Fontomfrom
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Fontomfrom
Fontomfrom is a Bono type of hourglass-shaped drum mostly used by an ensemble of Bono people to communicate Bono monarchy royal messages in a Bono people ethnic group setting. The Fontomfrom ensemble provides music for ceremonies honoring Bono chiefs and Bono monarchy royal processions. The Fontomfrom is also used to recite proverbs or replicate patterns of speech at most Bono monarchy royal gatherings or a Bono monarchy royal durbar. The Fontomfrom evolved from the popular hourglass-shaped drum (talking drum) of the 7th century. Shortly after the evolution, a few more non-hourglass shapes such as the Dunan, Sangban, Kenkeni and Ngoma drums were produced. Prior to the Fontomfrom becoming the ensemble that it is today, it was first introduced into Bonoman by Bonohene Akumfi Ameyaw I and Bonohemaa Owusuaa Abrafi circa 1320s, from North Africa North Africa, or Northern Africa is a region encompassing the northern portion of the African continent. There is no singularly acce ...
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Bono People
The Bono, also called the Brong and the Abron, are an Akan people of West Africa. Bonos are normally tagged Akan piesie or Akandifo of which Akan is a derivative name. Bono is the genesis and cradle of Akans. Bono is one of the largest ethnic group of Akan and are matrilineal people. Bono people speak the Bono Twi of Akan language. Twi language, thus the dialect of Bono is a derivative of a Bono King Nana Twi. In the late fifteenth century, the Bono people founded the Gyaaman kingdom as extension of Bono state in what is now Ghana and Côte d'Ivoire.Effah-Gyamfi, E. "Aspects of the Archaeology and Oral Traditions of the Bono State. Transactions of the Historical Society of Ghana"(1974) 15(2):217-227. In the 12th century when Bonos discovered gold at the Twi river and Prabom across the Tain river, Bonos became very powerful owing to its wealth in gold at Bonoman. Bonos used the gold dust as a measure of currency in Bonoman and at the various market centres of Djenne, Timbuktu a ...
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Hourglass Drum
Hourglass drums are a sub-category of membranophone, or drum, characterized by an hourglass shape. They are also known as ''waisted drums''. Drumheads are attached by laces, which may be squeezed during a performance to alter the pitch. The category also includes pellet drums such as the ''damaru'', although not all pellet drums are hourglass shaped (such as the Korean ''do'', ''nodo'', ''noedo'', and ''yeongdo'', which are barrel shaped). Hourglass drums exists in most regions of the world, but have very different construction methods, dimensions, purposes and playing methods. The label of hourglass drum is hence as generic as the label for bowed instrument or reed instrument. Thus the designation of Hourglass drum is used as a category in general instrument construction and does not refer to any particular uniform instrument. See also *Batá drum (Cuba, West Africa) *Damaru (Indian subcontinent) * Dekki (Sri Lanka) * Dhad sarangi (India, Pakistan) *Galgo (Korea) *Idakka (India) ...
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Ngoma Drums
Ngoma (also called engoma or ng'oma or ingoma) are musical instruments used by certain Bantu populations of Africa. ''Ngoma'' is derived from the Kongo word for "drum". Different Bantu-inhabited regions have their own traditions of percussion, with different names for their instruments. In Kikongo, "ngoma" is used by extension to signify specific dances, social occasions, and rhythms. In Swahili, ''Ngoma music'' is used to describe music, dance, instruments including the drums, and events together as a joint cultural practice.. Use in the Great Lakes and Southern Africa The ngoma drum is known as ''engoma'' throughout the African Great Lakes region. In Swahili, ngoma resulted because of unease in pronouncing ''engoma'' by dropping the syllable ''e''. The Banyankore hold drums in high regard; especially the royal drums headed by ''Bagyendanwa'', without which a prince never laid claim to kingship. The Baganda of Uganda have a special relationship with ngoma drums, so much so th ...
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Ashanti Musical Instruments
Ashanti may refer to: * Ashanti people, an ethnic group in West Africa ** Ashanti Empire, a pre-colonial West African state in what is now southern Ghana ** Ashanti dialect or Asante, a literary dialect of the Akan language of southern Ghana ** Ashanti Region, a region within Ghana ** Ashanti (Crown Colony), a United Kingdom colony 1901–1957 in what is now Ghana * Ashanti (singer) (born 1980), American singer-songwriter and actress ** ''Ashanti'' (album), a 2002 album by Ashanti * ''Ashanti'' (1979 film), an American film * ''Ashanti'' (1982 film), an Indian film * HMS ''Ashanti'' (F51), a Tribal-class destroyer launched in 1937 * HMS ''Ashanti'' (F117), a Tribal-class frigate launched in 1959 People with the given name * Ashanti Alston (born 1954), former Black Panther Party member * Ashanti Johnson, American geochemist and chemical oceanographer * Ashanti Obi (born 1952), Nigerian sprinter See also * Asante (other) * Ashanti Gold SC, a football club in Obuasi, A ...
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Ashanti People
The Asante, also known as Ashanti () are part of the Akan ethnic group and are native to the Ashanti Region of modern-day Ghana. Asantes are the last group to emerge out of the various Akan civilisations. Twi is spoken by over nine million Asante people as a first or second language. The wealthy, gold-rich Asante people developed the large and influential Ashanti Empire, along the Lake Volta and Gulf of Guinea. The empire was founded in 1670, and the capital Kumase was founded in 1680 by Asantehene (emperor) Osei Kofi Tutu I on the advice of Okomfo Anokye, his premier. Sited at the crossroads of the Trans-Saharan trade, the Kumase megacity's strategic location contributed significantly to its growing wealth. Over the duration of the Kumase metropolis' existence, a number of peculiar factors have combined to transform the Kumase metropolis into a financial centre and political capital. The main causal factors included the unquestioning loyalty to the Asante rulers and the Kum ...
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African Drums
Sub-Saharan African music is characterised by a "strong rhythmic interest" that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting ''one main system''. C. K. Ladzekpo also affirms the ''profound homogeneity'' of approach. West African rhythmic techniques carried over the Atlantic were fundamental ingredients in various musical styles of the Americas: samba, forró, maracatu and coco in Brazil, Afro-Cuban music and Afro-American musical genres such as blues, jazz, rhythm & blues, funk, soul, reggae, hip hop, and rock and roll were thereby of immense importance in 20th century popular music. The drum is renowned throughout Africa. Rhythm in Sub-Saharan African culture Many Sub-Saharan languages do not have a word for ''rhythm'', or even ''music''. Rhythms represent the very fabric of life and embody the people's interdependence in human relationships ...
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North Africa
North Africa, or Northern Africa is a region encompassing the northern portion of the African continent. There is no singularly accepted scope for the region, and it is sometimes defined as stretching from the Atlantic shores of Mauritania in the west, to Egypt's Suez Canal. Varying sources limit it to the countries of Algeria, Libya, Morocco, and Tunisia, a region that was known by the French during colonial times as "''Afrique du Nord''" and is known by Arabs as the Maghreb ("West", ''The western part of Arab World''). The United Nations definition includes Morocco, Algeria, Tunisia, Libya, Egypt, Sudan, and the Western Sahara, the territory disputed between Morocco and the Sahrawi Republic. The African Union definition includes the Western Sahara and Mauritania but not Sudan. When used in the term Middle East and North Africa (MENA), it often refers only to the countries of the Maghreb. North Africa includes the Spanish cities of Ceuta and Melilla, and plazas de s ...
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Bono State
Bono State (or Bonoman) was a trading state created by the Bono people, located in what is now southern Ghana. Bonoman was a medieval Akan kingdom in what is now Bono, Bono East and Ahafo region respectively named after the (Bono and Ahafo) and Eastern Ivory Coast. It is generally accepted as the origin of the subgroups of the Akan people who migrated out of the state at various times to create new Akan states in search of gold. The gold trade, which started to boom in Bonoman as early in the 12th century, was the genesis of Akan power and wealth in the region, beginning in the Middle Ages. Origin The origin of the Akan people of Bonoman was said to be further north in what is now called the Sahel or the then Ghana Empire when Bono natives wanted to remain with their traditional form of Bono ancestral worship and spirituality, those Akans that disagreed and fought wars against Islam, migrated south of the Sahara, in present-day Ghana. Trading centers used by state Bono Man ...
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Dunun
Dunun (; plural dunun) (also spelled dundun or doundoun) is the generic name for a family of West African drums that have developed alongside the ''djembe'' in the Mande drum ensemble. A dunun is a rope-tuned cylindrical drum with a rawhide skin at both ends, most commonly cow or goat. The drum is played with a stick. Depending on the region, a plain straight stick, curved stick with flat head (similar to the stick used for a '' tama''), or a straight stick with a cylindrical head attached at right angles near one end may be used to strike the skin. Traditionally, the drum is played horizontally (placed on a stand or worn with a shoulder strap). For a right-handed player, the right hand plays the skin and the left hand optionally plays a bell that may be mounted on top of the drum or held in the left hand. The latter style is popular in Mali and originally from the Khassonké people. Three different sizes of dunun are commonly played in West Africa. *The ''dundunba'' (als ...
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Kenkeni
Dunun (; plural dunun) (also spelled dundun or doundoun) is the generic name for a family of West African drums that have developed alongside the ''djembe'' in the Mande drum ensemble. A dunun is a rope-tuned cylindrical drum with a rawhide skin at both ends, most commonly cow or goat. The drum is played with a stick. Depending on the region, a plain straight stick, curved stick with flat head (similar to the stick used for a '' tama''), or a straight stick with a cylindrical head attached at right angles near one end may be used to strike the skin. Traditionally, the drum is played horizontally (placed on a stand or worn with a shoulder strap). For a right-handed player, the right hand plays the skin and the left hand optionally plays a bell that may be mounted on top of the drum or held in the left hand. The latter style is popular in Mali and originally from the Khassonké people. Three different sizes of dunun are commonly played in West Africa. *The ''dundunba'' (als ...
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Durbar Festival
The Durbar festival is an annual cultural, religious and equestrian festival celebrated in several northern cities of Nigeria including Kano, Katsina, Sokoto, Zazzau, Bauchi, Bida and Ilorin. The festival marks the end of Ramadan and also coincides with the Muslim festivities of Eid al-Adha and Eid al-Fitri. It begins with prayers at dawn, followed by a colourful mounted parade of the Emir and his retinue of horsemen, musicians, and artillerymen. At the Durbar festivals noblemen travel to pay homage to the Emir and reaffirm their loyalty to their various emirates. The festival dates back to the 14th century in Kano, the largest city in Northern Nigeria. The Kano durbar festival is a four-day extravaganza of opulence, horsemanship, and street parades. Etymology The word Durbar is of Persian origin and it was first linked to ceremonial assemblies marking the proclamation of Queen Victoria as the Empress of colonial India in 1877. But the native Hausa use the term "Hawan Sa ...
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