For Certain Because
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For Certain Because
''For Certain Because'' is the fifth UK album by the Hollies and their second released in 1966. It was the first Hollies album in which all the songs were written by members Allan Clarke, Graham Nash, and Tony Hicks, and the first on which they did not use the songwriting pseudonym "L. Ransford" (or just "Ransford"). It was also the first Hollies album recorded with new bassist Bernie Calvert replacing Eric Haydock. In Bobby Elliott's book ''It Ain't Heavy, It's My Story'', he explains how he came up with the title ''For Certain Because'' by taking the three words from the children's song "Teddy Bears' Picnic". Most current CD releases of this album use the original UK album title and artwork, but a recent US CD reissue series instead uses the US title and artwork, described below. Composition Writing for AllMusic, critic Richie Unterberger sees ''For Certain Because'' as echoing the rapidly increasing sophistication in pop music throughout 1966, pointing out the album's ...
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The Hollies
The Hollies are a British pop rock band, formed in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style. Allan Clarke (singer), Allan Clarke and Graham Nash founded the band as a Merseybeat-type group in Manchester, although some of the band members came from towns further north in East Lancashire. Nash left the group in 1968 to form Crosby, Stills & Nash, though he has reunited with the Hollies on occasion. They enjoyed considerable popularity in the UK and Europe during the mid-1960s with a string of hit singles that included "Just One Look (song), Just One Look" (1964), "Here I Go Again (The Hollies song), Here I Go Again" (1964), "I'm Alive (The Hollies song), I'm Alive" (1965; their first of two UK number-ones), "Look Through Any Window" (1965) and "I Can't Let Go" (1966), although they did not achieve US chart success until "Bus Stop (song), Bus Stop" was released in 1966. The grou ...
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Teddy Bears' Picnic
"The Teddy Bears' Picnic" is a song consisting of a melody by American composer John Walter Bratton, written in 1907, and lyrics added by Irish songwriter Jimmy Kennedy in 1932. It remains popular as a children's song, having been recorded by numerous artists over the decades. Kennedy lived at Staplegrove Elm and is buried in Staplegrove Church, Taunton, Somerset, England. Local folklore has it that the small wooded area between the church and Staplegrove Scout Hut was the inspiration for his lyrics. Background Bratton composed and personally copyrighted it in 1907, and then assigned the copyright to M. Witmark & Sons, New York City, who published it later that year as "The Teddy Bears Picnic: Characteristic Two Step", according to the first page of the published piano score, as well as the orchestral parts Witmark published in an arrangement by Frank Saddler. However, the illustrated sheet music cover gives the title as THE TEDDY BEARS' PICNIC, with apostrophe on "BEARS" and ...
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The Hollies
The Hollies are a British pop rock band, formed in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style. Allan Clarke (singer), Allan Clarke and Graham Nash founded the band as a Merseybeat-type group in Manchester, although some of the band members came from towns further north in East Lancashire. Nash left the group in 1968 to form Crosby, Stills & Nash, though he has reunited with the Hollies on occasion. They enjoyed considerable popularity in the UK and Europe during the mid-1960s with a string of hit singles that included "Just One Look (song), Just One Look" (1964), "Here I Go Again (The Hollies song), Here I Go Again" (1964), "I'm Alive (The Hollies song), I'm Alive" (1965; their first of two UK number-ones), "Look Through Any Window" (1965) and "I Can't Let Go" (1966), although they did not achieve US chart success until "Bus Stop (song), Bus Stop" was released in 1966. The grou ...
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The Hollies' Greatest Hits (1967 Album)
''The Hollies' Greatest Hits'' was the first greatest hits collection by English pop group the Hollies. The album was released by Imperial Records in the US in May 1967 and by Capitol Records in Canada, under the title ''The Hits of the Hollies'' and with two different tracks, in July 1967. It was the Hollies' highest charting album in the US, peaking at number eleven during a chart stay of forty weeks. When Imperial was dissolved into United Artists Records in 1971, this album went out of print, prompting Epic (the group's then-current label) to issue its own "Greatest Hits" album two years later. The album was available in both mono and stereo formats. A little over half of the songs on the stereo version were electronically altered (e), meaning that the mono tapes were used. The Canadian version of the album deleted the songs "Memphis" and "Tell Me to My Face", substituting early Hollies hits "Stay" and "(Ain't That) Just Like Me". Neither Capitol Records, which assumed contr ...
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Bus Stop (album)
''Bus Stop'' is the fourth U.S. album by the British pop band the Hollies, released on Imperial Records in mono (LP-9330) and rechanneled stereo (LP-12330) in October 1966. It features songs ranging from both sides of the band's then-current hit single to material recorded in the Hollies' early days on the UK's Parlophone Records in 1963, 1964 and 1965. The song "Oriental Sadness" had previously been issued in the U.S. on the Hollies' album '' Beat Group!'' earlier in 1966. ''Bus Stop'' was also the fourth Canadian album by The Hollies, released on Capitol Records in mono and stereo ((S)T-6195) on November 7, 1966. Unlike its American counterpart, it did not include any material from before the 1965 recording sessions for the ''Hollies'' album. Instead, the album combined the current single with generally unissued tracks from the UK albums ''Hollies'' and ''Would You Believe?''. Three songs ("Oriental Sadness", "That's How Strong My Love Is" and "I Take What I Want") had pr ...
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Capitol Records
Capitol Records, LLC (known legally as Capitol Records, Inc. until 2007) is an American record label distributed by Universal Music Group through its Capitol Music Group imprint. It was founded as the first West Coast-based record label of note in the United States in 1942 by Johnny Mercer, Buddy DeSylva, and Glenn E. Wallichs. Capitol was acquired by British music conglomerate EMI as its North American subsidiary in 1955. EMI was acquired by Universal Music Group in 2012, and was merged with the company a year later, making Capitol and the Capitol Music Group both distributed by UMG. The label's circular headquarters building is a recognized landmark of Hollywood, California. Both the label itself and its famous building are sometimes referred to as "The House That Nat Built." This refers to one of Capitol's most famous artists, Nat King Cole. Capitol is also well known as the U.S. record label of the Beatles, especially during the years of Beatlemania in America from 1964 ...
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Imperial Records
Imperial Records is an American record company and label started in 1947 by Lew Chudd. The label was reactivated in 2006 by EMI, which owned the label and back catalogue at the time. Imperial is owned by Universal Music Group. Early years to 1979 When Imperial was founded in 1947, it concentrated on rhythm and blues (R&B) and country music: Fats Domino, Frankie Ford, Ricky Nelson, and Slim Whitman. In the UK, Imperial was distributed by London Records. During the 1950s and 1960s, Imperial released jazz albums by Sonny Criss, Charlie Mariano, Papa Celestin, Erskine Hawkins, and Harold Land. Imperial bought Aladdin in 1960 and Minit Records in 1963, having distributed Minit since 1960. During the 1950s, Imperial was one of the primary labels issuing a vast quantity of R&B from New Orleans through their involvement with producer and writer Dave Bartholomew and in the 1960s with their distribution (and purchase, a few years later) of Minit. In 1963, after Imperial lost Fats Domino ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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Orchestral Music
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians employed in a ...
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Latin-American Music
The music of Latin America refers to music originating from Latin America, namely the Romance language, Romance-speaking regions of the Americas south of the United States. Latin American music also incorporates African music from enslaved African people who were transported from West and Central Africa to the Americas by European settlers, as well as music from the Indigenous peoples of the Americas. Due to its highly Syncretism, syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, Bachata (music), bachata, bossa nova, Merengue music, merengue, Cuban rumba, rumba, Salsa music, salsa, samba, son (music), son, and Tango music, tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, Latin rock, rock, Latin jazz, jazz, Latin hip hop, hip hop, and reggaeton. Geographically, it usually refers to the Spanish and Portuguese-speaking regions ...
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Dixieland Jazz
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the peri ...
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Rubber Soul
''Rubber Soul'' is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom, on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". The original North American release, issued by Capitol Records, contains ten of the fourteen songs and two tracks withheld from the band's ''Help!'' album. ''Rubber Soul'' was met with a highly favourable critical response and topped sales charts in Britain and the United States for several weeks. The recording sessions took place in London over a four-week period beginning in October 1965. For the first time in their career, the Beatles were able to record an album free of concert, radio or film commitments. Often referred to as a folk rock album, particularly in its Capitol configuration, ''Rubber Soul'' incorporates a mix of pop, soul and folk musical styles. The title derives from the colloquialism "plastic soul" and was the ...
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