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Floris Michael Neusüss
Floris Michael Neusüss (3 March 1937 – 1 April 2020) was a German photographer. Biography Floris Neusüss was born in Lennep, Germany, on 3 March 1937. He began as a painter the took up photography which he studied at the Wuppertal School of Arts and Crafts in North Rhine-Westphalia, before continuing at the Bavarian State Institute of Photography in Munich. He trained alongside photographer Heinz Hajek-Halke at the Berlin University of the Arts. In 1957, he began making photograms and photomontages. In the autumn of 1960, he began to expose whole human bodies on black and white paper. From 1962 onwards, he predominantly used black and white reversal paper for these "body pictures". This not only emphasises their shadowiness, but for Neusüss - coming from painting - "the form-giving element in my pictures has primarily been black."  Fritz Gruber gave the works, on which significantly naked female bodies leave their imprints, the significant name "Nudogramme". The Cologne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the Writing system#Directionality, directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Glossary of mathematical sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernd And Hilla Becher
Bernhard "Bernd" Becher (; 20 August 1931 – 22 June 2007), and Hilla Becher, née Wobeser (2 September 1934 – 10 October 2015), were German conceptual artists and photographers working as a collaborative duo. They are best known for their extensive series of photographic images, or typologies, of industrial buildings and structures, often organised in grids. As the founders of what has come to be known as the 'Becher school' or the 'Düsseldorf School' they influenced generations of documentary photographers and artists. They have been awarded the Erasmus Prize and the Hasselblad Award. Biography Bernd Becher was born in Siegen. He studied painting at the Staatliche Akademie der Bildenden Künste Stuttgart from 1953 to 1956, then typography under Karl Rössing at the Kunstakademie Düsseldorf from 1959 to 1961. Hilla Becher was born in Potsdam. Prior to Hilla's time studying photography at the Kunstakademie Düsseldorf from 1958 to 1961, she had completed an apprentices ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Fox Talbot
William Henry Fox Talbot FRS FRSE FRAS (; 11 February 180017 September 1877) was an English scientist, inventor, and photography pioneer who invented the salted paper and calotype processes, precursors to photographic processes of the later 19th and 20th centuries. His work in the 1840s on photomechanical reproduction led to the creation of the photoglyphic engraving process, the precursor to photogravure. He was the holder of a controversial patent that affected the early development of commercial photography in Britain. He was also a noted photographer who contributed to the development of photography as an artistic medium. He published '' The Pencil of Nature'' (1844–46), which was illustrated with original salted paper prints from his calotype negatives and made some important early photographs of Oxford, Paris, Reading, and York. A polymath, Talbot was elected to the Royal Society in 1831 for his work on the integral calculus, and researched in optics, chemistry, ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lacock Abbey
Lacock Abbey in the village of Lacock, Wiltshire, England, was founded in the early 13th century by Ela, Countess of Salisbury, as a nunnery of the Augustinian order. The abbey remained a nunnery until the suppression of Roman Catholic institutions in England in the 16th century; it was then sold to Sir William Sharington who converted the convent into a residence where he and his family lived. It was fortified and remained loyal to the crown during the English Civil War, but surrendered to the Parliamentary forces once Devizes had fallen in 1645. The house was built over the old cloisters and its main rooms are on the first floor. It is a stone house with stone slated roofs, twisted chimney stacks and mullioned windows. Throughout the life of the building, many architectural alterations, additions, and renovations have occurred so that the house is a mish-mash of different periods and styles. The Tudor stable courtyard to the north of the house has retained many of its ori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ângelo De Sousa
Ângelo César Cardoso de Sousa (2 February 193829 March 2011) was a Portuguese painter, sculptor, draftsman and professor, better known for continuously experimenting new techniques in his works. He was seen as a scholar of light and colour who explored minimalism in new radical ways. He was born in Lourenço Marques (now Maputo) in 1938 and in 1955 he moved to Porto where he enrolled in the School of Fine Artes. It was there that he received his degree in painting with the highest mark, 20. His academic excellence led him, along with Armando Alves, Jorge Pinheiro and José Rodrigues, to become part of a group known as "Os Quatro Vintes" (Portuguese for "The Four Twenties"). Ângelo de Sousa lived and worked in Porto, where he lectured in the School of Fine Arts (now the Faculty of Fine Arts of the University of Porto) from 1962 until 2000, when he retired as a Full Professor. Prior to teaching, de Sousa had his first solo exhibition in 1959 and since then his works have been s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Carneiro
Alberto Carneiro (São Mamede de Coronado, Coronado, 20 September 1937 – Porto, 15 April 2017) was a Portuguese artist. Biography / Works Born in Coronado, Minho (province), Minho in 1937. Between 1947 and 1958 works in religious art workshops of their land, starting on the technologies of wood, stone and ivory. He attended high school in Decorative Arts School Soares dos Reis, Porto, and Secondary School Antonio Arroyo, Lisbon.Carlos, Isabel – Alberto Carneiro. Lisboa: Editorial Caminho, 2007. Nazaré, Leonor – Alberto Carneiro. In: A.A.V.V. – Centro de Arte Moderna José de Azeredo Perdigão: Roteiro da Coleção. Lisboa: Fundação Calouste Gulbenkian, 2004, p. 126-128. In 1961 forms part of the sculpture course of School of Fine Arts of Porto, ending in 1967. The following year part to London a scholarship from the Calouste Gulbenkian Foundation to attend Saint Martin's School of Art (1968–1970), where he is a student of Anthony Caro and Philip King. In London he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
