Forbidden City (Electronic Song)
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Forbidden City (Electronic Song)
"Forbidden City" is a song by English band Electronic (band), Electronic, comprising Bernard Sumner and Johnny Marr, with guesting co-writer Karl Bartos of Kraftwerk, released as the lead single from their second album ''Raise the Pressure'', and their first new release in almost exactly four years, the last being the stand-alone single "Disappointed (Electronic song), Disappointed". Composition The track was one of the fastest to be written and recorded on the album, with most of the music by Marr and the lyrics by Sumner (much like "Get the Message (song), Get the Message" and "Make It Happen (Electronic song), Make It Happen"). It is a guitar pop/rock song with a heavily distorted guitar solo by Marr; lyrically it is about a young man who has an abusive relationship with his father but wants to return home despite this antagonism. Single As well as a UK release, "Forbidden City" was also issued in Australia and Germany on Compact Disc, and in the US as a 1-track Promotional re ...
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Electronic (band)
Electronic were an English alternative dance supergroup formed by singer/guitarist Bernard Sumner (of New Order) and guitarist Johnny Marr (of The Smiths). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. History The two first met in 1984 when the Smiths guitarist contributed to a Quando Quango track that Sumner was producing. Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. He decided to produce a solo album but found that he did not enjoy working alone, so he called Marr for help.''Q'', July 1991 Inspired by contemporary dance music like Italo house and acts such as Technotronic, their initial concept was to release white label records on Factory and remain an anonymous entity, in contrast to their ...
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Make It Happen (Electronic Song)
"Make It Happen" is a dance/rock song written and performed by the Bernard Sumner/ Johnny Marr band Electronic. Produced by Electronic with Arthur Baker, it is the first track on their third album ''Twisted Tenderness''. Sumner and Marr both contribute vocals and guitar, while Jimi Goodwin from Doves provides bass and Jed Lynch plays drums and percussion. Merv de Peyer is credited with programming and keyboards plus audio mixing. Arthur Baker with scratching. Intended as the first single from the album (an honour which went to "Vivid"), "Make It Happen" was eventually issued as a promotional 10" single on clear vinyl, like the previous promo " Prodigal Son". This featured an Ice-T sample that was cut from the album version due to a clearance problem. Around eleven seconds longer, it had been released on promo versions of the album but the legal issues had prevented its inclusion on the commercial edition. The version with the sample did appear on Electronic's last sin ...
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Songs Written By Bernard Sumner
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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Songs Written By Johnny Marr
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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Songs Written By Karl Bartos
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compos ...
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1996 Singles
File:1996 Events Collage.png, From left, clockwise: A bomb explodes at Centennial Olympic Park in Atlanta, set off by a radical anti-abortionist; The center fuel tank explodes on TWA Flight 800, causing the plane to crash and killing everyone on board; Eight people die in a blizzard on Mount Everest; Dolly the Sheep becomes the first mammal to have been cloned from an adult somatic cell; The Port Arthur Massacre occurs on Tasmania, and leads to major changes in Australia's gun laws; Macarena, sung by Los del Río and remixed by The Bayside Boys, becomes a major dance craze and cultural phenomenon; Ethiopian Airlines Flight 961 crash-ditches off of the Comoros Islands after the plane was hijacked; the 1996 Summer Olympics are held in Atlanta, marking the Centennial (100th Anniversary) of the modern Olympic Games., 300x300px, thumb rect 0 0 200 200 Centennial Olympic Park bombing rect 200 0 400 200 TWA FLight 800 rect 400 0 600 200 1996 Mount Everest disaster rect 0 200 30 ...
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Electronic (band) Songs
Electronic may refer to: *Electronics, the science of how to control electric energy in semiconductor * ''Electronics'' (magazine), a defunct American trade journal *Electronic storage, the storage of data using an electronic device *Electronic commerce or e-commerce, the trading in products or services using computer networks, such as the Internet *Electronic publishing or e-publishing, the digital publication of books and magazines using computer networks, such as the Internet *Electronic engineering, an electrical engineering discipline Entertainment *Electronic (band), an English alternative dance band ** ''Electronic'' (album), the self-titled debut album by British band Electronic *Electronic music, a music genre *Electronic musical instrument *Electronic game, a game that employs electronics See also *Electronica, an electronic music genre *Consumer electronics Consumer electronics or home electronics are electronic (analog or digital) equipment intended for everyday ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Getting Away With It
"Getting Away with It" is the first single by the English band Electronic, which comprised Bernard Sumner of New Order, ex- Smiths guitarist Johnny Marr, and guesting vocalist Neil Tennant of Pet Shop Boys. It was first released in 1989. Composition Musically, Bernard Sumner wrote the verse and Johnny Marr wrote the chorus. The lyrics, co-written by Tennant with Sumner, are a parody of Marr's Smiths partner Morrissey, and his public stereotyping as morose and masochistic (Pet Shop Boys would further satirise this trend on their 1990 song "Miserablism"). In a 2021 interview with Music Radar, Marr revealed that Chris Lowe worked on the track, citing the bassline as his work. ABC and The The Drummer David Palmer programmed the track's drums. The fluid, rich production incorporates a full orchestra (conducted by Art of Noise's Anne Dudley) and a rare guitar solo by Marr, while the three remixes that appeared on the two UK 12-inch releases take in disparate musical styles li ...
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Get The Message - The Best Of Electronic
Get or GET may refer to: * Get (animal), the offspring of an animal * Get (divorce document), in Jewish religious law * GET (HTTP), a type of HTTP request * "Get" (song), by the Groggers * Georgia Time, used in the Republic of Georgia * Get AS, a Norwegian cable-TV operator and internet service provider * GET-ligaen, the premier Norwegian ice hockey league * Gets (people), or Getae, Thracian tribes * Graded exercise therapy, for CFS etc. * Groupe des Écoles des Télécommunications, now Institut Mines-Télécom, a French public institution * Guaranteed Education Tuition Program, in Washington state * GetTV, an American digital multicast television network * Get 27, a mint liqueur * Geraldton Airport, IATA airport code "GET" See also * * * Git (other) * Got (other) * Acquisition (other) * Receive (other) Receiver or receive may refer to: Arts, entertainment, and media Music Albums * ''Receiver'' (album), the second and final album of t ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Promotional Recording
A promotional recording, or promo, or plug copy, is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and music television, television stations, and to tastemakers, such as DJs, music journalism, music journalists, and music criticism, critics, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release. Promos are often distributed in plain packaging, without the text or artwork that appears on the commercial version. Typically a promo is marked with some variation of the following text: "Licensed for promotional use only. Sale is prohibited." It may also state that the promo is still the property of the distributor and is to be "returned upon demand." However, it is not illegal to sell promotional re ...
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