Follow The Red Line
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Follow The Red Line
''Follow the Red Line'' (subtitled ''Live at the Village Vanguard'') is the third live album by jazz saxophonist Chris Potter (jazz saxophonist), Chris Potter recorded in February of 2007 & released later that year on the Sunnyside Records, Sunnyside label. It features Potter with guitarist Adam Rogers (musician), Adam Rogers, keyboardist Craig Taborn and drummer Nate Smith (musician), Nate Smith. Reception The Allmusic review by Michael G. Nastos awarded the album 3 stars stating "For Potter's fans, this is a worthwhile addition to his growing discography. Considering Potter as a new music composer, this indicates how his music is changing and still flowering, and in a developmental stage. Evidently Potter and the audience were very pleased with the results". All About Jazz correspondent John Kelman observed "It's an exercise in futility to find a name for the music of ''Follow the Red Line''. But as Potter blurs the lines between jazz, rock, funk and even a little afro- beat ...
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Chris Potter (jazz Saxophonist)
Chris Potter (born January 1, 1971) is an American jazz saxophonist, composer, and multi-instrumentalist. Potter first came to prominence as a sideman with trumpeter Red Rodney (1992–1993), before extended stints with drummer Paul Motian (1994–2009), bassist Dave Holland (1999–2007), trumpeter Dave Douglas (1998–2003) and session work, while also maintaining an active solo career.Huey, SteveChris Potter Biography accessed 10 November 2015 Biography Chris Potter was born in Chicago, Illinois, but his family moved to Columbia, South Carolina, where he spent his formative years. Potter showed an early interest in a wide variety of different music and learned several instruments, including the guitar and piano. He realized after hearing Paul Desmond that the saxophone would be the vehicle that would best allow him to express himself musically. He has been quoted by Jazz Times as saying that, "'Music has always been a vehicle for me to investigate the things that are importan ...
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The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ...
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2007 Live Albums
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube (algebra), cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as Symbolism of the Number 7, highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the Brahmi numerals, beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit m ...
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Chris Potter (jazz Saxophonist) Live Albums
Christopher Potter (1591 – 3 March 1646) was an English academic and clergyman, Provost of The Queen's College, Oxford, controversialist and prominent supporter of William Laud. Life He was born in Westmoreland, the nephew of Barnaby Potter. He matriculated at Queen's on 11 July 1606, aged 15, having entered the college in the previous Easter term. He was elected taberdar (pauper puer) on 29 October 1609. He graduated B.A. on 30 April 1610 and M.A. on 8 July 1613, became chaplain on 5 July 1613, and fellow on 22 March 1614–15. He was magister puerorum in 1620, and senior bursar in 1622; graduated B.D. and received a preacher's licence on 9 March 1621, and proceeded D.D. on 17 February 1627. He was in early life a follower of Henry Airay, opponent of Laud, and held a lectureship at Abingdon where he was a popular preacher. On his uncle's resignation of the headship of Queen's (17 June 1626), he was elected Provost. He now attached himself to Laud, and was made chaplain in ...
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Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digita ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Ed Blackwell
Edward Joseph Blackwell (October 10, 1929 – October 7, 1992) was an American jazz drummer born in New Orleans, Louisiana, known for his extensive, influential work with Ornette Coleman. Biography Blackwell's early career began in New Orleans in the 1950s. He played in a bebop quintet that included pianist Ellis Marsalis and clarinetist Alvin Batiste. There was also a brief stint touring with Ray Charles. The second line parade music of New Orleans greatly influenced Blackwell's drumming style and could be heard in his playing throughout his career. Blackwell first came to national attention as the drummer with Ornette Coleman's quartet around 1960, when he took over for Billy Higgins in the quartet's stand at the Five Spot in New York City. He is known as one of the great innovators of the free jazz of the 1960s, fusing New Orleans and African rhythms with bebop. In the 1970s and 1980s, Blackwell toured and recorded extensively with fellow Ornette Quartet veterans Don Cher ...
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JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ...
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Penguin Books
Penguin Books is a British publishing, publishing house. It was co-founded in 1935 by Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year."About Penguin – company history"
, Penguin Books.
Penguin revolutionised publishing in the 1930s through its inexpensive paperbacks, sold through Woolworths Group (United Kingdom), Woolworths and other stores for Sixpence (British coin), sixpence, bringing high-quality fiction and non-fiction to the mass market. Its success showed that large audiences existed for serious books. It also affected modern British popular culture significantly through its books concerning politics, the arts, and science. Penguin Books is now an imprint (trade name), imprint of the ...
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The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ...
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All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near You'', about local concerts and events. The Jazz Journalists Association voted ''All About Jazz'' Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when the category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia. He heard classical and jazz from his father's music collection. He played trumpet and went to his first jazz concert when he was eight. With a background in computer programming, he combined his interest in jazz and the internet by creating the ''All About Jazz'' website in 1995. The website publishes reviews, interviews, and articles pe ...
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Village Vanguard
The Village Vanguard is a jazz club at Seventh Avenue South in Greenwich Village, New York City. The club was opened on February 22, 1935, by Max Gordon. Originally, the club presented folk music and beat poetry, but it became primarily a jazz music venue in 1957. It has hosted many highly renowned jazz musicians since then, and today is the oldest operating jazz club in New York City. History Early years Max Gordon opened the Village Vanguard in 1934 on Charles Street and Greenwich Avenue. He intended it to be a forum for poets and artists as well as a site for musical performances. Due to insufficient facilities, Gordon was refused a cabaret license from the police department and was unable to create the club that he envisioned. In his autobiography he wrote, "I knew if I was ever to get anywhere in the nightclub business, I'd have to find another place with two johns, two exits, two hundred feet away from a church or synagogue or school, and with the rent under $100 a month. ...
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