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For Emily, Whenever I May Find Her
"For Emily, Whenever I May Find Her" is a song written by Paul Simon and recorded by American music duo Simon & Garfunkel on their third studio album, ''Parsley, Sage, Rosemary and Thyme'' (1966). It is sung solely by Art Garfunkel, and consists mainly of his vocals with heavy reverb and a 12-string acoustic guitar. The lyrics concern finding a lover, although Simon once characterized the subject matter as being about a "belief," rather than about a specific individual. First issued as a single as the B-side of "A Hazy Shade of Winter" (1966), the song was later reissued in live form in 1972 to promote the release of the compilation album ''Simon and Garfunkel's Greatest Hits''. The track reached number 53 on the ''Billboard'' Hot 100 in July 1972. Afterwards, the song was switched to the B-side of the single with “America” as the A-side and re-entered the charts in November 1972. It has been covered numerous times by many notable artists, and remains a staple of Art Garfunk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon & Garfunkel
Simon & Garfunkel were an American folk rock duo consisting of the singer-songwriter Paul Simon and the singer Art Garfunkel. They were one of the best-selling music groups of the 1960s, and their biggest hits—including the electric remix of " The Sound of Silence" (1965), "Mrs. Robinson" (1968), "The Boxer" (1969), and " Bridge over Troubled Water" (1970)—reached number one on singles charts worldwide. Simon and Garfunkel met in elementary school in Queens, New York, in 1953, where they learned to harmonize and began writing songs. As teenagers, under the name Tom & Jerry, they had minor success with "Hey Schoolgirl" (1957), a song imitating their idols, the Everly Brothers. In 1963, aware of a growing public interest in folk music, they regrouped and were signed to Columbia Records as Simon & Garfunkel. Their debut album, ''Wednesday Morning, 3 A.M.,'' sold poorly; Simon returned to a solo career, this time in England. In June 1965, a new version of "The Sound of Silence" a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record World
''Record World'' magazine was one of the three main music industry trade magazines in the United States, along with '' Billboard'' and '' Cashbox''. It was founded in 1946 under the name ''Music Vendor'', but in 1964 it was changed to ''Record World'', under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. Many music industry personalities, writers, and critics began their careers there in the early 1970s to 1980s. History Growth ''Record World'' has been considered the hipper, faster-moving music industry publication, in contrast to the stodgier ''Billboard'' and ''Cashbox'', its sister magazine. ''Music Vendor'', as it was then known, published its first music chart for the week ending October 4, 1954. A weekly, like its competitors, it was housed in New York City at 1700 Broadway, at 53rd Street, just across the street from the Ed Sullivan Theater, and West Coast editorial offices in Los Angeles on Sunset and Vine. Rock bands frequented '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Simple Desultory Philippic (or How I Was Robert McNamara'd Into Submission)
"A Simple Desultory Philippic (Or How I Was Robert McNamara'd Into Submission)" is a song written by American singer-songwriter Paul Simon. Originally recorded for Simon's 1965 UK-only debut, ''The Paul Simon Songbook'', it was recorded soon after by Simon and his partner, Art Garfunkel, for the duo's third album ''Parsley, Sage, Rosemary and Thyme''. It is generally considered a parody of American musician Bob Dylan's writing style, especially that of "Subterranean Homesick Blues", released on Dylan's 1965 album ''Bringing It All Back Home''. The original version was subtitled "Or how I was Lyndon Johnson'd into Submission" in a spoken introduction at the beginning, after Simon announced the song's title. The subtitle does not appear on the sleeve or the disc label. "Desultory" means lacking in consistency, disconnected, random and a philippic is a fiery, damning speech, or tirade, delivered to condemn a particular political actor. Recording history Simon's original, solo perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixolydian Mode
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode. (The Hypomixolydian mode of medieval music, by contrast, has no modern counterpart.) The modern diatonic mode is the scale forming the basis of both the rising and falling forms of Harikambhoji in Carnatic music, the classical music form of southern India. Greek Mixolydian The idea of a Mixolydian mode comes from the music theory of ancient Greece. The invention of the ancient Greek Mixolydian mode was attributed to Sappho, the poet and musician. However, what the ancient Greeks thought of as Mixolydian is very different from the modern interpretation of the mode. The prefix ''mixo''- (μιξο-) means "half", referring to its resemblance to the Lydian mode. In Greek theory, the Mixolydian ''tonos'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus Global Media
Prometheus Global Media was a New York City-based B2B media company. The company was formed in December 2009, when Nielsen Company sold its entertainment and media division to a private equity-backed group led by Pluribus Capital Management and Guggenheim Partners. Guggenheim acquired Pluribus's stake in the company in January 2013, giving it full ownership under the division of Guggenheim Digital Media. The company owned and operated a number of major entertainment industry trade publications and their associated digital properties, including ''Adweek'', '' Backstage'', '' Billboard'', ''Film Journal International'', and ''The Hollywood Reporter''. On December 17, 2015, it was announced that Guggenheim would spin out its media properties to a group led by former executive Todd Boehly, known as Eldridge Industries. History Founding On December 10, 2009, the Nielsen Company announced that it would sell its Business Media division, which included brands such as ''Adweek'', ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bookends (album)
''Bookends'' is the fourth studio album by American folk rock duo Simon & Garfunkel. Produced by Paul Simon, Art Garfunkel and Roy Halee, the album was released on April 3, 1968, in the United States by Columbia Records. The duo had risen to fame two years prior with the albums ''Sounds of Silence'' and ''Parsley, Sage, Rosemary and Thyme'' and the soundtrack album for the 1967 film ''The Graduate''. ''Bookends'' is a concept album that explores a life journey from childhood to old age. Side one of the album marks successive stages in life, the theme serving as bookends to the life cycle. Side two largely consists of previously-released singles and of unused material for ''The Graduate'' soundtrack. Simon's lyrics concern youth, disillusionment, relationships, old age, and mortality. Much of the material was crafted alongside producer John Simon (no relation), who joined the recording when Paul Simon suffered from writer's block. The album was recorded gradually over the per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overs (song)
"Overs" is a song by American music duo Simon & Garfunkel from their fourth studio album, '' Bookends'' (1968). Background "Overs" was one of many songs completed during the duo's sessions with John Simon, alongside "Fakin' It," "Save the Life of My Child" and "Punky's Dilemma". The song concerns an old couple beginning to tire of one another. In their 1968 appearance on ''Kraft Music Hall'', Simon explained that "Overs" is a companion piece to their earlier composition, "For Emily, Whenever I May Find Her"; that song concerns the belief in true love, while "Overs" relates to the loss of that belief. It has been suggested that the song, which was originally written for but cut from ''The Graduate'' (1968), was inspired by the film’s depiction of two lovers (the Robinsons) in a loveless marriage. The lyrics contain almost no rhyme. Composition "Overs" is a departure from Simon’s earlier work in that it reveals "increasing independence from standard diatonic, major/minor, and/o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraft Music Hall (TV Series)
''Kraft Music Hall'' is an umbrella title for several television series aired by NBC in the United States from the 1950s to the 1970s in the musical variety genre, sponsored by Kraft Foods, the producers of a well-known line of cheeses and related dairy products. Their commercials were usually announced by "The Voice of Kraft", Ed Herlihy. Original The original ''Kraft Music Hall'' was a radio series that aired from 1933 to 1949. It was one of the most popular programs of its type, particularly during the period (1936–1946) when it was hosted by Bing Crosby, then by Al Jolson (1947-1949). However, unlike similar programs, it did not make the transition directly to network television; Kraft's early ventures into that field entailed the sponsorship of a famed series of dramas, initially broadcast live, under the title ''Kraft Television Theatre''. 1950s By 1958, Kraft was prepared to revive the ''Music Hall'' for television. The first host was "Mr. Television", Milton Berle, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
