Film As A Subversive Art
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Film As A Subversive Art
''Film as a Subversive Art'' is a fully illustrated 1974 film history book by Amos Vogel with mini-essays on over 600 films. Summary The book was a catalogue of films that broke aesthetic, sexual and ideological boundaries. Selected examples *''Titicut Follies'' (1967) *''The War Game'' (1965) *'' 2 or 3 Things I Know About Her'' (1967) *'' W.R.: Mysteries of the Organism'' (1971) *''She Done Him Wrong'' (1933) *''Pickpocket'' (1959) *'' Belle de Jour'' (1967) Publication history The book was published by Random House, New York New York most commonly refers to: * New York City, the most populous city in the United States, located in the state of New York * New York (state), a state in the northeastern United States New York may also refer to: Film and television * '' ...; it was re-printed with a new foreword and introduction in 2005, and again in 2021 as a "remastered" edition by The Film Desk. Film A documentary film of the same name about Vogel and directed by Paul Cr ...
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Film History
The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century. The advent of film as an artistic medium is not clearly defined. However, the commercial, public screening of ten of the Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings by others like the Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895 in Berlin, but they lacked neither the quality, financial backing, stamina, or the luck to find the momentum that propelled the cinématographe Lumière into worldwide success. Those earliest films were in black and white, under a minute long, without recorded sound and consisted of a single shot from a steady camera. The first decade of motion pictures saw film mo ...
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Amos Vogel
Amos Vogel ( Vogelbaum; April 18, 1921 – April 24, 2012) was a New York City cineaste and curator. Biography Vogel was born in Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ..., First Republic of Austria, Austria. He fled Austria with his parents after the Nazi Anschluss, Anschluß in 1938 and at first studied animal husbandry at the University of Georgia. In the Southern United States, American South, he noted, the racism was as bad as the Antisemitism, anti-semitism he witnessed in Europe. Later he received a bachelor's degree from The New School for Social Research in New York. He is best known for his bestselling book ''Film as a Subversive Art'' (1974) and as the founder of the New York City avantgarde ciné-club Cinema 16 (1947–1963), where he was the first program ...
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Titicut Follies
''Titicut Follies'' is a 1967 American direct cinema documentary film produced, written, and directed by Frederick Wiseman and filmed by John Marshall. It deals with the patient-inmates of Bridgewater State Hospital for the Criminally Insane, a Massachusetts Correctional Institution in Bridgewater, Massachusetts. The title is taken from that of a talent show put on by the hospital staff. Titicut is the Wampanoag name for the nearby Taunton River. The film won accolades in Germany and Italy. Wiseman went on to produce a number of such films examining social institutions (e.g. hospitals, police, schools, etc.) in the United States. In 2022, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Synopsis ''Titicut Follies'' portrays the occupants of Bridgewater State Hospital, who are often kept in barren cells and infrequently bathed. It also depicts inmates ...
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The War Game
''The War Game'' is a 1966 British pseudo-documentary film that depicts a nuclear war and its aftermath. Written, directed and produced by Peter Watkins for the BBC, it caused dismay within the BBC and also within government, and was subsequently withdrawn before the provisional screening date of 6 October 1965. The corporation said that "the effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting. It will, however, be shown to invited audiences..." The film eventually premiered at the National Film Theatre in London, on 13 April 1966, where it ran until 3 May. It was then shown abroad at several film festivals, including the Venice one where it won the Special Prize. It also won the Academy Award for Best Documentary Feature in 1967. The film was eventually televised in Great Britain on 31 July 1985, during the week before the fortieth anniversary of the Hiroshima bombing, the day before a repeat screening of '' Threads''. Synopsis Th ...
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2 Or 3 Things I Know About Her
''Two or Three Things I Know About Her'' (french: Deux ou trois choses que je sais d'elle) is a 1967 French New Wave film written and directed by Jean-Luc Godard, one of three features he completed that year. As with the other two (''La Chinoise'' and '' Weekend''), it is considered both socially and stylistically radical. ''Village Voice'' critic Amy Taubin considers the film to be among the greatest achievements in filmmaking. Description The film does not tell a story so much as present an essay-like study of Godard's view of contemporary life; Godard wrote that "I wanted to include everything: sports, politics, even groceries. Everything should be put in a film." Godard narrates the film in a whispered voiceover in which he discusses his fears about the contemporary world, including those related to the Vietnam War. The film frequently cuts to various still shots of bright consumer products and ongoing construction. As with many of Godard's works, the film does not follow th ...
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Mysteries Of The Organism
''W.R.: Mysteries of the Organism'' ( sh-Latn-Cyrl, separator=" / ", W.R. – Misterije organizma, W.R. – Мистерије организма) is a 1971 film by Serbian director Dušan Makavejev that explores the relationship between communist politics and sexuality, as well as presenting the controversial life and work of Austrian-American psychoanalyst Wilhelm Reich (1897–1957). The film's narrative structure is unconventional, intermixing fictional and documentary elements. After initial screenings, both in and out of Yugoslavia, ''W.R.'' was banned in that country for the next 16 years. Makavejev was subsequently indicted there on criminal charges of "derision" towards "the state, its agencies, and representatives" after he made intemperate remarks to a West German newspaper about the ban. His exile from his home country lasted until the end of the regime. Plot The film intercuts documentary footage and clips from other films — notably the Stalinist propaganda film '' ...
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She Done Him Wrong
''She Done Him Wrong'' is a 1933 pre-Code American crime/comedy film starring Mae West and Cary Grant. The plot includes melodramatic and musical elements, with a supporting cast featuring Owen Moore, Gilbert Roland, Noah Beery Sr., Rochelle Hudson, and Louise Beavers. It was directed by Lowell Sherman, and produced by William LeBaron. The film is famous for West's many double entendres and quips, including her best-known (and frequently misquoted), "Why don't you come up sometime and see me?" The film was adapted from the successful 1928 Broadway play '' Diamond Lil'' by Mae West. The Hays Code declared the play banned from the screen and repeatedly demanded changes to remove associations with or elements from the play, including suggested titles with the word "diamond". The adaption was finally allowed under the condition that the play not be referred to in publicity or advertising. '' Blonde Venus'' (with Marlene Dietrich) and ''Madame Butterfly'' (with Sylvia Sidney), ...
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Pickpocket (film)
''Pickpocket'' is a 1959 French film written and directed by Robert Bresson, the first for which Bresson wrote an original screenplay rather than adapting an existing work. It stars Martin LaSalle, who was a nonprofessional actor at the time, in the title role, and features Marika Green, Pierre Leymarie, and Jean Pélégri in supporting roles. The film is generally considered to be one of Bresson's greatest films. Plot Michel goes to a race at Longchamp Racecourse and takes some money from a woman's purse. He leaves the track confident he was not noticed, but is suddenly arrested. At the police station, the chief inspector releases him because it cannot be proven that he stole the money. The next day, Michel goes to visit his sickly mother, who he has not seen in a month. Her neighbor, Jeanne, offers to let him in the apartment, but, instead, he gives her money to give his mother and leaves. Michel goes to meet his friend Jacques at a bar and asks for help finding a job. He see ...
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Belle De Jour (film)
''Belle de Jour'' () is a 1967 drama film directed by Luis Buñuel, and starring Catherine Deneuve, Jean Sorel, and Michel Piccoli. Based on the 1928 novel '' Belle de jour'' by Joseph Kessel, the film is about a young woman who spends her midweek afternoons as a high-class prostitute, while her husband is at work. The title of the film is a play on words on the French term ''belle de nuit'' ("beauty of the night", i.e., a prostitute), as Séverine works during the day under the pseudonym "Belle de Jour". Her nickname can also be interpreted as a reference to the French name of the morning glory (''Convolvulaceae''), meaning "beauty of heday", a flower that blooms only during the day. ''Belle de Jour'' is one of Buñuel's most successful and famous films with many film historians calling Deneuve's performance her finest. It won the Golden Lion and the Pasinetti Award for Best Film at the Venice Film Festival in 1967. Plot Séverine Serizy (Catherine Deneuve), a young and bea ...
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Random House
Random House is an American book publisher and the largest general-interest paperback publisher in the world. The company has several independently managed subsidiaries around the world. It is part of Penguin Random House, which is owned by German media conglomerate Bertelsmann. History Random House was founded in 1927 by Bennett Cerf and Donald Klopfer, two years after they acquired the Modern Library imprint from publisher Horace Liveright, which reprints classic works of literature. Cerf is quoted as saying, "We just said we were going to publish a few books on the side at random," which suggested the name Random House. In 1934 they published the first authorized edition of James Joyce's novel ''Ulysses'' in the Anglophone world. ''Ulysses'' transformed Random House into a formidable publisher over the next two decades. In 1936, it absorbed the firm of Smith and Haas—Robert Haas became the third partner until retiring and selling his share back to Cerf and Klopfer in 19 ...
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New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ...
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History Of Film
The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century. The advent of film as an artistic medium is not clearly defined. However, the commercial, public screening of ten of the Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings by others like the Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895 in Berlin, but they lacked neither the quality, financial backing, stamina, or the luck to find the momentum that propelled the cinématographe Lumière into worldwide success. Those earliest films were in black and white, under a minute long, without recorded sound and consisted of a single shot from a steady camera. The first decade of motion pictures saw film mo ...
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