Flora Londinensis
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Flora Londinensis
''Flora Londinensis'' is a folio sized book that described the flora found in the London region of the mid 18th century. The ''Flora'' was published by William Curtis in six large volumes. The descriptions of the plants included hand-coloured copperplate plates by botanical artists such as James Sowerby, Sydenham Edwards and William Kilburn. The full title is ''Flora Londinensis: or, plates and descriptions of such plants as grow wild in the environs of London: with their places of growth, and times of flowering, their several names according to Linnæus and other authors: with a particular description of each plant in Latin and English. To which are added, their several uses in medicine, agriculture, rural œconomy and other arts.'' The first volume was produced in 1777 and the final one, containing a title and an index, was published in 1798. A binary name is given for each species in the survey; common and other names are also provided. Previous works on the flora of Britain ...
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William Curtis
William Curtis (11 January 1746 – 7 July 1799) was an English botanist and entomologist, who was born at Alton, Hampshire, site of the Curtis Museum. Curtis began as an apothecary, before turning his attention to botany and other natural history. The publications he prepared reached a wider audience than early works on the subject had intended. At the age of 25 he produced ''Instructions for collecting and preserving insects; particularly moths and butterflies''. Curtis was demonstrator of plants and Praefectus Horti at the Chelsea Physic Garden from 1771 to 1777. He established his own London Botanic Garden at Lambeth in 1779, moving to Brompton in 1789. He published ''Flora Londinensis'' (6 volumes, 1777–1798), a pioneering work in that it devoted itself to urban nature. Financial success was not found, but he went on the publish ''The Botanical Magazine'' in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and Sydenham Edwards. ...
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William Kilburn
William Kilburn (1745–1818) was an illustrator for William Curtis' Flora Londinensis, as well as a leading designer and printer of calico. A few hundred originals of his water colour designs make up the ''Kilburn Album'', housed at the Victoria and Albert Museum in London. William Kilburn was born in Dublin in 1745. He was the son of a Dublin architect, Samuel Kilburn (d.1770), and was an apprentice to a calico printer, but spent his spare time engraving and sketching. He moved to Bermondsey after his father's death, and found living quarters near Curtis's nursery. Within a short while his skills were being used in the ''Flora Londinensis'', for which he provided life-sized preparatory watercolours and thirty-one signed etchings. An engraved, illustrated trade card for the gardener Thomas Greening in the British Museum, London, further attests to Kilburn's activity in this medium. He soon returned to calico printing, becoming financially successful. Kilburn was the chief petiti ...
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Botanical Art
Botanical illustration is the art of depicting the form, color, and details of plant species, frequently in watercolor paintings. They must be scientifically accurate but often also have an artistic component and may be printed with a botanical description in books, magazines, and other media or sold as a work of art. Often composed by a botanical illustrator in consultation with a scientific author, their creation requires an understanding of plant morphology and access to specimens and references. Typical illustrations are in watercolour, but may also be in oils, ink or pencil, or a combination of these. The image may be life size or not, the scale is often shown, and may show the habit and habitat of the plant, the upper and reverse sides of leaves, and details of flowers, bud, seed and root system. Botanical illustration is sometimes used as a type for attribution of a botanical name to a taxon. The inability of botanists to conserve certain dried specimens, or restrictio ...
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Florae (publication)
Flora is all the plant life present in a particular region or time, generally the naturally occurring (indigenous) native plants. Sometimes bacteria and fungi are also referred to as flora, as in the terms '' gut flora'' or '' skin flora''. Etymology The word "flora" comes from the Latin name of Flora, the goddess of plants, flowers, and fertility in Roman mythology. The technical term "flora" is then derived from a metonymy of this goddess at the end of the sixteenth century. It was first used in poetry to denote the natural vegetation of an area, but soon also assumed the meaning of a work cataloguing such vegetation. Moreover, "Flora" was used to refer to the flowers of an artificial garden in the seventeenth century. The distinction between vegetation (the general appearance of a community) and flora (the taxonomic composition of a community) was first made by Jules Thurmann (1849). Prior to this, the two terms were used indiscriminately.Thurmann, J. (1849). ''Essai de ...
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Scolopendrium Vulgare
''Asplenium scolopendrium'', commonly known as the hart's-tongue fern, is an evergreen fern in the genus ''Asplenium'' native to the Northern Hemisphere. Description The most striking and unusual feature of the fern is its simple, undivided fronds. The leaves' supposed resemblance to the tongue of a hart (an archaic term for a male red deer) gave rise to the common name "hart's-tongue fern". Taxonomy Linnaeus first gave the hart's-tongue fern the binomial ''Asplenium scolopendrium'' in his ''Species Plantarum'' of 1753. The Latin specific epithet ''scolopendrium'' is derived from the Greek ''skolopendra'', meaning a centipede or millipede; this is due to the sori pattern being reminiscent of a myriapod's legs. A global phylogeny of ''Asplenium'' published in 2020 divided the genus into eleven clades, which were given informal names pending further taxonomic study. ''A. scolopendrium'' belongs to the "''Phyllitis'' subclade" of the "''Phyllitis'' clade". Members of the ''Phyllit ...
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Tormentilla Officinalis
''Potentilla erecta'' (syn. ''Tormentilla erecta'', ''Potentilla laeta'', ''Potentilla tormentilla'', known as the (common) tormentil, septfoil or erect cinquefoil ) is a herbaceous perennial plant belonging to the rose family (Rosaceae). Description ''Potentilla erecta'' is a low, clump-forming plant with slender, procumbent to arcuately upright stalks, growing tall and with non-rooting runners. It grows wild predominantly in Europe and western Asia

mostly on acid soils and in a wide variety of habitats such as mountains, heaths, meadows, sandy soils and dunes. This plant flowers from May to August/September. There is one yellow, ...
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William Hooker (botanical Illustrator)
William Hooker (1779–1832) was a British illustrator of natural history. He studied under Franz Bauer (1758–1840), becoming the official artist of the Royal Horticultural Society from 1812 until retirement in 1820, whose publications he illustrated. His paintings of fruit were particularly appreciated. Hooker also worked on the "Oriental Memoirs" of James Forbes and ''The Paradisus Londinensis'' with descriptions by Richard Anthony Salisbury (1761–1829). He contributed illustrations for "Hooker's Finest Fruits" until his death in 1832. See also * Hooker's green Varieties of the color green may differ in hue, chroma (also called saturation or intensity) or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint be ..., a green pigment, useful for representing leaves. References British botanists 1779 births 1832 deaths Botanical illustrators {{U ...
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English Botany
''English Botany'' was a major publication of British plants comprising a 36 volume set, issued in 267 monthly parts over 23 years from 1790 to 1814. The work was conceived, illustrated, edited and published by the botanical illustrator and natural historian, James Sowerby. The brief formal technical descriptions were mostly supplied by the founder of the Linnean Society, Sir James Edward Smith. Initially Smith had declined to have his name associated with the work as he considered that his professional co-operation with a socially inferior artisan such as Sowerby might degrade his standing in higher circles. However, following the phenomenal public success and general acceptance by the professional class of the work he insisted that the title page of the fourth and succeeding volumes credited the work to his name with Sowerby named solely as the illustrator. The work, however, continued to be generally referred to as "''Sowerby's Botany''". In spite of this abuse of their social c ...
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Fascicle (book)
In literature, a serial is a printing or publishing format by which a single larger work, often a work of narrative fiction, is published in smaller, sequential instalments. The instalments are also known as ''numbers'', ''parts'' or ''fascicles'', and may be released either as separate publications or within sequential issues of a periodical publication, such as a magazine or newspaper. Serialisation can also begin with a single short story that is subsequently turned into a series. Historically, such series have been published in periodicals. Popular short-story series are often published together in book form as collections. Early history The growth of moveable type in the 17th century prompted episodic and often disconnected narratives such as ''L'Astrée'' and '' Le Grand Cyrus''. At that time, books remained a premium item, so to reduce the price and expand the market, publishers produced large works in lower-cost instalments called fascicles. These had the added attr ...
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Chelsea Physic Garden
The Chelsea Physic Garden was established as the Apothecaries' Garden in London, England, in 1673 by the Worshipful Society of Apothecaries to grow plants to be used as medicines. This four acre physic garden, the term here referring to the science of healing, is among the oldest botanical gardens in Britain, after the University of Oxford Botanic Garden. Its rock garden is the oldest in Europe devoted to alpine plants and Mediterranean plants. The largest fruiting olive tree in Britain is there, protected by the garden's heat-trapping high brick walls, along with what is doubtless the world's northernmost grapefruit growing outdoors. Jealously guarded during the tenure of the Worshipful Society of Apothecaries, the garden became a registered charity in 1983 and was opened to the general public for the first time. The garden is a member of the London Museums of Health & Medicine. It is also Grade I listed in the Register of Historic Parks and Gardens of Special Historic Intere ...
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Carl Linnaeus
Carl Linnaeus (; 23 May 1707 – 10 January 1778), also known after his ennoblement in 1761 as Carl von Linné Blunt (2004), p. 171. (), was a Swedish botanist, zoologist, taxonomist, and physician who formalised binomial nomenclature, the modern system of naming organisms. He is known as the "father of modern taxonomy". Many of his writings were in Latin; his name is rendered in Latin as and, after his 1761 ennoblement, as . Linnaeus was born in Råshult, the countryside of Småland, in southern Sweden. He received most of his higher education at Uppsala University and began giving lectures in botany there in 1730. He lived abroad between 1735 and 1738, where he studied and also published the first edition of his ' in the Netherlands. He then returned to Sweden where he became professor of medicine and botany at Uppsala. In the 1740s, he was sent on several journeys through Sweden to find and classify plants and animals. In the 1750s and 1760s, he continued to collect an ...
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Sydenham Edwards
Sydenham Teast Edwards (5 August 1768 – 8 February 1819) was a natural history illustrator. He illustrated plants, birds and importantly published an illustrated book on the breeds of dogs in Britain, ''Cynographia Britannica''. Edwards was born in 1768 in Usk, Monmouthshire, the son of Lloyd Pittell Edwards, a schoolmaster and organist; and his wife, Mary Reese, who had been married on 26 September 1765, at Llantilio Crossenny Church, and where Sydenham was christened in 1768. Mary Reese was a sister of the Rev. William Reece, the curate of Llantilio Crossenny who had married Ann Mackafee. Their son, Richard Reece was an eminent physician and wrote a number of works on medicine. Young Edwards had a precocious talent for draughtsmanship and when only 11 years old had copied plates from ''Flora Londinensis'' for his own enjoyment. A certain Mr. Denman visited Abergavenny in 1779 and saw some of Edwards' work. Denman, being a friend of William Curtis, the publisher of botanical wo ...
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