Four Times Of The Day
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Four Times Of The Day
''Four Times of the Day'' is a series of four oil paintings by English artist William Hogarth. They were completed in 1736 and in 1738 were reproduced and published as a series of four engravings. They are humorous depictions of life in the streets of London, the vagaries of fashion, and the interactions between the rich and poor. Unlike many of Hogarth's other series, such as ''A Harlot's Progress'', ''A Rake's Progress'', ''Industry and Idleness'', and ''The Four Stages of Cruelty'', it does not depict the story of an individual, but instead focuses on the society of the city in a humorous manner. Hogarth does not offer a judgment on whether the rich or poor are more deserving of the viewer's sympathies. In each scene, while the upper and middle classes tend to provide the focus, there are fewer moral comparisons than seen in some of his other works. Their dimensions are about by each. The four pictures depict scenes of daily life in various locations in London as the day ...
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John Gay
John Gay (30 June 1685 – 4 December 1732) was an English poet and dramatist and member of the Scriblerus Club. He is best remembered for ''The Beggar's Opera'' (1728), a ballad opera. The characters, including Captain Macheath and Polly Peachum, became household names.. Early life Gay was born in Barnstaple, England, last of five children of William Gay (died 1695) and Katherine (died 1694), daughter of Jonathan Hanmer, "the leading Nonconformist divine of the town" as founder of the Independent Dissenting congregation in Barnstaple. The Gay family- "fairly comfortable... though far from rich"- lived in "a large house, called the Red Cross, on the corner of Joy Street". The Gay family was "of respectable antiquity" in North Devon, associated with the manor of Goldsworthy at Parkham and with the parish of Frithelstock (where the senior line remained, resident at the priory Cloister Hall with its lands, until 1823) and became "powerful and numerous" in the town, "established a ...
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Hogarth Painting The Muse
Hogarth may refer to: People * Burne Hogarth (1911–1996), American cartoonist, illustrator, educator and author * David George Hogarth (1862–1927), English archaeologist * Donald Hogarth (1879–1950), Canadian politician and mining financier * Joseph Hogarth (1801–1879), British fine art print publisher and retailer * Mary Hogarth, sister-in-law of Charles Dickens * Paul Hogarth (1917–2001), English painter and illustrator * Steve Hogarth (born 1959), English musician; lead singer of the rock band Marillion * Susan Hogarth, American libertarian politician * Thomas William Hogarth (1901–1999), writer of books about the Bull Terrier breed of dog * William Hogarth (1697–1764), English painter, engraver, pictorial satirist and cartoonist ** Engraving Copyright Act 1734, or "Hogarth('s) Act" ** John Collier (caricaturist) (1708–1786), artist, poet and satirical writer known as the "Lancashire Hogarth" * William Hogarth Main, known as Bill Main, namesake of the Hogarthi ...
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Pluto (mythology)
In Religion in ancient Greece, ancient Greek religion and Greek mythology, mythology, Pluto ( gr, Πλούτων, ') was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. ''Ploutōn'' was frequently conflation, conflated with Plutus, Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name ''Ploutōn'' came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as ''Plouton'' and as ''Kore'' respectively. Hades, by contrast, had few temples and religious practices assoc ...
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Diana (mythology)
Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside, hunters, crossroads, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter (mythology), Jupiter and Latona, and a twin brother, Apollo,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. though she had Diana Nemorensis, an independent origin in Italy. Diana is considered a virgin goddess and protector of childbirth. Historically, Diana made up a triad with two other Roman deities: Egeria (mythology), Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god. Diana is revered in modern neopagan religions including Roman polytheistic reconstructionism, Roman neopaganism, Stregheria, and Wicca. In the ancient, medieval, and modern periods, Diana has been considered a triple deity, m ...
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Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ...
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Aurora (mythology)
Aurōra () is the Latin word for dawn, and the goddess of dawn in Roman mythology and Latin poetry. Like Greek ''Eos'' and Rigvedic ''Ushas'', ''Aurōra'' continues the name of an earlier Indo-European dawn goddess, '' Hausos''. Name Aurōra stems from Proto-Italic ''*ausōs'', and ultimately from Proto-Indo-European ''*haéusōs'', the "dawn" conceived as divine entity. It has cognates in the goddesses Ēṓs, Uṣas, Aušrinė, Auseklis and Ēastre. Roman mythology In Roman mythology, Aurōra renews herself every morning and flies across the sky, announcing the arrival of the Sun. Her parentage was flexible: for Ovid, she could equally be ''Pallantis'', signifying the daughter of Pallas, or the daughter of Hyperion. She has two siblings, a brother ( Sol, the Sun) and a sister (Luna, the Moon). Roman writers rarely imitated Hesiod and later Greek poets by naming Aurōra as the mother of the Anemoi (the Winds), who were the offspring of Astraeus, the father of the stars. A ...
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Points Du Jour
Point or points may refer to: Places * Point, Lewis, a peninsula in the Outer Hebrides, Scotland * Point, Texas, a city in Rains County, Texas, United States * Point, the NE tip and a ferry terminal of Lismore, Inner Hebrides, Scotland * Points, West Virginia, an unincorporated community in the United States Business and finance *Point (loyalty program), a type of virtual currency in common use among mercantile loyalty programs, globally *Point (mortgage), a percentage sometimes referred to as a form of pre-paid interest used to reduce interest rates in a mortgage loan * Basis point, 1/100 of one percent, denoted ''bp'', ''bps'', and ''‱'' * Percentage points, used to measure a change in percentage absolutely * Pivot point (technical analysis), a price level of significance in analysis of a financial market that is used as a predictive indicator of market movement * "Points", the term for profit sharing in the American film industry, where creatives involved in making the fi ...
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Pastoral
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, define ...
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Nicolas Lancret
Nicolas Lancret (22 January 1690 – 14 September 1743) was a French painter. Born in Paris, he was a brilliant depicter of light comedy which reflected the tastes and manners of French society during the regency of the Duke of Orleans and, later, early reign of King Louis XV. Career Lancret’s first master was Pierre d'Ulin, but his acquaintance with and admiration for Watteau induced him to leave Ulin for Gillot, whose pupil Watteau had been. Lancret, who remained a pupil of Gillot from 1712–1713, was heavily influenced by the older painter, whose typical slender figures can be found in many of his pupil's younger works. Two pictures painted by Lancret and exhibited on the Place Dauphine had a great success, which laid the foundation of his fortune, and, it is said, estranged Watteau, who had been complimented as their author. In 1718 he was received as an Academician, from thereon becoming a very respected artist, especially amongst the admirers of Watteau. He completed ...
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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ...
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A Description Of The Morning
"A Description of the Morning" is a poem by Anglo-Irish poet Jonathan Swift, written in 1709. The poem discusses contemporary topics, including the social state of London at the time of the writing, as well as the developing of commerce and business in the area, and the effect the latter had on the common people and common lifestyle in England. Others have also referred to the text as an early example of the oxymoronic "town eclogue," or "urban georgic". It was first published in October 1710, in the British magazine the ''Tatler'', which was first printed in the same year of the poem's creation. Following the poem's publication in the ''Tatler'', Swift became an occasional contributor to the content of the magazine, often submitting portions of his work. This collaboration has resulted in Swift's labeling as one of the magazine's more prominent contributors. The subsequent poem by Swift published in the magazine, which was related to "A Description of the Morning" and was entitle ...
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