Four Women (1975 Film)
   HOME
*





Four Women (1975 Film)
''Four Women'' is a 1975 Short Film, short experimental film, experimental film produced and directed by Julie Dash featuring music by Nina Simone. Summary Dancer Linda Martina Young captures the spirit of four women: Aunt Sarah, Saffronia, Sweet Thing and Peaches to the Nina Simone ballad Four Women (song), Four Women. The women represent stereotypes of black women as they attempt to survive in America. Production Linda Martina Young choreographed the dance performance, which Dash refers to as a "choreopoem". The film is celebrated as one of the first experimental films by a black woman filmmaker. The film, unlike others that portrayed the positive aspects of black womanhood, explored the negative realities many black women face in America. Restoration In addition to the original 16mm rolls, a new print was created from the color negative A/B rolls and original track negative. Screenings * Cinema Remixed and Reloaded Exhibit, Spelman College Museum of Fine Art, 2007 * One Way o ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Julie Dash
Julie Ethel Dash (born October 22, 1952) is an American film director, writer and producer. Dash received her MFA in 1985 at the UCLA Film School and is one of the graduates and filmmakers known as the L.A. Rebellion. The L.A. Rebellion refers to the first African and African-American students who studied film at UCLA.King, Susan. (October 3, 2011"The 'L.A. Rebellion' returns,"''The Los Angeles Times''. Retrieved on October 6, 2017. After she had written and directed several shorts, her 1991 feature ''Daughters of the Dust'' became the first full-length film directed by an African-American woman to obtain general theatrical release in the United States. ''Daughters of the Dust'' is a fictionalized telling of her father's Gullah family who lived off the coast of the Southeastern United States. The film features black women's stories, striking visuals shot on location and a non-linear narrative. It is included in the National Film Registry of the Library of Congress for its cultu ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Robert Maxwell (cinematographer)
Robert Maxwell (sometimes credited as Bob Maxwell) was an American cinematographer known for his work on B movies, pornography, and exploitation films of the 1960s and 1970s. His best-known credits include Melvin Van Peebles' '' Sweet Sweetback's Badasssss Song'' and ''Don't Play Us Cheap''. Selected filmography * '' Candy Stripers'' (1978) * '' Telefantasy'' (1978) * '' The Only Way to Spy'' (1978) * ''The Zebra Force'' (1976) * '' Mafia Girls'' (1975) * '' Paesano: A Voice in the Night'' (1975) * ''The Centerfold Girls'' (1974) * '' Tower of Love'' (1974) * ''Don't Play Us Cheap'' (1973) * ''The Severed Arm'' (1973) * ''The Candy Snatchers'' (1973) * ''House of Terror'' (1973) * '' Did Baby Shoot Her Sugardaddy?'' (1972) * ''Strangers'' (1972) * '' The Blue Hour'' (1971) * ''Point of Terror'' (1971) * ''Sweet Sweetback's Baadasssss Song'' (1971) * ''Wanderlove'' (1970) * '' Up Your Teddy Bear'' (1970) * ''Blood Mania'' (1970) * '' The Bang Bang Gang'' (1970) * '' The Zodiac ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Nina Simone
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone (), was an American singer, songwriter, pianist, and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop. The sixth of eight children born from a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where, despite a well received audition, she was denied admission,Liz Garbus, 2015 documentary film, ''What Happened, Miss Simone?'' which she attributed to racism. In 2003, just days before her death, the Institute awarded her an honorary degree. To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to "Nina Simone" to disguise herself ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Short Film
A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits". In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35 mm reels or less, and featurettes for a film of three or four reels. "Short" was an abbreviation for either term. The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by film grants, nonprofit organizations, sponsor, or personal funds. Short films are generally used for industry experience and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]