc. In June 2006, it was reincorporated in the State of Delaware and was renamed Sotheby's. In Ju ...
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Michael Peppiatt
Michael Henry Peppiatt (born 9 October 1941) is an English art historian, curator and writer. Biography Son of Edward George Peppiatt (died 1983), B.Sc, ARCS, of Silver Birches, Stocking Pelham, near Buntingford, Hertfordshire, technical and production director for a pharmaceutical manufacturing company, and Elsa Eugénie (née Schlaich; died 1997). Education and career Michael Peppiatt studied at Brentwood School, Essex, at the University of Göttingen, and at Trinity Hall, Cambridge (BA 1964, MA 1985, PhD) and subsequently joined ''The Observer'' as a junior art critic. He then went to Paris to take up an editorial job at '' Réalités'' magazine, where he remained until 1969, when he was appointed arts editor at ''Le Monde''. In the mid-1970s he began reporting on cultural events across Europe for ''The New York Times'' and ''The Financial Times'', becoming Paris correspondent for several art magazines, notably ''Art News'' and ''Art International''. In 1985, Peppia ...
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Existentialist
Existentialism ( ) is a form of philosophical inquiry that explores the problem of human existence and centers on human thinking, feeling, and acting. Existentialist thinkers frequently explore issues related to the meaning, purpose, and value of human existence, and the role of personal agency in transforming one's life. In the view of an existentialist, the individual's starting point is phenomenological, grounded in the immediate direct experience of life. Key concepts include "existential angst", a sense of dread, disorientation, confusion, or anxiety in the face of an apparently meaningless or absurd world, and also authenticity, courage, and human-heartedness. Existentialism is associated with several 19th- and 20th-century European philosophers who shared an emphasis on the human subject, despite often profound differences in thought. Among the earliest figures associated with existentialism are philosophers Søren Kierkegaard and Friedrich Nietzsche and novelist Fy ...
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Tate Gallery
Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK Department for Digital, Culture, Media and Sport. The name "Tate" is used also as the operating name for the corporate body, which was established by the Museums and Galleries Act 1992 as "The Board of Trustees of the Tate Gallery". The gallery was founded in 1897 as the National Gallery of British Art. When its role was changed to include the national collection of modern art as well as the national collection of British art, in 1932, it was renamed the Tate Gallery after sugar magnate Henry Tate of Tate & Lyle, who had laid the foundations for the collection. The Tate Gallery was housed in the current building occupied by Tate Britain, which is situated in Millbank, London. In 2000, the Tate Gallery transformed itself into the curre ...
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John Rothenstein
Sir John Knewstub Maurice Rothenstein (11 July 1901 – 27 February 1992) was a British arts administrator and art historian. Biography John Rothenstein was born in London in 1901, the son of Sir William Rothenstein. The family was connected to the Bloomsbury Set. John Rothenstein studied at Worcester College, Oxford, and became friends with T. E. Lawrence. He shared rooms with novelist William Gerhardie. After serving as Director of Leeds City Art Gallery, he was appointed Director of Sheffield City Art Galleries (1932-38) where he oversaw the establishment and opening of the Graves Art Gallery. From 1938–64 Rothenstein was Director of the Tate Gallery in London. Hs father had been a trustee of the Tate up until a few years before and there were hints of nepotism in the appointment, especially as his father had telephoned the Chairman of the trustees in advance of Rothenstein's job interview. Rothenstein's directorship — the longest to date — was one of t ...
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Head VI
''Head VI'' is an oil-on-canvas painting by Irish-born figurative artist Francis Bacon, the last of six panels making up his "1949 Head" series. It shows a bust view of a single figure, modeled on Diego Velázquez's ''Portrait of Innocent X''. Bacon applies forceful, expressive brush strokes, and places the figure within a glass cage structure, behind curtain-like drapery.Zweite, 244 This gives the effect of a man trapped and suffocated by his surroundings, screaming into an airless void. But with an inverted pathos is derived from the ambiguity of the pope's horrifying expression—whose distorted face either screams of untethered hatred towards the viewer or pleads for help from the glass cage—the question of what he is screaming about is left to the audience. ''Head VI'' was the first of Bacon's paintings to reference Velázquez, whose portrait of Pope Innocent X haunted him throughout his career and inspired his series of "screaming popes", a loose series of which the ...
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Head II
''Head II'' is an oil and tempera on hardboard painting by the Irish-born British figurative artist Francis Bacon. Completed in 1948, it is the second in a series of six heads, painted from the winter of 1948 in preparation for a November 1949 exhibition at the Hanover Gallery, London.Russell, 38 The figure seems half human, half animal, and has disintegrated to an extent that, like the preceding '' Head I'' of the series, the entire upper head has disappeared leaving only mouth and jaw. The figure is set in a shallow pictorial space, and is positioned behind curtains that borrow from Titian's 1558 ''Portrait of Cardinal Filippo Archinto''. The curtains are fastened at one point by a safety pin. John Russell sees the curtains as enclosing the figure, as if the walls of a prison or execution dock. Remarking on their dreary and drab appearance he further speculates that they seem "stiffened by fifty year's ''crasse'' of a tenth rate lodging-house; or they could be sliding shutters ...
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