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Fondazione Querini Stampalia
The Fondazione Querini Stampalia is a cultural institution in Venice, Italy, founded in 1869 at the behest of the last descendant of the Venetian Querini Stampalia family, Conte Giovanni Querini (Count John Querini). Architect Carlo Scarpa designed interior, exterior, and garden elements and spaces on the ground floor of the historic building. Location The foundation is located in the Palazzo Querini Stampalia and includes living quarters, an archive, a library, and a museum of paintings and furnishings, the Pinacoteca Querini Stampalia. Located just South of the Church of Santa Maria Formosa in the sestiere Castello, the Foundation is open to the public for academic research. Paolo Monti - Servizio fotografico (Venezia, 1963) - BEIC 6328671.jpg, Entrance Paolo Monti - Servizio fotografico (Venezia, 1963) - BEIC 6337242.jpg, Atrium Paolo Monti - Servizio fotografico (Venezia, 1963) - BEIC 6337243.jpg, Interior Paolo Monti - Servizio fotografico (Venezia, 1963) - BEIC 63372 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giandomenico Tiepolo
Giovanni Domenico Tiepolo (August 30, 1727March 3, 1804) was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo. Life history Domenico was born in Venice, studied under his father, and by the age of 13 was the elder Tiepolo's chief assistant. He was one of the many assistants, including his brother Lorenzo, who transferred the designs of his father (often executed in 'oil sketches). By the age of 20, he was producing his own work for commissioners. He assisted his father in Würzburg 1751–3, decorating the famous stairwell fresco, in Vicenza at the Villa Valmarana Ai Nani in 1757, and in Madrid at the palace of Charles III from 1762 to 1770. Works His painting style developed after the death of his father in 1770, at which time he returned to Venice, and worked there as well as in Genoa and Padua. His painting, though keeping the decorative influence of his father, moved from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Venice
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative arts, decorative or applied arts. The nature of art and rela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Venice
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libraries In Venice
A library is a collection of materials, books or media that are accessible for use and not just for display purposes. A library provides physical (hard copies) or digital access (soft copies) materials, and may be a physical location or a virtual space, or both. A library's collection can include printed materials and other physical resources in many formats such as DVD, CD and cassette as well as access to information, music or other content held on bibliographic databases. A library, which may vary widely in size, may be organized for use and maintained by a public body such as a government; an institution such as a school or museum; a corporation; or a private individual. In addition to providing materials, libraries also provide the services of librarians who are trained and experts at finding, selecting, circulating and organizing information and at interpreting information needs, navigating and analyzing very large amounts of information with a variety of resources. Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Stefani
Mario Stefani (1938 – 4 March 2001) was an Italian poet. Stefani was openly gay, and his poetry was some of the first Italian poetry to explore homosexuality. A selection of his poetry was translated into English by Anthony Reid and published in 1982 as ''No Other Gods''. Alongside his poetry, Stefani taught classes in literature and wrote literary and art reviews. He also presented a popular unscripted television show. In 2001, graffiti began appearing around Venice, featuring a quote of Stefani's: "Loneliness is not being alone; it's loving others to no avail". A month later, Stefani hanged himself in his kitchen. His $1 million estate was left to a fruit vendor whose young daughter had inspired his work. Details of his life were retold in John Berendt John Berendt (born December 5, 1939) is an American author, known for writing the best-selling non-fiction book ''Midnight in the Garden of Good and Evil'', which was a finalist for the 1995 Pulitzer Prize in General ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugenio Da Venezia
Eugenio Da Venezia (November 9, 1900 – September 7, 1992) was an Italian painter. He was a member of the group known as I Giovani di Palazzo Carminati (the youths of Palazzo Carminati). This group rejected the prevailing style of the Italian Academy at the beginning of the 20th century. Da Venezia painted in a post-impressionist style, influenced by the Venetian tradition of the vedutisti. He exhibited in ten editions of Venice Biennale between 1934 and 1956, including the XL anniversary in 1935. Biography Eugenio Da Venezia was born in Venice. He trained at the Art Institute and the Academy of Fine Arts in Venice. His teachers were Ettore Tito, Emilio Paggiaro and Vittorio Bressanin. Later he studied at the Opera Bevilacqua La Masa in Palazzo Carminati in Venice, where his painting style developed. Here he was part of the group later known as I Giovani di Palazzo Carminati (The Palazzo Carminati Young) with Marco Novati, Fioravante Seibezzi, Juti Ravenna, Neno Mori, Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Ricci
Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was the uncle of Marco Ricci (1676 – 1730), who trained with him, and became an innovator in landscape painting. Early years He was born in Belluno, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to Federico Cervelli of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a Pisani family member. He eventually married the mother of his child in 1691, although this was a stormy union ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Ricci
Marco Ricci (6 June 1676 – 21 January 1730) was an Italian painter of the Baroque period. Early years He was born at Belluno and received his first instruction in art from his uncle, Sebastiano Ricci, likely in Milan in 1694–6.Giacometti, Margherita. In: ''The Glory of Venice: Art in the Eighteenth Century.'' Martineau, Jane; and Andrew Robinson, eds. Yale University Press: New Haven and London, 1994. He left for Venice with his uncle in 1696, but had to flee the city. He visited Rome, where he was for some time occupied in painting perspective views.Bryan, Michael; and George Stanley. A biographical and critical dictionary of painters and engravers: with a list of ciphers, monograms, and marks. G. Bell, 1878. In 1706–7, he worked with his uncle on the decoration of the Sala d'Ercole in the Palazzo Fenzi, located in Florence. Ricci's propensity for collaboration with other artists makes his early style difficult to trace, but it is generally agreed that his influences includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Muttoni
Pietro della Vecchia, Pietro della Vècchia or Pietro Vècchia, formerly incorrectly called Pietro MuttoniBernard Aikema. "Vecchia, Pietro della."Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 March 2018 (Vicenza, 1603 – Venice, 8 September 1678) was a versatile Italian painter who worked in many genres and created altarpieces, portraits, genre scenes and grotesques. He also created pastiches of the work of leading Italian painters of the 16th century. He designed cartoons for mosaics and worked as an art restorer. Della Vecchia was also sought after as an art expert and did expert valuations of artworks. He worked most of his life in Venice and its environs except for a brief stay in Rome.Bernard Aikema, ''Pietro Della Vecchia'' in: Dizionario Biograf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Longhi
Alessandro Longhi (12 June 1733 – November 1813) was a Venetian portrait painter and printmaker in etching (mostly reproductions of paintings). He is known best for his oil portraits of Venetian nobles of state. His father was the famed genre painter Pietro Longhi. He trained under his father and Giuseppe Nogari (1699–1763). Like Sebastiano Bombelli in the prior century, Alessandro Longhi is noted for his zealous full-length depictions of robes and emblems of office. His "tumultuous and unusual (etching) technique shows first-hand knowledge of Rembrandt's etchings", according to Olimpia Theodoli.Jane Martineau and Andrew Robison (eds), ''The Glory of Venice, Art in the Eighteenth Century'' (exhib Cat RA London/NGA Washington) Yale UP, 1994 Works *''Luigi and Alvise III Pisani and family'' *''Portrait of Carlo Goldoni'' () *''Portrait of a Composer'', erroneously to be the ''Portrait of Domenico Cimarosa'' *''Portrait of a Lady'' () *''Portrait of a Gentleman'' () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_The_Prodigal_Son_-_732311_-_National_Trust.jpg "Click for more on -> Sebastiano Ricci")
