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Finn Mortensen
Finn Mortensen (January 6, 1922 – May 23, 1983) was a Norwegian composer, critic and educator. Finn Einar Mortensen was born in Oslo. His parents were publisher Ernst Gustav Mortensen (1887–1966) and Anna Marie Damnæs (1886–1960). Mortensen grew up in a publishing environment and it was at first expected that he would go into his father's publishing firm, Ernst G. Mortensens Forlag A/S. He studied harmony with Thorleif Eken (1900–1955), composition with Klaus Egge and with Niels Viggo Bentzon at The Royal Danish Academy, as well as the piano and double bass at the Oslo Conservatory of Music. He also participated in the Darmstadt summer school and in the classes conducted by Karlheinz Stockhausen at the ''Studio für Elektronische Musik'' in Cologne. The first public presentation of one of Mortensen's compositions was the ''Trio for Strings, Op. 3'', which was played at the Young Nordic Music Festival in Oslo in 1950. In April 1954 he had his debut as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norway
Norway, officially the Kingdom of Norway, is a Nordic country in Northern Europe, the mainland territory of which comprises the western and northernmost portion of the Scandinavian Peninsula. The remote Arctic island of Jan Mayen and the archipelago of Svalbard also form part of Norway. Bouvet Island, located in the Subantarctic, is a dependency of Norway; it also lays claims to the Antarctic territories of Peter I Island and Queen Maud Land. The capital and largest city in Norway is Oslo. Norway has a total area of and had a population of 5,425,270 in January 2022. The country shares a long eastern border with Sweden at a length of . It is bordered by Finland and Russia to the northeast and the Skagerrak strait to the south, on the other side of which are Denmark and the United Kingdom. Norway has an extensive coastline, facing the North Atlantic Ocean and the Barents Sea. The maritime influence dominates Norway's climate, with mild lowland temperatures on the se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Mostad
Jon Mostad (born 21 April 1942) is a composer from Fredrikstad, Norway. He received the Norwegian state three-year scholarship for artists from 1982 until 1984. Musical style In his early compositions Mostad is moving from a linear-expressionist style to a more timbre-oriented line of thinking where both modernist and romantic music are inspiring his work. From around 1975 the timbre/harmonic aspect of his music becomes more related to the harmonic series. During the 1980s and 1990s he combines this with other types of modal and free compositional techniques, sometimes utilising modal techniques as well as more overtone-oriented harmonic spectra within the same composition. At the same time he has also been experimenting with untraditional structuring of his material, both in works of one movement and in cyclical works. Many of Mostad's instrumental works as well as vocal music, are inspired by Judæo-Christian texts which often influence the structuring of the music. For instance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Bibalo
Antonio Gino Bibalo (18 January 1922 – 20 June 2008) was an Italian-Norwegian pianist and composer of contemporary classical music, primarily operas. Biography Bibalo was born in Trieste and studied piano at the conservatory there. His path to Norway and a career as a composer was a convoluted one. During World War II he was drafted into the Italian army and ended up in military prison when he tried to desert. He escaped from prison, was caught by the German army, and then forced to fight with them at Monte Cassino. During the battle, he was captured by the American army and sent to the United States as a prisoner of war. When he eventually returned to Trieste in 1946, he received his diploma from the conservatory and worked as a bar pianist to support himself. He then walked to Marseille, hoping to study composition, but ended up in the French Foreign Legion and was sent to Oman where he was assigned to entertain in the officer's mess, and teach piano to their wives. Once again ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arne Nordheim
Arne Nordheim (20 June 1931 – 5 June 2010) was a Norwegian composer. Nordheim received numerous awards for his compositions, and from 1982 lived in the Norwegian government's honorary residence, Grotten, next to the Royal Palace in Oslo. He was elected an honorary member of the International Society for Contemporary Music in 1997. On 18 August 2006, Arne Nordheim received a doctor honoris causa degree at the Norwegian Academy of Music. He died at the age of 78 and was given a state funeral. Musical education At the then Oslo Conservatory of Music (now the Norwegian Academy of Music), where Nordheim studied from 1948 to 1952, he started out as a theory and organ student, but changed to composition, studying with Karl August Andersen (1903–1970), Bjarne Brustad, and Conrad Baden. Then in 1955 he studied with Vagn Holmboe in Copenhagen, and studied ''musique concrète'' in Paris. Later he studied electronic music in Bilthoven (1959), and paid many visits to the Studio Ekspe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johan Kvandal
David Johan Kvandal (né Johansen; 8 September 1919 – 16 February 1999) was a Norwegian composer. Career He was born in Kristiania to David Monrad Johansen and Amunda Holmsen, with the family later moving to Bærum where Kvandal died. He took his studies in conducting and organ at Oslo Conservatory, and studied composition from Marx at the Hochschule für Musik, Vienna, and Boulanger in Paris. He served as a music critic for the Oslo newspapers '' Morgenposten'' and ''Aftenposten ( in the masthead; ; Norwegian for "The Evening Post") is Norway's largest printed newspaper by circulation. It is based in Oslo. It sold 211,769 copies in 2015 (172,029 printed copies according to University of Bergen) and estimated 1.2 milli ...'', and as organist of the Vålenengen Church in Oslo. Many of his works utilize folk elements. Among his compositions are ' from 1951, ' for a television drama series from 1968, ' from 1974, and ' from 1984. His opera ', with libretto based on Hamsun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Janson
Alfred Janson (10 March 1937 – 19 May 2019) was a Norwegian pianist and composer. He was born in Oslo as the son of sculptor Gunnar Janson and pianist Margrethe Gleditsch, and was brother of journalist Mette Janson. He was first married to actress and singer Grynet Molvig and later to Berit Gustavsen. He made his piano debut in 1962. Among his early compositions is the piano piece ''November'' from 1962 and the orchestral ''Vuggesang'' from 1963. He composed the ballet ''Mot solen'' for the Bergen International Festival in 1969, and in 1991 he was the festival's principal composer. Career A number of Janson’s works bear the mark of his jazz background, and several of his earliest compositions are written for a jazz line-up, including ''Patrice Lumumba'' (1961) for piano, bass, and drums. From 1962 onwards, Janson would gradually focus more on notated music and gained recognition with works such as November (1962) for piano and ''Vuggesang for 48 strykere og sopran'' (1963). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bjørn Fongaard
Bjørn Fongaard (2 March 1919 in Oslo – 26 October 1980 in Oslo) was a Norwegian composer, guitarist, and teacher. In addition to being concerned with microtonal and electronic music, he was perhaps the first to use the prepared guitar. "Fongaard's output is considerable...Due to the partly experimental notation, these works have not become widely known." Life Fongaard grew up in the Oslo borough of Nordstrand. He studied at the Oslo Conservatory of Music with teachers including Per Steenberg, Sigurd Islandsmoen, Bjarne Brustad, and Karl Andersen.Bjørn Fongaard - Biography ", ''mic.no''. He started off by constructing a guitar with adaption of the |
Egil Hovland
Egil Hovland (October 18, 1924 – February 5, 2013) was a Norwegian composer. Hovland was born in Råde. He studied at the Oslo conservatory with Arild Sandvold and Bjarne Brustad, in Copenhagen with Vagn Holmboe, at Tanglewood with Aaron Copland, and in Florence with Luigi Dallapiccola. He was the organist and choir leader in Fredrikstad from 1949 until his death. His many works include two symphonies, a concerto for trumpet and strings, ''Music for Ten Instruments'', a set of variations for two pianos, and a lament for orchestra. His sacred works include a ''Norwegian Te Deum'', a Gloria, a Magnificat, and numerous works for organ, and he was one of the most noted church composers of Norway. He wrote in diverse styles, including Norwegian-Romantic, Gregorian, neo-classical, twelve-tone, aleatoric, and serial. In honor of his work as a composer and organist, in 1983 he was knighted into the Royal Norwegian Order of St. Olav. In 1992, he received the Fritt Ord Honorary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleatoric Music
Aleatoric music (also aleatory music or chance music; from the Latin word ''alea'', meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities. The term became known to European composers through lectures by acoustician Werner Meyer-Eppler at the Darmstadt International Summer Courses for New Music in the beginning of the 1950s. According to his definition, "a process is said to be aleatoric ... if its course is determined in general but depends on chance in detail". Through a confusion of Meyer-Eppler's German terms ''Aleatorik'' (noun) and ''aleatorisch'' (adjective), his translator created a new English word, "aleatoric" (rather than using the existing English adjective "aleatory"), which quickly became fashiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-tone
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionism (music)
The term expressionism "was probably first applied to music in 1918, especially to Schoenberg", because like the painter Wassily Kandinsky (1866–1944) he avoided "traditional forms of beauty" to convey powerful feelings in his music. Theodor Adorno interprets the expressionist movement in music as seeking to "eliminate all of traditional music's conventional elements, everything formulaically rigid". This he sees as analogous "to the literary ideal of the 'scream' ". As well Adorno sees expressionist music as seeking "the truthfulness of subjective feeling without illusions, disguises or euphemisms". Adorno also describes it as concerned with the unconscious, and states that "the depiction of fear lies at the centre" of expressionist music, with dissonance predominating, so that the "harmonious, affirmative element of art is banished". Expressionist music would "thus reject the depictive, sensual qualities that had come to be associated with impressionist music. It would endeavor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism (music)
Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music. In form and thematic technique, neoclassical music often drew inspiration from music of the 18th century, though the inspiring canon belonged as frequently to the Baroque and even earlier periods as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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