Flute Sonata In E Minor (HWV 379)
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Flute Sonata In E Minor (HWV 379)
The ''Flute sonata in E minor'' ( HWV 379) was composed (circa 1727-28) by George Frideric Handel for flute and basso continuo. The work is also referred to as ''Opus 1 No. 1a'', and was first published in 1879 by Chrysander. Other catalogues of Handel's music have referred to the work as HG xxvii,2; and HHA iv/3,2. The work is the only sonata that survives as a flute sonata in Handel's own manuscript. Of the two sonatas published in the Chrysander edition as ''Opus 1 Sonata I'', this one (''Sonata Ia'') is not in the Walsh edition. Therefore, (although the work's authenticity remains unquestioned), this sonata is not strictly part of Handel's "Opus 1". Chrysander's ''Sonata Ia'' and ''Sonata Ib'' have their first and fourth movements in common. A typical performance of the work takes about 13 minutes. Movements The work consists of five movements: (Movements do not contain repeat markings unless indicated. The number of bars is taken from the Chrysander edition, and is t ...
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George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ...
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Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ...
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Friedrich Chrysander
Karl Franz Friedrich Chrysander (8 July 1826 – 3 September 1901) was a German music historian, critic and publisher, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a pioneer of 19th-century musicology. Biography Born at Lübtheen, in Mecklenburg-Schwerin, Chrysander was the son of a miller. He earned a Doctorate in Philosophy from the University of Rostock in 1853. He then focused his studies on music, and in an obituary for Chrysander in October 1901, the ''Musical Times'' said of him that :"From the beginning he assumed the role of an historian in rigorously defending the right and claims of musical masterpieces of a distant past to a legitimate and faithful reproduction, i.e., without modernising, and without instrumental or vocal additions." Chrysander is also credited with rediscovering the autograph score of Johann Sebastian Bach's ''Mass in B Minor,'' which he then sold to the Royal Library in B ...
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Händel-Gesellschaft
Between 1858 and 1902, the Händel-Gesellschaft ("German Handel Society") produced a collected 105-volume edition of the List of compositions by George Frideric Handel, works of George Frideric Handel. Even though the collection was initiated by the society, many of the volumes were published by Friedrich Chrysander working alone (Chrysander was the major contributor for almost all of the volumes). The wording on the title page of the volumes is "''Georg Friedrich Händel's Werke. Ausgabe der Deutschen Händelgesellschaft''" which translates as "Georg Friedrich Handel's works. Edition of the German Handel Society". Chrysander's work has been criticised, however the scale of his achievement is also praised. The collection's abbreviation of "HG" can be used to identify individual works by Handel; for example Handel's ''Messiah (Handel), Messiah'' can be referred to as "HG xlv" (with the Roman numerals "xlv" indicating that the work is in volume 45). For practical use, the HG system ...
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Hallische Händel-Ausgabe
The ''Hallische Händel-Ausgabe'' ("Halle Handel Edition") is a multi-volume collection of the works of George Frideric Handel. It was first published in the 1950s: initially as an adjunct to the HG edition, but by 1958 as a collected edition in its own right. The collection's abbreviation of "HHA" can be used to identify individual works by Handel, for example Handel's ''Messiah'' can be referred to as "HHA i/17" (with the Roman numeral "i" designating "series 1"). For practical use, the HHA numbering of Handel's works has been superseded by the HWV numbering system. Published by the George Frideric Handel Society, a major new edition comprising approximately 128 volumes is being released. It is expected to be completed by 2023 in the following configuration: See also *Händel-Gesellschaft (HG) *Händel-Werke-Verzeichnis The Händel-Werke-Verzeichnis (abbreviated as HWV) is the Catalogue of Handel's Works. It was published in three volumes (in German) by Bernd Baselt be ...
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Handel Solo Sonatas (Walsh)
''Solos for a German Flute a Hoboy or Violin with a Thorough Bass for the Harpsichord or Bass Violin Compos'd by Mr. Handel'' was published by John Walsh in 1732. It contains a set of twelve sonatas, for various instruments, composed by George Frideric Handel. The 63 page publication includes the sonatas that are generally known as Handel's ''Opus 1'' (three extra "Opus 1" sonatas were added in a later edition by Chrysander). The 1732 edition (which displays at the bottom of the title page the legend "Note: This is more Corect than the former Edition") was mostly reprinted from the plates of an earlier 1730 publication, titled ''Sonates pour un Traversiere un Violon ou Hautbois Con Basso Continuo Composées par G. F. Handel''—purportedly printed in Amsterdam by Jeanne Roger, but now shown to have been a forgery by Walsh (dated well after Jeanne Roger's death in 1722). There was also a third edition of a later, uncertain date, which bears the plate no. 407.Best 1985, 481–8 ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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Violin Sonata In D Major (HWV 371)
The ''Violin sonata in D major'' ( HWV 371) was composed (c. 1749-50) by George Frideric Handel, for violin and basso continuo. Other catalogues of Handel's music have referred to the work as HG ; and HHA . This sonata represents Handel's last piece of chamber music. The piece was not published by Walsh. The designation ''Opus 1 No.13'' was first made in the Chrysander edition. A typical performance of the work takes about twelve minutes. Movements The work consists of four movements: See also * List of solo sonatas by George Frideric Handel * XV Handel solo sonatas (publication by Chrysander) References Violin sonatas by George Frideric Handel Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ... Compositions in D major {{sonata-stub ...
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Flute Sonata In D Major (HWV 378)
The ''Flute sonata in D major'' ( HWV 378) was composed (?circa 1707) by George Frideric Handel, for flute and basso continuo. The work is also referred to as HHA iv/18,41. The work was originally attributed to 'Sr Weisse' (?Johann Sigismund Weiss), but is now considered to have been written by Handel. There is no autograph, but the sonata appears in an important manuscript of 18th century solo sonatas in the Brussels Royal Conservatory, and was published in facsimile in 1979. A typical performance of the work takes about seven minutes. Movements The work consists of four movements: See also *Handel flute sonatas It is impossible to say how many flute sonatas were composed by George Frideric Handel, but the correct number is somewhere between none and eight. There are many reasons for the confusion: some of the sonatas were originally written for other ins ... * List of solo sonatas by George Frideric Handel References Flute sonatas by George Frideric Handel {{ ...
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Passepied
The passepied (, "pass-foot", from a characteristic dance step) is a French court dance. Originating as a kind of Breton branle, it was adapted to courtly use in the 16th century and is found frequently in 18th-century French opera and ballet, particularly in pastoral scenes, and latterly also in baroque instrumental suites of dances. In English the passepied has been spelled "paspy" as well as "paspie" or "paspe", phonetic approximations of the French pronunciation. History The earliest historical mention of the passepied was by Noël du Fail in 1548, who said it was common at Breton courts. François Rabelais and Thoinot Arbeau, writing later in the 16th century, identify the dance as a type of branle characteristic of Brittany. At this time it was a fast duple-time dance with three-bar phrases, therefore of the ''branle simple'' type. Like many folk-dances it was popular at the court of Louis XIV. The passepied was remodelled by Jean-Baptiste Lully as a pastoral concert da ...
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