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Flow, My Tears
"Flow, my tears" (originally en-emodeng, Flow my teares fall from your springs, italic=no) is a lute song (specifically, an "ayre") by the accomplished lutenist and composer John Dowland (1563–1626). Originally composed as an instrumental under the name "Lachrimae pavane" in 1596, it is Dowland's most famous ayre, and became his signature song, literally as well as metaphorically: he would occasionally sign his name "Jo: dolandi de Lachrimae". Details Like others of Dowland's lute songs, the piece's musical form and style are based on a dance, in this case the pavan. It was first published in '' The Second Booke of Songs or Ayres of 2, 4 and 5 parts'' (London, 1600). The song begins with a falling tear motif, starting on an A and descending to an E by step on the text "Flow, my tears". This may have been borrowed from an Orlande de Lassus motet or Luca Marenzio madrigal (this type of motif was common in Elizabethan music to signify grief), in addition to other borrowings in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute Song
The term lute song is given to a music style from the late 16th century to early 17th century, late Renaissance to early Baroque, that was predominantly in England and France. Lute songs were generally in strophic form or verse repeating with a homophonic texture. The composition was written for a solo voice with an accompaniment, usually the lute. It was not uncommon for other forms of accompaniments such as bass viol or other string instruments, and could also be written for more voices. The composition could be performed either solo or with a small group of instruments. The basic style of lute songs is light and serious, with poetic lyrics that usually followed word-setting to composed music. In England, the songs tended to range from extended contrapuntal compositions to short harmonized tunes. The text could be written by the composer or most often borrowed from a poem, set in verse form. These songs were composed for professional and amateur performers, which had variations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lachrimae, Or Seaven Teares
''Lachrimæ or seaven teares figured in seaven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts'' is a collection of instrumental music composed by John Dowland. It was published by John Windet in 1604. It consists of a set of seven slow pieces which the composer calls tears ("teares" in Early Modern spelling) plus other pieces including some livelier numbers. The title page of ''Lachrimæ'' is adorned with a Latin epigram: ''"Aut Furit, aut Lachrimat, quem non Fortuna beavit"'' ("He whom Fortune has not blessed either rages or weeps"). Dowland points out in his dedication that there are different types of tears. “The teares which Musicke weeps” can be pleasant; “neither are teares shed always in sorrow but sometime in joy and gladnesse”. Instrumentation As the title page suggests, the music is scored for five viols, or alternatively violins (that is, members of the violin family), and lute. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banco De Gaia
Banco de Gaia is an English electronic music project, formed in 1989 by Toby Marks (born 1964, South London, England). The music of Banco de Gaia is mostly categorized as ambient dub and downtempo. Marks works to cross genres, often using Arabic and Middle Eastern samples against a bass heavy reggae, rock, or trance rhythm to produce deeply textured tracks that progress layer upon layer. History In 1978, Marks began his musical career as a drummer in a heavy metal band. Marks moved to Portugal in 1986 and played Beatles music for tourists. He first delved into electronic music in 1989, when he bought a digital sampler. The first tune he recorded on it was called "Maxwell House". Having cut his teeth on the early 1990s ambient dub compilations, in 1994 he released his first studio album ''Maya'' on Planet Dog records, which was submitted to the Mercury Music Prize on its release. It was followed in 1995 by the critically acclaimed '' Last Train to Lhasa''. Both albums reach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Benjamin Britten
This list of compositions includes all the published works by English composer Benjamin Britten with opus number. By genre Operas ''Paul Bunyan'', Op. 17: *Operetta in two acts, 114'. *Libretto by W. H. Auden, after the American folktale. *Premiered on at Brander Matthews Hall, New York. *Published by Faber Music. ''Peter Grimes'', Op. 33: *Opera in a prologue and three acts, 147'. *Libretto by Montagu Slater, after the poem '' The Borough'' by George Crabbe. *Premiered on at Sadler's Wells, London. *Published by Boosey & Hawkes. ''The Rape of Lucretia'', Op. 37: *Opera in two acts, 107'. *Libretto by Ronald Duncan, after the play ''Le Viol de Lucrèce'' by André Obey. *Premiered on at Glyndebourne. *Published by Boosey & Hawkes. ''Albert Herring'', Op. 39: *Comic opera in three acts, 137'. *Libretto by Eric Crozier, loosely after the short story ''Le Rosier de Mme. Husson'' by Guy de Maupassant. *Premiered on at Glyndebourne. *Published by Boosey & Hawkes. ''The B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera '' Peter Grimes'' (1945), the '' War Requiem'' (1962) and the orchestral showpiece ''The Young Person's Guide to the Orchestra'' (1945). Born in Lowestoft, Suffolk, the son of a dentist, Britten showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the '' a cappella'' choral work '' A Boy was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large-sca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria Bond
Victoria Ellen Bond (born 6 May 1945) is an American conductor and composer in New York City. Early life Victoria Bond was born in Los Angeles, California, the daughter of operatic bass and medical doctor Philip Bond (a vocalist with the New York City Opera) and concert pianist Jane Courtland, who studied with Bela Bartok. Her grandfather was Samuel Epstein, a composer, conductor and double bass player. Bond married Stephan Peskin in 1974. Education Bond attended University of California Los Angles and University of Southern California, studying voice with William Vennard and composition with Ingolf Dahl. She received her doctorate at the Juilliard School of Music, where she studied composition with Roger Sessions and conducting with Jean Morel and Sixten Ehrling. She took masterclasses with Herbert von Karajan. She also studied with Herbert Blomstedt at Aspen Music Festival and School. While a student at Juilliard, Bond served as assistant to Pierre Boulez, Mstislav Rostropov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weep, O Mine Eyes
"Weep, o mine eyes" is one of the most famous madrigals of the English composer John Bennet. It is written for four vocal parts and was first published in his first collection, ''Madrigalls to Fovre Voyces'', in 1599. The composition is an homage to John Dowland, being based partly on Dowland's most famous piece, "Flow, my tears". References External links * * * , Cambridge Singers The Cambridge Singers is an English mixed voice chamber choir formed in 1981 by their director John Rutter with the primary purpose of making recordings under their own label Collegium Records. The group initially comprised former singers from ... English madrigals 1590s compositions 1599 works {{classical-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bennet (composer)
John Bennet (c. 1575 – after 1614) was a composer of the English madrigal school. Little is known for certain of Bennet's life, but his first collection of madrigals was published in 1599. Life Bennet's madrigals include " All Creatures Now" as well as "Weep, O Mine Eyes". The latter is an homage to John Dowland, using part of Dowland's most famous piece, "Flow My Tears", also known in its pavane form as '' Lachrymae Antiquae''. John Bennet's life is mostly undocumented. Bennet did however leave behind evidence that his impact is great. Bennet dedicated his madrigal volume, ''These First Fruits of My Simple Skill The Endeavors of a Young Wit'' to Ralph Assheton in 1599. Assheton held civic office in both Lancashire and Cheshire, he was dedicated as a token for favours received. It seems probable, therefore, that Bennet came from the north-west of England, and was born about 1575–80. Early life Bennet was born into a prosperous family and received his first exposure to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Danyel
John Danyel or John Daniel (Baptized 6 November 1564 – c. 1626) was an English lute player and songwriter. He was born in Wellow, Somerset, and was the younger brother of poet Samuel Daniel. His surviving works include "Coy Daphne Fled", about the nymph Daphne and her fate, and "Like as the lute delights". Sample lyrics from "Like as the lute delights": :''Like as the lute delights, or else dislikes,'' :''As is his art that plays upon the same;'' :''So sounds my muse, according as she strikes'' :''On my heart strings, high-tuned unto her fame.'' Daniel held some offices at court, and was the author of ''Songs for the Lute, Viol and Voice'' (1606). Sources * Sadie, S. (ed.) (1980) ''The New Grove Dictionary of Music & Musicians'', ol. # 5 References External links *Music Collectionin Cambridge Digital Library The Cambridge Digital Library is a project operated by the Cambridge University Library designed to make items from the unique and distinctive collections of Cambridg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobias Hume
Tobias Hume (possibly 1579 – 16 April 1645) was a Scottish composer, viol player and soldier. Little is known of his life. Some have suggested that he was born in 1579 because he was admitted to the London Charterhouse in 1629, a prerequisite to which was being at least 50 years old, though there is no certainty over this. He had made his living as a professional soldier, serving as an officer with the Swedish and Russian armies. His published music includes pieces for viols (including many solo works for the lyra viol) and songs. They were gathered in two collections, '' The First Part of Ayres'' (or ''Musicall Humors'', 1605) and ''Captain Humes Poeticall Musicke'' (1607). He was a particular champion of the viol over the then-dominant lute, something which caused John Dowland to publish a rebuttal of Hume's ideas. Hume was also known as a prankster, as some of his somewhat unusual compositions illustrate. His most notorious piece was "An Invention for Two to Play upone on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Tomkins
Thomas Tomkins (1572 – 9 June 1656) was a Welsh-born composer of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English Madrigal School, he was a skilled composer of keyboard and consort music, and the last member of the English virginalist school. Life Tomkins was born in St David's in Pembrokeshire in 1572. His father, also Thomas, who had moved there in 1565 from the family home of Lostwithiel in Cornwall, was a vicar choral of St David's Cathedral and organist there. Three of Thomas junior's half-brothers, John, Giles and Robert, also became eminent musicians, but none quite attained the fame of Thomas. By 1594, but possibly as early as 1586, Thomas and his family had moved to Gloucester, where his father was employed as a minor canon at the cathedral. Thomas almost certainly studied under William Byrd for a time, for one of his songs bears the inscription: ''To my ancient, and much reverenced Master, William Byrd'', and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
