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Fra Lippo Lippi (poem)
''Fra Lippo Lippi'' is an 1855 dramatic monologue written by the Victorian poet Robert Browning which first appeared in his collection '' Men and Women''. Throughout this poem, Browning depicts a 15th-century real-life painter, Filippo Lippi. The poem asks the question whether art should be true to life or an idealized image of life. The poem is written in blank verse, non-rhyming iambic pentameter. A secondary theme of the dramatic monologue is the Church's influence on art. Although Fra Lippo paints real life pictures, it is the Church that requires him to redo much of it, instructing him to paint the soul In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun ''soul'' is derived from Old English ''sāwol, sāwel''. The earliest attes ..., not the flesh. ("Paint the soul, never mind the legs and arms!"). Aside from the theme of the Church and its desires to ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Monologue
Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the ''dramatic monologue'' as it applies to poetry: Types of dramatic monologue One of the most important influences on the development of the dramatic monologue is romantic poetry. However, the long, personal lyrics typical of the Romantic period are not dramatic monologues, in the sense that they do not, for the most part, imply a concentrated narrative. Poems such as William Wordsworth's ''Tintern Abbey'' and Percy Bysshe Shelley's ''Mont Blanc'', to name two famous examples, offered a model of close psychological observation and philosophical or pseudo-philosophical inquiry described in a specific setting. The conversation poems of Samuel Taylor Coleridge are perhaps a better precedent. The genre was also developed by Felicia Hemans and Letitia Elizabeth Landon, beginning in the latter's case with her long poem ''The Improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Browning
Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him high among the Victorian poets. He was noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax. His early long poems ''Pauline'' (1833) and ''Paracelsus'' (1835) were acclaimed, but his reputation dwindled for a time – his 1840 poem ''Sordello'' was seen as wilfully obscure – and took over a decade to recover, by which time he had moved from Shelleyan forms to a more personal style. In 1846 he married fellow poet Elizabeth Barrett and moved to Italy. By her death in 1861 he had published the collection ''Men and Women'' (1855). His ''Dramatis Personae'' (1864) and book-length epic poem ''The Ring and the Book'' (1868–1869) made him a leading poet. By his death in 1889 he was seen as a sage and philosopher-poet who had fed into Victorian social and political discourse. Societies for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Men And Women (poetry Collection)
''Men and Women'' is a collection of fifty-one poems in two volumes by Robert Browning, first published in 1855. While now generally considered to contain some of the best of Browning's poetry, at the time it was not received well and sold poorly. Background information ''Men and Women'' was Browning's first published work after a five year hiatus, and his first collection of shorter poems since his marriage to Elizabeth Barrett in 1846. His reputation had still not recovered from the disastrous failure of ''Sordello'' fifteen years previously, and Browning was at the time comprehensively overshadowed by his wife in terms of both critical reception and commercial success. Away from the spotlight, Browning was able to work on a long-considered project. He had long been associated with the dramatic monologue, having written two early volumes of poems entitled ''Dramatic Lyrics'' and ''Dramatic Romances and Lyrics'', but with ''Men and Women'' he took the concept a step further. Brow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orphaned when he was two years old and sent to live with his aunt Mona Lapaccia. Because she was too poor to rear him, she placed him in the neighboring Carmelite convent when he was eight years old. There, he started his education. In 1420 he was admitted to the community of Carmelite friars of the Priory of Our Lady of Mount Carmel in Florence, taking religious vows in the Order the following year, at the age of sixteen. He was ordained as a priest in approximately 1425 and remained in residence of that priory until 1432. Giorgio Vasari, the first art historian of the Renaissance, writes that Lippi was inspired to become a painter by watching Masaccio at work in the Carmine church. Lippi's early work, notably the Tarquinia Madonna (Galle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blank Verse
Blank verse is poetry written with regular metrical but unrhymed lines, almost always in iambic pentameter. It has been described as "probably the most common and influential form that English poetry has taken since the 16th century", and Paul Fussell has estimated that "about three quarters of all English poetry is in blank verse". The first known use of blank verse in English was by Henry Howard, Earl of Surrey in his translation of the '' Æneid'' (composed c. 1540; published posthumously, 1554–1557). He may have been inspired by the Latin original since classical Latin verse did not use rhyme, or possibly he was inspired by Ancient Greek verse or the Italian verse form of '' versi sciolti'', both of which also did not use rhyme. The play ''Arden of Faversham'' (around 1590 by an unknown author) is a notable example of end-stopped blank verse. History of English blank verse The 1561 play '' Gorboduc'' by Thomas Norton and Thomas Sackville was the first English pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in ''a-bove''). "Pentameter" indicates a line of five "feet". Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his ''Paradise Lost'', and William Wordsworth in ''The Prelude''. As lines in iambic pentameter usually contain ten syllables, it is consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul
In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun ''soul'' is derived from Old English ''sāwol, sāwel''. The earliest attestations reported in the ''Oxford English Dictionary'' are from the 8th century. In King Alfred's translation of ''De Consolatione Philosophiae'', it is used to refer to the immaterial, spiritual, or thinking aspect of a person, as contrasted with the person's physical body; in the Vespasian Psalter 77.50, it means "life" or "animate existence". The Old English word is cognate with other historical Germanic terms for the same idea, including Old Frisian ''sēle, sēl'' (which could also mean "salvation", or "solemn oath"), Gothic ''saiwala'', Old High German ''sēula, sēla'', Old Saxon ''sēola'', and Old Norse ''sāla''. Present-day cognates include Dutch ''ziel'' and German ''Seele''. Religious views In Judaism and in some Christian d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry By Robert Browning
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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