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First Circle (album)
''First Circle'' is a Grammy Award–winning jazz album by the Pat Metheny Group. Released in 1984, it is the group's fourth studio release. Metheny is joined by Lyle Mays on keyboards, Steve Rodby on bass, Paul Wertico on drums, and Pedro Aznar on vocals, percussion, and guitar. ''First Circle'' won the Grammy Award for Best Jazz Fusion Performance. History Two personnel changes occurred. Drummer Danny Gottlieb was replaced by Paul Wertico, and the Group was joined by multi-instrumentalist Pedro Aznar, who had already established himself with the band Serú Girán in his native Argentina. On ''First Circle'', the Group used instruments it hadn't recorded with before, including the sitar ("Yolanda, You Learn"), trumpet ("Forward March"), and agogo bells ("Tell It All"). The first song, "Forward March", with Lyle Mays on trumpet, uses dissonant, out-of-tune chords and shifting time signatures. On putting the song first, Metheny remarked that it "seemed like a good idea at the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Metheny Group
The Pat Metheny Group was an American jazz band founded in 1977. The core members of the group were guitarist, composer and bandleader Pat Metheny; and keyboardist and composer Lyle Mays, who was in the group at its inception. Other long-standing members included bassist and producer Steve Rodby, from 1981 to 2010, and drummer Antonio Sanchez, from 2002 to 2010. Vocalist Pedro Aznar and drummer Paul Wertico were also long-time members. In addition to a core quartet, the group was often joined by a variety of other instrumentalists expanding the size to six or eight musicians. History 1970s Founder Pat Metheny first emerged on the jazz scene in the mid-1970s with a pair of solo albums. First was ''Bright Size Life,'' released in 1976, a trio album with bass guitarist Jaco Pastorius and drummer Bob Moses. The next album, released in 1977, was ''Watercolors,'' featuring Eberhard Weber on bass, pianist Lyle Mays, and drummer Danny Gottlieb. In 1977, bassist Mark Egan joined Metheny ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serú Girán
Serú Girán was an Argentine rock supergroup. Formed in 1978, the group consisted of Charly García (keyboards, synthesizers and vocals), David Lebón (guitars and vocals), Oscar Moro (drums and percussion) and Pedro Aznar (electric and fretless bass and vocals) the three first being already consecrated musicians through their previous bands. It is considered one of the best in the history of rock en español, both musically and conceptually, including the staging History Formation, beginnings and first album (1978) Serú Girán was born after the separation of the band La Máquina de Hacer Pájaros which Charly García had organized in his early post-Sui Generis. Along with David Lebón, Charly García traveled to Búzios (Brazil) in 1978, with the idea of writing songs for a new album. On their return to Buenos Aires, García met the young and talented bass player Pedro Aznar. They were then joined by Oscar Moro, who was the drummer of La Máquina de Hacer Pájaros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glockenspiel
The glockenspiel ( or , : bells and : set) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glockenspiel is played by striking the bars with mallets, often made of a hard material such as metal or plastic. Its clear, high-pitched tone is often heard in orchestras, wind ensembles, marching bands, and in popular music. Terminology In German, a carillon is also called a , and in French, the glockenspiel is sometimes called a . It may also be called a () in French, although this term may sometimes be specifically reserved for the keyboard glockenspiel. In Italian, the term () is used. The glockenspiel is sometimes erroneously referred to as a xylophone. The Pixiphone, a type of toy glockenspiel, was one such instrument sold as a xylophone. Range The glockenspiel is limited to the upper register and usually covers about to 3 octa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Field Drum
The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Snare drums are usually played with drum sticks, but other beaters such as the brush or the rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and responsiveness. The sensitivity of the snare drum allows it to respond audibly to the softest strokes, even with a wire brush. It can be used for complex rhythmic patterns and engaging solos at moderate volumes. Its high dynamic range allows the player to produce power ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agogô
An agogô (Yoruba: ''agogo'', meaning bell) is a single or a multiple bell now used throughout the world but with origins in traditional Yoruba and Edo music and also in the samba '' baterias'' (percussion ensembles). The agogô may be the oldest samba instrument and was based on West African Yoruba single or double bells. The agogô has the highest pitch of any of the bateria instruments. Construction Each bell is a different size. This allows a differently pitched note to be produced depending on which bell has been hit. Originally wrought iron, they are now manufactured in a variety of metals and sizes for different sound qualities. The most common arrangement is two bells attached by a U shaped piece of metal. The smaller bell is held uppermost. Either bell may be hit with a wooden stick to make a cowbell like sound or less commonly a clicking sound is produced by squeezing the two bells together. Origins/History/Evolution The Yoruba, Igala, and Edo peoples of Nigeria use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim. History and products Tom Oberheim founded the company in 1969, originally as a designer and contract manufacturer of electronic effects devices for Maestro (most notably the Maestro PS-1A Phase Shifter),, and briefly a retail dealer for ARP Instruments, eventually designing the company's first Oberheim-branded product, the Oberheim DS-2, one of the first digital music sequencers. In 1975 Oberheim introduced the Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another. The SEM featured a two-pole filter that could operate as a low-pass, high-pass, band-pass, or band-reject filter, giving it a different sound than the Moog and ARP filters popular at the time. The company later combined multiple SEM modules with a digitally-scanned keyboard and a 2-channel voltage-controlled sequencer to create a series o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12-string Guitar
A twelve-string guitar (or 12-string guitar) is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques might be tough as players need to play or pluck two strings simultaneously. Structurally, 12-string guitars, especially those built befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slide Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar (lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synclavier
The Synclavier is an early digital synthesizer, polyphonic digital sampling system, and music workstation manufactured by New England Digital Corporation of Norwich, Vermont. It was produced in various forms from the late 1970s into the early 1990s. The instrument has been used by prominent musicians. History The original design and development of the Synclavier prototype occurred at Dartmouth College with the collaboration of Jon Appleton, Professor of Digital Electronics, Sydney A. Alonso, and Cameron Jones, a software programmer and student at Dartmouth's Thayer School of Engineering. Synclavier I First released in 1977–78, it proved to be highly influential among both electronic music composers and music producers, including Mike Thorne, an early adopter from the commercial world, due to its versatility, its cutting-edge technology, and distinctive sounds. The early Synclavier I used FM synthesis, re-licensed from Yamaha, and was sold mostly to universities. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letter From Home (album)
''Letter from Home'' is the sixth studio album by the Pat Metheny Group. It was released in 1989 by Geffen Records. In 1990, the album won the Grammy Award for Best Jazz Fusion Performance. It was certified gold by the RIAA on July 23, 1998. The album marked the return of Pedro Aznar, who became a member of the Group on the album '' First Circle''. It also featured a reemphasis on increased instrumental diversity and was a huge commercial success, comfortably making the Top 200 album chart at ''Billboard'' magazine. "Slip Away" was, as Metheny put it, "extraordinarily successful, one of the most successful individual tunes that we've ever made." He said that it contains an ideal melodic durability. Track listing Personnel * Pat Metheny – acoustic and electric guitars, 12-string guitar, soprano guitar, tiple, guitar synthesizer, Synclavier * Lyle Mays – piano, organ, accordion, trumpet, Synclavier * Steve Rodby – acoustic and electric bass * Paul Wertico – drums, caja, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
