Five Mystical Songs
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Five Mystical Songs
The ''Five Mystical Songs'' are a musical composition by English composer Ralph Vaughan Williams (1872–1958), written between 1906 and 1911. The work sets four poems ("Easter" divided into two parts) by seventeenth-century Welsh poet and Anglican priest George Herbert (1593–1633), from his 1633 collection ''The Temple: Sacred Poems''. While Herbert was a priest, Vaughan Williams himself was an atheist at the time (he later settled into a "cheerful agnosticism"), though this did not prevent his setting of verse of an overtly religious inspiration. The work received its first performance on 14 September 1911, at the Three Choirs Festival in Worcester, with Vaughan Williams conducting. The work is written for a baritone soloist, with several choices for accompaniment: * Piano only. * Piano and string quintet. * Wind Ensemble. * Orchestra with optional SATB chorus. This was the choice used at the premiere. Like Herbert's simple verse, the songs are fairly direct, but have the s ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Verse (popular Music)
Verse may refer to: Poetry * Verse, an occasional synonym for poetry * Verse, a metrical structure, a stanza * Blank verse, a type of poetry having regular meter but no rhyme * Free verse, a type of poetry written without the use of strict meter or rhyme, but still recognized as poetry * ''Versed'', 2009 collection of poetry by Rae Armantrout * ''Verse'', an international poetry journal with Henry Hart (author) as founding editor Religion * Chapters and verses of the Bible * Ayah, one of the 6,236 verses found in the Qur'an Music * Verse (band), a hardcore punk band * Verse (rapper) (b. 1986), British hip hop artist * Verse (popular music), roughly corresponds to a poetic stanza * Verse-chorus form, a musical form common in popular music where the chorus is highlighted * ''Verses'' (album), a 1987 album by jazz trumpeter Wallace Roney * ''Verses (Apallut)'', a 2001 album by the Alaskan group Pamyua * ''Verse'', a 2002 album by Patricia Barber * Ben Mount (born 1977 ...
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Choral Compositions
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ...
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Compositions By Ralph Vaughan Williams
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ...
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Anthem
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began ca. 1550 in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic 'motet' which sets a Latin text. Etymology ''Anthem'' is derived from the Greek (''antíphōna'') via Old English . Both words originally referred to antiphons, a call-and-response style of singing. The adjectival form is "anthemic". History Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are included in ...
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Praise
Praise as a form of social interaction expresses recognition, reassurance or admiration. Praise is expressed verbally as well as by body language (facial expression and gestures). Verbal praise consists of a positive evaluations of another's attributes or actions, where the evaluator presumes the validity of the standards on which the evaluation is based. As a form of social manipulation, praise becomes a form of reward and furthers behavioral reinforcement by conditioning. The influence of praise on an individual can depend on many factors, including the context, the meanings the praise may convey, and the characteristics and interpretations of the recipient. While praise may share some predictive relationships (both positive and negative) with tangible (material) rewards, praise tends to be less salient and expected, conveys more information about competence, and is typically given more immediately after the desired behavior. Praise is distinct from acknowledgement or fe ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ...
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O Sacrum Convivium
"O sacrum convivium" is a Latin prose text honoring the Blessed Sacrament. It is included as an antiphon to Magnificat in the vespers of the liturgical office on the feast of Corpus Christi. The text of the office is attributed with some probability to Saint Thomas Aquinas. Its sentiments express the profound affinity of the Eucharistic celebration, described as a banquet, to the Paschal mystery : "O sacred banquet at which Christ is consumed, the memory of his Passion is recalled, our souls are filled with grace, and the pledge of future glory is given to us." Text ; Original Latin (punctuation from ''Liber Usualis'') : O sacrum convivium! : in quo Christus sumitur: : recolitur memoria passionis eius: : mens impletur gratia: : et futurae gloriae nobis pignus datur. : Alleluia. ; Translation of original Latin : O sacred banquet! : in which Christ is received, : the memory of his Passion is renewed, : the mind is filled with grace, : and a pledge of future glory to us is given. ...
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Plainsong
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgy, liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The Monophony, monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung A cappella, without musical accompaniment. There are three types of chant melodies that plainsongs fall into, Syllabic verse, syllabic, Neume, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodoxy, Eastern Orthodox churches did not East–West Schism, split until lo ...
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Spirituality
The meaning of ''spirituality'' has developed and expanded over time, and various meanings can be found alongside each other. Traditionally, spirituality referred to a religious process of re-formation which "aims to recover the original shape of man", oriented at "the image of God" as exemplified by the founders and sacred texts of the religions of the world. The term was used within early Christianity to refer to a life oriented toward the Holy Spirit and broadened during the Late Middle Ages to include mental aspects of life. In modern times, the term both spread to other religious traditions and broadened to refer to a wider range of experiences, including a range of esoteric and religious traditions. Modern usages tend to refer to a subjective experience of a sacred dimension and the "deepest values and meanings by which people live", often in a context separate from organized religious institutions. This may involve belief in a supernatural realm beyond the ordinarily obs ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ...
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Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic influences. Vaughan Williams i ...
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