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Fortuna Huiusce Diei
''Fortuna Huiusce Diei'' ("The Fortune of This Day" or "Today's Fortune") was an aspect of the goddess Fortuna, known primarily for her temple in the Area Sacra di Largo Argentina at Rome. Cicero lists her among the deities who should be cultivated in his ideal state, because "she empowers each day". She thus embodies an important aspect of time as it figures in Roman religion: every day of the year had a distinct and potent nature, which the public priests were responsible for knowing and aligning the community with by means of the religious calendar. Temple The Temple of ''Fortuna Huiusce Diei'' in the Area Sacra was vowed by Q. Lutatius Catulus at the Battle of Vercellae in 101 BC. It is the only known temple to this goddess, and probably the first. Its founding belongs to a period of religious innovation, with new cult titles for traditional Roman deities, and an increasing tendency to embrace imported gods, particularly those of the Greeks, through theological and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortuna Huiusce Diei - Head
Fortuna ( la, Fortūna, equivalent to the Greek mythology, Greek goddess Tyche) is the goddess of fortune and the personification of luck in Religion in ancient Rome, Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy ''fortuna / sfortuna'' (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La [dea] fortuna è cieca" (latin ''Fortuna caeca est''; "Luck [goddess] is blind"). Fortuna is often depicted with a Gubernaculum (classical), gubernaculum (ship's rudder), a ball or Rota Fortunae (wheel of fortune, first mentioned by Cicero) and a cornucopia (horn of plenty). She might bring good or bad luck: she could be represented as veiled and blind, as in modern depictions of Lady Justice, except that Fortuna does ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Roman Deities
The Roman deities most widely known today are those the Romans identified with Greek counterparts (see ''interpretatio graeca''), integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Empire. Many of the Romans' own gods remain obscure, known only by name and sometimes function, through inscriptions and texts that are often fragmentary. This is particularly true of those gods belonging to the archaic religion of the Romans dating back to the era of kings, the so-called "religion of Numa", which was perpetuated or revived over the centuries. Some archaic deities have Italic or Etruscan counterparts, as identified both by ancient sources and by modern scholars. Throughout the Empire, the deities of peoples in the provinces were given new theological interpretations in light of functions or attributes they shared with Roman deities. An extensiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Campus Martius
The Campus Martius (Latin for the "Field of Mars", Italian ''Campo Marzio'') was a publicly owned area of ancient Rome about in extent. In the Middle Ages, it was the most populous area of Rome. The IV rione of Rome, Campo Marzio, which covers a smaller section of the original area, bears the same name. Antiquity According to Rome's foundation myth, prior to the founding of the city, Rhea Silvia had her twin sons, Romulus and Remus, taken by the King of Alba Longa. The boys were later discarded in the swelling Tiber River, which would later run along the Campus' western boundary. Washing ashore further downriver, the brothers would return decades later to found a new city. Romulus, who became Rome's sole king (after killing his brother Remus), ruled for many years until sometime in the seventh century B.C. As he came to the end of his life, a storm cloud descended upon the center of the open field outside the city's pomerium in order to lift the elderly king to heaven.Jac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Largo Di Torre Argentina
Largo di Torre Argentina is a square in Rome, Italy, with four Roman Republican temples and the remains of Pompey's Theatre. It is in the ancient Campus Martius. The name of the square comes from the ''Torre Argentina'', which takes its name from the city of Strasbourg whose Latin name was ''Argentoratum''. In 1503, the Papal Master of Ceremonies Johannes Burckardt, who came from Strasbourg and was known as "Argentinus", built in ''via del Sudario'' a palace (now at number 44), called ''Casa del Burcardo'', to which the tower is annexed. Julius Caesar was assassinated in the Curia of Pompey, and the spot where he is believed to have been assassinated is in the square. After Italian unification, it was decided to reconstruct part of Rome (1909), demolishing the zone of Torre Argentina. However, during the demolition work in 1927, the colossal head and arms of a marble statue were discovered. The archaeological investigation brought to light the presence of a ''holy area'', datin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felicitas
In ancient Roman culture, ''felicitas'' (from the Latin adjective ''felix'', "fruitful, blessed, happy, lucky") is a condition of divinely inspired productivity, blessedness, or happiness. ''Felicitas'' could encompass both a woman's fertility and a general's luck or good fortune. The divine personification of Felicitas was cultivated as a goddess. Although ''felicitas'' may be translated as "good luck," and the goddess Felicitas shares some characteristics and attributes with Fortuna, the two were distinguished in Roman religion. Fortuna was unpredictable and her effects could be negative, as the existence of an altar to ''Mala Fortuna'' ("Bad Luck") acknowledges. Felicitas, however, always had a positive significance. She appears with several epithets that focus on aspects of her divine power. Felicitas had a temple in Rome as early as the mid-2nd century BC, and during the Republican era was honored at two official festivals of Roman state religion, on July 1 in conjunctio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sulla
Lucius Cornelius Sulla Felix (; 138–78 BC), commonly known as Sulla, was a Roman general and statesman. He won the first large-scale civil war in Roman history and became the first man of the Republic to seize power through force. Sulla had the distinction of holding the office of consul twice, as well as reviving the dictatorship. A gifted and innovative general, he achieved numerous successes in wars against foreign and domestic opponents. Sulla rose to prominence during the war against the Numidian king Jugurtha, whom he captured as a result of Jugurtha's betrayal by the king's allies, although his superior Gaius Marius took credit for ending the war. He then fought successfully against Germanic tribes during the Cimbrian War, and Italic tribes during the Social War. He was awarded the Grass Crown for his bravery at the Battle of Nola. Sulla was closely associated with Venus, adopting the title Epaphroditos meaning favored of Aphrodite/Venus. Sulla played an important rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Triumph
The Roman triumph (') was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or in some historical traditions, one who had successfully completed a foreign war. On the day of his triumph, the general wore a crown of laurel and an all-purple, gold-embroidered triumphal '' toga picta'' ("painted" toga), regalia that identified him as near-divine or near-kingly. In some accounts, his face was painted red, perhaps in imitation of Rome's highest and most powerful god, Jupiter. The general rode in a four-horse chariot through the streets of Rome in unarmed procession with his army, captives, and the spoils of his war. At Jupiter's temple on the Capitoline Hill, he offered sacrifice and the tokens of his victory to the god Jupiter. In Republican tradition, only the Senate could grant a triumph. The origins and development of this honour were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaius Marius
Gaius Marius (; – 13 January 86 BC) was a Roman general and statesman. Victor of the Cimbric and Jugurthine wars, he held the office of consul an unprecedented seven times during his career. He was also noted for his important reforms of Roman armies. He set the precedent for the shift from the militia levies of the middle Republic to the professional soldiery of the late Republic; he also improved the '' pilum'', a javelin, and made large-scale changes to the logistical structure of the Roman army. Rising from a well-off provincial Italian family in Arpinum, Marius acquired his initial military experience serving with Scipio Aemilianus at the Siege of Numantia in 134 BC. He won election as tribune of the plebs in 119 BC and passed a law limiting aristocratic interference in elections. Barely elected praetor in 115 BC, he next became the governor of Further Spain where he campaigned against bandits. On his return from Spain he married Julia, the aunt of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Consul
A consul held the highest elected political office of the Roman Republic ( to 27 BC), and ancient Romans considered the consulship the second-highest level of the ''cursus honorum'' (an ascending sequence of public offices to which politicians aspired) after that of the censor. Each year, the Centuriate Assembly elected two consuls to serve jointly for a one-year term. The consuls alternated in holding '' fasces'' – taking turns leading – each month when both were in Rome and a consul's '' imperium'' extended over Rome and all its provinces. There were two consuls in order to create a check on the power of any individual citizen in accordance with the republican belief that the powers of the former kings of Rome should be spread out into multiple offices. To that end, each consul could veto the actions of the other consul. After the establishment of the Empire (27 BC), the consuls became mere symbolic representatives of Rome's republican heritage and held very litt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porticus Catuli
The Porticus Catuli (" Portico of Catulus") was a landmark (Latin ''monumentum'') on the Palatine Hill in ancient Rome. It was built by Quintus Lutatius Catulus (consul 102 BC) to commemorate his joint victory with Gaius Marius over the Cimbri at Vercellae. The portico was adjacent to the house ''( domus)'' of Catulus, which Pliny the Elder regarded as one of the grandest built in the late 2nd century BC. The practice of expanding a family's ''domus'' from the relatively modest structures of the mid-Republic began at this time. The Porticus Catuli became known for the display of art works there. Its impressiveness rivaled that of the Temple of Honor and Virtue built by Marius also to commemorate the victory, for which both men earned a triumph. The Porticus Catuli was located on a prominent piece of real estate that had already been highly politicized. It had formerly been the site of the house of M. Fulvius Flaccus, one of the supporters of the popularist Gaius Gracchus who wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the '' cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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