Folk-Tales Of Bengal
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Folk-Tales Of Bengal
''Folk-Tales of Bengal'' is a collection of folk tales and fairy tales of Bengal written by Lal Behari Dey.  This article fashions the author's name "Lalbehari De". The 1912 title page credits "Rev. Lal Behari Day" (all caps). The book was published in 1883. The illustrations by Warwick Goble were added in 1912. All these stories were passed from generation to generation for centuries. Stories This list represents the 1912 Contents (page xi) that is displayed in small caps. # Life's Secret # Phakir Chand # The Indigent Brahman # The Story of the Rakshasas # The Story of Swet-Basanta # The Evil Eye of Sani # The Boy whom Seven Mothers suckled # The Story of Prince Sobur # The Origin of Opium # Strike but Hear # The Adventures of Two Thieves and of their Sons # The Ghost-Brahman # The Man who wished to be Perfect # A Ghostly Wife # The Story of a Brahmadaitya # The Story of a Hiraman # The Origin of Rubies # The Match-making Jackal # The Boy with the Moon on his Forehead T ...
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Bengal
Bengal ( ; bn, বাংলা/বঙ্গ, translit=Bānglā/Bôngô, ) is a geopolitical, cultural and historical region in South Asia, specifically in the eastern part of the Indian subcontinent at the apex of the Bay of Bengal, predominantly covering present-day Bangladesh and the Indian state of West Bengal. Geographically, it consists of the Ganges-Brahmaputra delta system, the largest river delta in the world and a section of the Himalayas up to Nepal and Bhutan. Dense woodlands, including hilly rainforests, cover Bengal's northern and eastern areas, while an elevated forested plateau covers its central area; the highest point is at Sandakphu. In the littoral southwest are the Sundarbans, the world's largest mangrove forest. The region has a monsoon climate, which the Bengali calendar divides into six seasons. Bengal, then known as Gangaridai, was a leading power in ancient South Asia, with extensive trade networks forming connections to as far away as Roman Egypt. ...
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Lal Behari Dey
Reverend Lal Behari Day (also Dey, 18 December 1824 – 28 October 1892) was an Indian writer and journalist, who converted to Christianity, and became a Christian missionary himself. Biography Lal Behari Dey was born on 18 December 1824 to a Bengali Suvarna Banik caste family at Sonapalasi near Bardhaman. His father Radhakanta Dey Mondal was a small bill broker in Kolkata. After primary education in the village school he came to Calcutta with his father and was admitted to Reverend Alexander Duff's General Assembly Institution, where he studied from 1834 to 1844. (Duff's Institution is now the Scottish Church Collegiate School; he was one of the first five boys admitted by Duff.) Under Duff's tutelage he formally embraced Christianity on 2 July 1843. In 1842, a year before his baptism he had published a tract, ''The Falsity of the Hindu Religion'', which had won a prize for the best essay from a local Christian society. From 1855 to 1867 Lal Behari was a missionary and mini ...
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Warwick Goble
Warwick Goble (22 November 1862 – 22 January 1943) was a British illustrator of children's books. He was educated and trained at the City of London School and the Westminster School of Art. He specialized in fairy tales and exotic scenes from Japan, India and Arabia. He illustrated H.G. Wells' ''The War of the Worlds'' - among his first published illustrations, soon to be followed by a suite for ''The Book of Baal''. He also provided illustrations for magazines, including ''Pearson's Magazine'', illustrating a number of early science-fiction stories, including several by Frederick Merrick White. Selected works Books illustrated: * Samuel Rutherford Crockett, ''Lad’s Love'' (Bliss Sands, 1897) * H. G. Wells, ''The War of The Worlds'' (Heinemann, 1898) * Mrs. Molesworth, ''The Grim House'' (Nisbet, 1899) * Alexander van Millingen, ''Constantinople'' (Black, 1906) * Francis A. Gasquet, ''The Greater Abbeys of England'' (Chatto, 1908) * Jane Barlow, ''Irish Ways'' (All ...
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Small Caps
In typography, small caps (short for "small capitals") are characters typeset with glyphs that resemble uppercase letters (capitals) but reduced in height and weight close to the surrounding lowercase letters or text figures. This is technically not a case-transformation, but a substitution of glyphs, although the effect is often approximated by case-transformation and scaling. Small caps are used in running text as a form of emphasis that is less dominant than all uppercase text, and as a method of emphasis or distinctiveness for text alongside or instead of italics, or when boldface is inappropriate. For example, the text "Text in small caps" appears as in small caps. Small caps can be used to draw attention to the opening phrase or line of a new section of text, or to provide an additional style in a dictionary entry where many parts must be typographically differentiated. Well-designed small capitals are not simply scaled-down versions of normal capitals; they normally reta ...
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The Son Of Seven Mothers (Indian Folktale)
The Son of Seven Mothers or The Son of Seven Queens is an Indian folktale, first published in the late 19th century by author Flora Annie Steel. It is classified in the international Aarne-Thompson-Uther Index as ATU 462, "The Outcast Queens and the Ogress Queen". Sources According to R. C. Temple, the tale was collected by author Flora Annie Steel from a Purbia boy who lived in Firozpur, and published in the magazine ''Indian Antiquary''. Summary The tale, as Steel had published it, was titled ''The Son of Seven Mothers''. Folklorist Joseph Jacobs republished it in his book ''Indian Fairy Tales'', with the title ''The Son of Seven Queens''. A king has seven wives, but no son yet. A fakir comes to him and predicts that one of his queens shall bear him a son. The king orders preparations for a grand festivity. While everything is being set up, the king goes on a hunt, despite the warnings of one of his wives. He sights a white deer in the woods and becomes transfixed with ca ...
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Prince Sobur
The Story of Prince Sobur is an Indian fairy tale. It tells the story of a princess who summons into her room a prince named ''Sobur'' (Arabic: "Patience"), or variations thereof, by the use of a magical fan. The story contains similarities to the European (French) fairy tale ''The Blue Bird''. Summary In a version of the story collected from Bengal, by Lal Behari Dey, ''The Story of Prince Sobur'', the story begins with a question of the father (a merchant, in this) to his seven daughters: "By whose fortune do they get their living?". The youngest answers that her living is by her own fortune. Her father expels her from home and she has to live in the jungle. After a while, the seventh daughter becomes rich and shares her wealth with her father. The merchant has to travel abroad, but his ship does not move. He then remembers he forgot to ask his seventh daughter what to bring her. He does and she says: "Sobur" ("wait"). He takes it to mean a thing named Sobur, and goes on his journe ...
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The Boy With The Moon On His Forehead
The Boy with a Moon on his Forehead is a Bengali folktale collected by Maive Stokes and Lal Behari Day. These tales are classified in the Aarne-Thompson-Uther Index as tale type ATU 707, " The Three Golden Children". These tales refer to stories where a girl promises a king she will bear a child or children with wonderful attributes, but her jealous relatives or the king's wives plot against the babies and their mother. Summary Stokes's version In Maive Stokes's version, later republished by folklorist Joseph Jacobs, titled ''The Boy who had a Moon on his Forehead and a Star on his Chin'', a gardener's daughter says out loud, to her friends' mockery, that when she marries the will give birth to a boy with a moon on the forehead and a star on the chin. Her friends think she is only jesting, but her words draw the king's attention, who makes her his fifth cowife. A year later, the king's other four queens convince the newly crowned one that the king may give her a kettle drum t ...
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Indian Fairy Tales
The folklore of India encompasses the folklore of the nation of India and the Indian subcontinent. India is an ethnically and religiously diverse country. Given this diversity, it is difficult to generalize the vast folklore of India as a unit. Although India is a Hindu-majority country, with more than three-fourths of the population identifying themselves as Hindus, there is no single, unified, and all-pervading concept of identity present in it. Various heterogeneous traditions, numerous regional cultures and different religions to grow and flourish here. Folk religion in Hinduism may explain the rationale behind local religious practices, and contain local myths that explain the customs or rituals. However, folklore goes beyond religious or supernatural beliefs and practices, and encompasses the entire body of social tradition whose chief vehicle of transmission is oral or outside institutional channels. Folk art of India The folk and tribal arts of India speak volumes abou ...
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Collections Of Fairy Tales
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Bengali-language Literature
Bengali ( ), generally known by its endonym Bangla (, ), is an Indo-Aryan language native to the Bengal region of South Asia. It is the official, national, and most widely spoken language of Bangladesh and the second most widely spoken of the 22 scheduled languages of India. With approximately 300 million native speakers and another 37 million as second language speakers, Bengali is the fifth most-spoken native language and the seventh most spoken language by total number of speakers in the world. Bengali is the fifth most spoken Indo-European language. Bengali is the official and national language of Bangladesh, with 98% of Bangladeshis using Bengali as their first language. Within India, Bengali is the official language of the states of West Bengal, Tripura and the Barak Valley region of the state of Assam. It is also a second official language of the Indian state of Jharkhand since September 2011. It is the most widely spoken language in the Andaman and Nicobar Islands ...
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Indian Folklore
The folklore of India encompasses the folklore of the nation of India and the Indian subcontinent. India is an ethnically and religiously diverse country. Given this diversity, it is difficult to generalize the vast folklore of India as a unit. Although India is a Hindu-majority country, with more than three-fourths of the population identifying themselves as Hindus, there is no single, unified, and all-pervading concept of identity present in it. Various heterogeneous traditions, numerous regional cultures and different religions to grow and flourish here. Folk religion in Hinduism may explain the rationale behind local religious practices, and contain local myths that explain the customs or rituals. However, folklore goes beyond religious or supernatural beliefs and practices, and encompasses the entire body of social tradition whose chief vehicle of transmission is oral or outside institutional channels. Folk art of India The folk and tribal arts of India speak volumes abou ...
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