Finger Tapping (piano)
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Finger Tapping (piano)
Finger tapping is a piano technique developed by Alberto Guerrero for his pupil Glenn Gould. According to Guerrero, the idea for the technique came from a circus show with an extremely flexible young boy.Beauchamp, Richard"Glenn Gould and Finger Tapping" April 2005. Technique Finger-tapping consists of placing one hand with the finger pads on the keyboard, with the PIP joint as the highest point, and then using the other hand to tap on the DIP joint or the fingertips, then releasing the fingers, allowing them to return quickly to the surface. The technique is intended to make the hand learn how to minimize the effort on keys, allowing for faster play. References {{Music-stub Piano ...
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Alberto Guerrero
Antonio Alberto García Guerrero (February 6, 1886November 7, 1959) was a Chilean composer, pianist, and teacher. While he is most famously remembered as the mentor of Canadian pianist Glenn Gould, García influenced several generations of musicians through his many years of teaching at the Toronto Conservatory of Music. Biography Born in La Serena, Chile, García first studied piano with his mother and older brother Daniel; he was otherwise self-taught. After the family moved to Santiago in the early 1890s, he became part of a group of artists and intellectuals who called themselves Los Diez. As a resourceful composer and talented concert pianist, García would have a reform-minded influence on Chilean musical life.Beckwith, John. "Alberto Guerrero.''Encyclopedia of Music in Canada''. His brother Eduardo became a music critic and Alberto contributed articles and reviews to the newspaper ''El diario ilustrado''. He published a treatise in 1915 entitled ''La armonia moderna'' (now l ...
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Glenn Gould
Glenn Herbert Gould (; né Gold; September 25, 1932October 4, 1982) was a Canadian classical pianist. He was one of the most famous and celebrated pianists of the 20th century, and was renowned as an interpreter of the keyboard works of Johann Sebastian Bach. Gould's playing was distinguished by remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's music. Gould rejected most of the standard Romantic piano literature by Chopin, Liszt, Rachmaninoff, and others, in favour of Bach and Beethoven mainly, along with some late-Romantic and modernist composers. Although his recordings were dominated by Bach and Beethoven, Gould's repertoire was diverse, including works by Mozart, Haydn, Scriabin, and Brahms; pre-Baroque composers such as Jan Pieterszoon Sweelinck, William Byrd, and Orlando Gibbons; and 20th-century composers including Paul Hindemith, Arnold Schoenberg, and Richard Strauss. Gould was known for his eccentricities, from his u ...
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Interphalangeal Articulations Of Hand
The interphalangeal joints of the hand are the hinge joints between the phalanges of the fingers that provide flexion towards the palm of the hand. There are two sets in each finger (except in the thumb, which has only one joint): * "proximal interphalangeal joints" (PIJ or PIP), those between the first (also called proximal) and second (intermediate) phalanges * "distal interphalangeal joints" (DIJ or DIP), those between the second (intermediate) and third (distal) phalanges Anatomically, the proximal and distal interphalangeal joints are very similar. There are some minor differences in how the palmar plates are attached proximally and in the segmentation of the flexor tendon sheath, but the major differences are the smaller dimension and reduced mobility of the distal joint. Joint structure The PIP joint exhibits great lateral stability. Its transverse diameter is greater than its antero-posterior diameter and its thick collateral ligaments are tight in all positions duri ...
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