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Four Eleven Forty Four
"Four Eleven Forty-Four", or "4-11-44" is a phrase that has been used repeatedly in popular music and as a reference to numbers allegedly chosen by poor African Americans for the purpose of gambling on lotteries. It was a well-known phrase in the 19th and early 20th century in the United States. History of usage The roots of the phrase can be traced to the illegal lottery known as "policy" in the nineteenth-century U.S. Numbers were drawn on a wheel of fortune, ranging from 1 to 78. A three-number entry was known as a "gig", and a bet on 4, 11, and 44 was popular by the time of the Civil War.(23 November 1869)4-11-44 - The New York Lottery Policy Game ''The New York Herald''(2 November 1860)Meeting to ratify the nomination of John C. Mather ''New York Daily Tribune'' (multiple 4-11-44 references) The ''New York Clipper'', a sporting and theatrical weekly, ran a serial story by John Cooper Vail in April and May 1862 entitled "'4-11-44!' or The Lottery of Life in the Great Ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aunt Sally's Policy Players Dream Book 1889 4-11-44
An aunt is a woman who is a sibling of a parent or married to a sibling of a parent. Aunts who are related by birth are second-degree relatives. Known alternate terms include auntie or aunty. Children in other cultures and families may refer to the cousins of their parents as aunt or uncle due to the age and generation gap. The word comes from la, amita via Old French ''ante'' and is a family relationship within an extended or immediate family. The male counterpart of an aunt is an uncle, and the reciprocal relationship is that of a nephew or niece. Additional terms * A half-aunt is a half-sister of a parent. * An aunt-in-law is the aunt of one's spouse and is the wife of the uncle of somebody. . * A great-aunt/grandaunt (sometimes written grand-aunt) is the sister of one's grandparent. Despite the popular usage of great-aunt, genealogists consider it more correct to use grandaunt for a grandparent's sister to avoid confusion with earlier generations. Similarly, the fem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Fey
Charles Fey (born August Fey in Vöhringen, Bavaria; September 9, 1862 – November 10, 1944) was a San Francisco mechanic best known for inventing the slot machine. Career and invention His father Karl worked as a sexton at the Ulm Minster cathedral and had fifteen children with Charles' mother Maria. As a teenager, Fey worked for a farming tool manufacturer, gaining his first skills, which heavily influenced his career. In 1877, Charles Fey moved to France to work there, and spent some time in England too, before leaving for the United States at age twenty-three, where his uncle lived in New Jersey.Wohlers, Tony and Eric Schmaltz"Charles August Fey."In ''Immigrant Entrepreneurship: German-American Business Biographies, 1720 to the Present'', vol. 3, edited by Giles R. Hoyt. German Historical Institute. Last modified March 25, 2014. Fey traveled all over the USA and settled in San Francisco, California where he started working at the Western Electric Works company in 1885. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Grey
Al Grey (June 6, 1925 – March 24, 2000) was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called ''Plunger Techniques''. Career Al Grey was born in Aldie, Virginia, United States, and grew up in Pottstown, Pennsylvania. He was introduced to the trombone at the age of four, playing in a band called the Goodwill Boys, which was led by his father. During World War II he served in the U.S. Navy, where he continued to play the trombone. Soon after his discharge, he joined Benny Carter's band, then the bands of Jimmie Lunceford, Lucky Millinder, and Lionel Hampton. In the 1950s, he was a member of the big bands of Dizzy Gillespie and Count Basie. He led bands in the 1960s with Billy Mitchell and Jimmy Forrest. Later in life he recorded with Clark Terry and J. J. Johnson. He made thirty recordings under his own name and another seventy with bands. Grey's early trombon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Booker Ervin
Booker Telleferro Ervin II (October 31, 1930 – August 31, 1970) was an American tenor saxophone player. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is remembered for his association with bassist Charles Mingus. Biography Ervin was born in Denison, Texas, United States. He first learned to play trombone at a young age from his father, who played the instrument with Buddy Tate."Ervin, Booker T., Jr." Texas State Historical Association. After leaving school, Ervin joined the , stationed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pony Poindexter
Norwood "Pony" Poindexter (February 8, 1926, New Orleans, Louisiana – April 14, 1988, Oakland, California) was an American jazz saxophonist. Poindexter began on clarinet and switched to playing alto and tenor sax. In 1940 he studied under Sidney Desvigne, and following World War II attended the newly founded Candell Conservatory of Music in Oakland, California. From 1947 to 1950 he played with Billy Eckstine. In 1950 he played in a quartet with Vernon Alley. From 1951 to 1952, he was with Lionel Hampton and in 1952 he played with Stan Kenton. Neal Hefti wrote the tune "Little Pony", named after Poindexter, for the Count Basie Orchestra. Through the end of the 1950s Poindexter played extensively both as a leader and as a sideman, recording with Charlie Parker, Nat King Cole, T-Bone Walker, and Jimmy Witherspoon. In the early 1960s he began playing the soprano sax as well. He recorded with Eric Dolphy and Dexter Gordon on a session for Epic Records around 1962. From 1961 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa Charlie Jackson
Papa Charlie Jackson (November 10, 1887 – May 7, 1938) was an early American bluesman and songster who accompanied himself with a banjo guitar, a guitar, or a ukulele. His recording career began in 1924. Much of his life remains a mystery, but his draft card lists his birthplace as New Orleans, Louisiana, and his death certificate states that he died in Chicago, Illinois, on May 7, 1938. Career He was born William Henry Jackson. Initially, he performed in minstrel shows and medicine shows. Harris, Sheldon (1994). ''Blues Who's Who'' (rev. ed.). New York: Da Capo Press. p. 263. . From the early 1920s into the 1930s, he played frequent club dates in Chicago and was noted for busking at Chicago's Maxwell Street Market. In August 1924, he recorded the commercially successful "Airy Man Blues" and "Papa's Lawdy Lawdy Blues" for Paramount Records. In April 1925, Jackson released his version of " Shave 'Em Dry". One of his subsequent tracks, " Salty Dog Blues", became his most famo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosa Henderson
Rosa Henderson (November 24, 1896 – April 6, 1968) was an American jazz and classic female blues singer and vaudeville entertainer of the Harlem Renaissance era. Life and career Born Rosa Deschamps in Henderson, Kentucky, Henderson, Kentucky, she is remembered as one of the great female blues singers of the 1920s and 1930s List of classic female blues singers, classic blues era. Her career as an entertainer began in 1913 when she joined her uncle's circus troupe. She married Douglas "Slim" Henderson in 1918 and began traveling with his Mason-Henderson show. Her career as a musical comedian started during the early 1920s, after she moved to New York, where she performed on Broadway theatre, Broadway. She eventually also performed in London. Her nine-year recording career began in 1923. During that time she recorded over one hundred songs, sometimes using pseudonyms such as Sally Ritz, Flora Dale, Sarah Johnson, Josephine Thomas, Gladys White, and Mamie Harris. She was accompani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winsor McCay
Zenas Winsor McCay ( – July 26, 1934) was an American cartoonist and animator. He is best known for the comic strip ''Little Nemo'' (1905–14; 1924–26) and the animated film ''Gertie the Dinosaur'' (1914). For contractual reasons, he worked under the pen name Silas on the comic strip ''Dream of the Rarebit Fiend''. From a young age, McCay was a quick, prolific, and technically dextrous artist. He started his professional career making posters and performing for dime museums, and in 1898 began illustrating newspapers and magazines. In 1903 he joined the ''New York Herald'', where he created popular comic strips such as ''Little Sammy Sneeze'' and ''Dream of the Rarebit Fiend''. In 1905 his signature strip ''Little Nemo in Slumberland'' debuted—a fantasy strip in an Art Nouveau style about a young boy and his adventurous dreams. The strip demonstrated McCay's strong graphic sense and mastery of color and Perspective (graphical), linear perspective. McCay experimented with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Nemo In Slumberland
Little Nemo is a fictional character created by American cartoonist Winsor McCay. He originated in an early comic strip by McCay, ''Dream of the Rarebit Fiend'', before receiving his own spin-off series, ''Little Nemo in Slumberland''. The full-page weekly strip depicted Nemo having fantastic dreams that were interrupted by his awakening in the final panel. The strip is considered McCay's masterpiece for its experiments with the form of the comics page, its use of color and perspective, its timing and pacing, the size and shape of its panels, and its architectural and other details. ''Little Nemo in Slumberland'' ran in the ''New York Herald'' from October 15, 1905, until July 23, 1911. The strip was renamed ''In the Land of Wonderful Dreams'' when McCay brought it to William Randolph Hearst's ''New York American'', where it ran from September 3, 1911, until July 26, 1914. When McCay returned to the ''Herald'' in 1924, he revived the strip, and it ran under its original titl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will A
Will may refer to: Common meanings * Will and testament, instructions for the disposition of one's property after death * Will (philosophy), or willpower * Will (sociology) * Will, volition (psychology) * Will, a modal verb - see Shall and will People and fictional characters * Will (comics) (1927–2000), a comic strip artist * Will (given name), a list of people and fictional characters named Will or Wil * Will (surname) * Will (Brazilian footballer) (born 1973) Arts, entertainment, and media Films * '' Will: G. Gordon Liddy'', a 1982 TV film * ''Will'' (1981 film), an American drama * ''Will'' (2011 film), a British sports drama * ''Bandslam'', a 2008 film with the working title ''Will'' Literature * ''Will'' (novel), by Christopher Rush * ''Will'', an autobiography by G. Gordon Liddy Music * Will (band), a Canadian electronic music act * ''Will'' (Julianna Barwick album), a 2016 album by Julianna Barwick * ''Will'' (Leo O'Kelly album), a 2011 album by Leo O'Kelly *''Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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