Folksingers 'Round Harvard Square
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Folksingers 'Round Harvard Square
''Folksingers 'Round Harvard Square'' is a collaborative folk album featuring Joan Baez, Bill Wood and Ted Alevizos; it is also Baez's debut appearance as six of the eighteen tracks were solos by her. The album was recorded by Stephen Fassett in "a friend's basement studio" in Boston, May 1959. In 1963, an unauthorized reissue of the album was released on Squire Records as ''The Best of Joan Baez'' (minus four tracks that did not contain Baez' vocals — "Le Cheval dans la baignoire," "The Bold Soldier," "Lass from the Low Country" and "Rejected Lover"), but was withdrawn after Baez took legal action against it (by which time the album had already made the top-fifty on the U.S. albums charts). Harvard Square is a place in Cambridge, Massachusetts; Baez had a residence at Club 47 Club Passim is an American folk music club in the Harvard Square area of Cambridge, Massachusetts. It was opened by Joyce Kalina (now Chopra) and Paula Kelley in 1958, when it was known as Club 47 (bas ...
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Joan Baez
Joan Chandos Baez (; born January 9, 1941) is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more than 30 albums. Fluent in Spanish and English, she has also recorded songs in at least six other languages. Baez is generally regarded as a folk singer, but her music has diversified since the counterculture era of the 1960s and encompasses genres such as folk rock, pop, country, and gospel music. She began her recording career in 1960 and achieved immediate success. Her first three albums, ''Joan Baez'', ''Joan Baez, Vol. 2'' and ''Joan Baez in Concert'', all achieved gold record status. Although a songwriter herself, Baez generally interprets other composers' work, having recorded songs by the Allman Brothers Band, the Beatles, Jackson Browne, Leonard Cohen, Woody Guthrie, Violeta Parra, the Rolling Stones, Pete Seeger, Paul Simon, Ste ...
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Banks Of The Ohio
"Banks of the Ohio", also known as "Down on the Banks of the Ohio" and "I'll Never Be Yours", is a 19th-century murder ballad, written by unknown authors. The lyrics tell of "Willie" who invites his young lover for a walk during which she rejects his marriage proposal, and once they are alone on the river bank, he murders the young woman. The song was first recorded by country musicians in 1927, and has been performed by many country and folk singers since. Olivia Newton-John released a version in 1971 and her recording reached No. 1 in Australia and No. 6 in the UK. Background The song is similar to other murder ballads in the idiom of songs such as "The Lexington Murder" and "The Knoxville Girl". These ballads may be traced back to the British broadside tradition of songs dated to at least the end of 18th century, such as "The Oxford Girl" and "The Berkshire Tragedy" (Roud 263; Laws P35), songs that may have been based on real events. In these songs, the murderer posing as the na ...
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List Of Caribbean Folk Music Traditions
This is a list of folk music traditions, with styles, dances, instruments and other related topics. The term '' folk music'' can not be easily defined in a precise manner; it is used with widely varying definitions depending on the author, intended audience and context within a work. Similarly, the term ''traditions'' in this context does not connote any strictly-defined criteria. Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal or ethnic lines, and all such peoples will likely use different criteria to decide what constitutes a "folk music tradition". This list uses the same general categories used by mainstream, primarily English-language, scholarly sources, as determined by relevant statements of fact and the internal structure of works. These traditions may coincide e ...
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Music Of North Carolina
The U.S. state of North Carolina is known particularly for its history of old-time music. Many recordings were made in the early 20th century by folk song collector Bascom Lamar Lunsford. Influential North Carolina country musicians like the North Carolina Ramblers and Al Hopkins helped solidify the sound of country music in the late 1920s, while influential bluegrass musicians such as Earl Scruggs and Doc Watson came from North Carolina. Arthur Smith had the first nationally syndicated television program which featured country music. He composed " Guitar Boogie", the all-time best selling guitar instrumental, and " Dueling Banjos", the all-time best selling banjo composition. Country artist Eric Church from the Hickory area, has had multiple No. 1 albums on the ''Billboard'' 200, including ''Chief'' in 2011. Both North and South Carolina are a hotbed for traditional country blues, especially the style known as the Piedmont blues. Elizabeth Cotten, from Chapel Hill, was ...
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Appalachian Music
Appalachian music is the music of the region of Appalachia in the Eastern United States. Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles (particularly Scotland), the African music and blues of early African Americans, and to a lesser extent the music of Continental Europe. First recorded in the 1920s, Appalachian musicians were a key influence on the early development of old-time music, country music, bluegrass, and rock n' roll, and were an important part of the American folk music revival of the 1960s. Instruments typically used to perform Appalachian music include the banjo, American fiddle, fretted dulcimer, and later the guitar.Ted Olson,Music," ''Encyclopedia of Appalachia'', 2006. Retrieved: 28 January 2015. Early recorded Appalachian musicians include Fiddlin' John Carson, G. B. Grayson & Henry Whitter, Bascom Lamar Lunsford, the Carter Family, Clarence Ashley, and Dock Boggs, all ...
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John Henry (folklore)
John Henry is an American folk hero. An African American, he is said to have worked as a "steel-driving man"—a man tasked with hammering a steel drill into rock to make holes for explosives to blast the rock in constructing a railroad tunnel. The story of John Henry is told in a classic blues folk song, which exists in many versions, and has been the subject of numerous stories, plays, books, and novels. Legend According to legend, John Henry's prowess as a steel driver was measured in a race against a steam-powered rock drilling machine, a race that he won only to die in victory with a hammer in hand as his heart gave out from stress. Various locations, including Big Bend Tunnel in West Virginia, Lewis Tunnel in Virginia, and Coosa Mountain Tunnel in Alabama, have been suggested as the site of the contest. The contest involved John Henry as the hammerman working in partnership with a shaker, who would hold a chisel-like drill against mountain rock, while the hammerman st ...
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Careless Love
"Careless Love" is a traditional song, with several popular blues versions. It has been called a "nineteenth-century ballad and Dixieland standard". The death referenced in an old version was the son of a Kentucky governor. Although published accounts have cited 1926 as the copyright date, W. C. Handy copyrighted "Loveless Love" in 1921 under Pace & Handy Music Co. A recording by Bessie Smith titled "Careless Love Blues" was very popular in 1925. The same year it was recorded by Papa Celestin and his Tuxedo Dixieland Jazz Band and released as a single by OKeh. New Orleans cornetist Chris Kelly was famous for his emotional rendition of the piece. Many other artists have recorded "Careless Love" including Lonnie Johnson (musician), Dr. John, Brook Benton, Connie Francis, Dinah Washington, Snooks Eaglin, Fats Domino, Frankie Laine, Madeleine Peyroux, Nat King Cole, Ray Charles, Rosemary Clooney, Shirley Bassey and Ronnie Lane. Noh Sa-yeon released a Korean version of this song, "Nim ...
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So Soon In The Morning
"So Soon in the Morning" is a traditional religious song performed in 1959 by Joan Baez and Bill Wood on Baez's first album, ''Folksingers 'Round Harvard Square''. The duo sung it in a fast gospel tempo. The lyrics contain lines from a 19th-century hymn, " I heard the voice of Jesus say", written in 1846 by Horatius Bonar:I heard the voice of Jesus say, “Come unto Me and rest;Lay down, thou weary one, lay down Thy head upon My breast.” as well as a stanza from " Father, I stretch my hands to thee", a hymn by Charles Wesley Charles Wesley (18 December 1707 – 29 March 1788) was an English leader of the Methodist movement. Wesley was a prolific hymnwriter who wrote over 6,500 hymns during his lifetime. His works include " And Can It Be", " Christ the Lord Is Risen ...:Father, I stretch my hands to thee, no other help I know;If thou withdraw thyself from me, ah! whither shall I go?altering the words toO Lord, I stretch my hand to thee, no other help I know;If thou withdraw thy ...
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Music Of South Africa
South Africa is well known for its distinct musical styles which have played a huge role towards the country's society. The music of South Africa is very diverse with a wide variety of genres such as Marabi, Kwaito, house music, Isicathamiya, Gqom, rock music, hip hop and Amapiano. With countless hits, such as Nkosi Sikelel' iAfrika, Pata Pata, Umqombothi (song), Vulindlela and legendary singers such as Miriam Makeba, Brenda Fassie, Hugh Masekela, Yvonne Chaka Chaka and Lucky Dube, South African music has played a huge impact in Africa (especially in Southern Africa, such that countries such as Namibia and Botswana have their own versions of South African music genres such as Kwaito, etc.) Pre-20th-century history Early records of music in southern Africa indicate a fusion of cultural traditions: African, European and Asian. Modern country's early musician Enoch Sontonga wrote the Southern African national anthem ''Nkosi Sikelel' iAfrika'' in 1897. By the end of the ninete ...
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Black Is The Color
"Black Is the Color (of My True Love's Hair)" (Roud 3103) is a traditional ballad folk song known in the US as associated with colonial and later music in the Appalachian Mountains. It is believed to have originated in Scotland, as it refers to the River Clyde in the lyrics. American musicologist Alan Lomax supported the thesis of Scottish origin, saying that the song was an American "re-make of British materials." Different versions Many different versions of this song exist, some addressed to men and others addressed to women. There are other differences: * ''...like some rosy fair...'' or ''...like a rose so fair... ''or ''... something wondrous fair'' * ''...the prettiest face and the neatest hands...'' or ''...the sweetest face and the gentlest hands... ''or ...''the clearest eyes and the strongest hands '' * ''...still I hope the time will come...'' or ''...some times I wish the day will come... ''or ... ''I shall count my life as well begun, when he and I shall be as ...
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Folksong
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk revi ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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