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Film Workshop
Film Workshop Co. Ltd. (), is a Hong Kong production company and film distributor. It was founded in April 1984 by producer/director Tsui Hark and his now ex-wife, Nansun Shi. Already a director with box office hits, Tsui wanted to create a workshop where the foremost filmmakers could work on films with artistic merit, and at the same time, films that could be commercially rewarding for the financiers behind his projects. The company has not produced a film since 2017. Films In 1984, Film Workshop's first film, ''Shanghai Blues'', turned out to be both a critical and commercial success in Hong Kong; and so were the two subsequent films that Tsui directed: ''Working Class'' and ''Peking Opera Blues''. At this time, Tsui invited other directors to join in. With Tsui producing, John Woo directed ''A Better Tomorrow'', which grossed US$4.5 million locally to set a new record as the highest grossing motion picture in Hong Kong. After having a falling out during the making of ''A Bett ...
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Production Company
A production company, production house, production studio, or a production team is a studio that creates works in the fields of performing arts, new media art, film, television, radio, comics, interactive arts, video games, websites, music, and video. These groups consist of technical staff to produce the media, and are often incorporated as a commercial publisher. Generally the term refers to all individuals responsible for the technical aspects of creating a particular product, regardless of where in the process their expertise is required, or how long they are involved in the project. For example, in a theatrical performance, the production team has not only the running crew, but also the theatrical producer, designers and theatrical direction. Tasks and functions The production company may be directly responsible for fundraising the production or may accomplish this through a parent company, partner, or private investor. It handles budgeting, scheduling, scripting, th ...
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A Better Tomorrow 3
''A Better Tomorrow III: Love & Death in Saigon'' () is a 1989 Hong Kong action drama film co-produced and directed by Tsui Hark. It is a loosely based prequel to John Woo's ''A Better Tomorrow'' and ''A Better Tomorrow II''. The film was directed by Tsui Hark, the producer behind the first two films in the series. John Woo wrote a screenplay for a third installment, but he never got to direct it due to having had artistic differences with Tsui during the filming of the second film. Instead, the original screenplay later became ''Bullet in the Head''. The two films have many parallels, most notably, both being set in the Vietnam War. The film stars Chow Yun-fat, who reprises his role of Mark Gor from the first film, Tony Leung Ka-fai and Anita Mui. Set during the Vietnam War, it sets up the story of how Mark became the character he was in the original film. The second part of the title ''Love & Death in Saigon'' (夕陽之歌 or Song of the Setting Sun in Chinese) is also the ...
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Swordsman II
''Swordsman II'', also known as ''The Legend of the Swordsman'', is a 1992 Hong Kong ''wuxia'' film very loosely adapted from Louis Cha's novel ''The Smiling, Proud Wanderer''. It was the second part of a trilogy: preceded by '' The Swordsman'' (1990) and followed by '' The East Is Red'' (1993). Directed by Ching Siu-tung, ''Swordsman II'' starred Jet Li, Brigitte Lin, Rosamund Kwan and Michelle Reis in the leading roles. None of the original cast from the previous film return except Fennie Yuen. Plot Linghu Chong, Yue Lingshan and members of the Mount Hua Sect are planning to retire from the ''jianghu'' (martial artists' community). They learn that Dongfang Bubai has seized control of the Sun Moon Holy Cult and is secretly plotting with some Japanese ''rōnin'' to rebel against the Ming Empire and dominate China. Dongfang Bubai had castrated himself in order to master the skills in the ''Sunflower Manual'', and his appearance has become more feminine, even though he is now a f ...
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Once Upon A Time In China II
''Once Upon a Time in China II'' is a 1992 Hong Kong martial arts film written and directed by Tsui Hark, and starring Jet Li as Chinese martial arts master and folk hero of Cantonese ethnicity, Wong Fei-hung. It is the second instalment in the ''Once Upon a Time in China'' film series, and co-stars Donnie Yen, Rosamund Kwan and Max Mok. The iconic theme song, "A Man Should Better Himself" (男兒當自強), was performed in Cantonese by George Lam at the beginning of the film, and by Jackie Chan in the end credits. Chan also sang the Mandarin version. Plot The film is set in China in 1895 during the Qing dynasty. Wong Fei-hung travels by train from Foshan to Canton to attend a seminar on medicine. He is accompanied by his romantic interest 13th Aunt and apprentice Leung Foon. The situation in Canton is rather chaotic. On one hand, there are protests in the streets against the signing of the Treaty of Shimonoseki. On the other hand, the White Lotus Sect, a xenophobic cult, g ...
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Once Upon A Time In China
''Once Upon a Time in China'' (released in the Philippines as ''Enter the New Game of Death'') is a 1991 Hong Kong martial arts film written and directed by Tsui Hark, starring Jet Li as Chinese martial arts master and folk hero of Cantonese ethnicity, Wong Fei-hung. It is the first instalment in the ''Once Upon a Time in China'' film series. Plot The film is set in Foshan, China sometime in the late 19th century during the Qing dynasty. Liu Yongfu, the commander of the Black Flag Army, invites Wong Fei-hung on board his ship to watch a lion dance. Sailors on board a nearby French ship hear the sound of firecrackers and mistakenly think that Liu's ship is firing at them so they return fire and injure the dancers. Wong picks up the lion head and finishes the performance. Liu comments about the perilous situation China is in, and then gives Wong a hand fan inscribed with all the unequal treaties signed between China and other countries. Wong is the martial arts instructor of the ...
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A Chinese Ghost Story III
''A Chinese Ghost Story III'' ( zh, t=倩女幽魂 III:道道道, j=Sinneoi Jauwan III: Dou Dou Dou) is a 1991 Hong Kong romantic comedy-horror film directed by Ching Siu-tung and produced by Tsui Hark. It is the sequel to ''A Chinese Ghost Story'' and ''A Chinese Ghost Story II''. Though technically a distant sequel, the plot is more of a retelling of the original ''A Chinese Ghost Story''. Joey Wong reprises her role as a ghostly beauty bound in servitude to the Tree Demon. The Tree Demon's seal, as cast by the monk Yin (Wu Ma) in the original film, only lasts for 100 years. Now 100 years later, the Tree Demon awakens. Plot The film starts with a flashback to the first film with Taoist Yin sealing away the tree demon, but tells the scholar Ning Tsai Shen that it will reawaken in 100 years. Fast forward 100 years later, two Buddhist monks master Bai Yun and his inept disciple Shi Fang are transporting a golden idol of The Buddha, Buddha. On their travels they meet the relati ...
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A Chinese Ghost Story II
''A Chinese Ghost Story II'' ( zh, t=倩女幽魂 II:人間道) is a 1990 Hong Kong romantic comedy horror film directed by Ching Siu-tung and produced by Tsui Hark. It is the sequel to ''A Chinese Ghost Story'' and is followed by ''A Chinese Ghost Story III''. Plot Following the events of the first film, Ning (Leslie Cheung) parts ways with the Taoist Yin (Wu Ma) and returns to his home village, which has since fallen on desperate times. Fleeing from cannibals, Ning winds up being imprisoned. Sharing a cell with Elder Chu, a renowned scholar, Ning apparently spends months languishing in prison. On the day of Ning's execution, the scholar reveals that he has dug out an escape tunnel. He gives Ning one of his books and a pendant, and sends Ning through the tunnel. Ning obliviously steals the horse of Autumn (Jacky Cheung), a Taoist sectarian. When Ning stops for the night in an abandoned villa, Autumn catches up and the two sort out the misunderstanding. But in the middle of the ...
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The Swordsman (1990 Film)
''The Swordsman'', also known as ''Swordsman'', is a 1990 Hong Kong ''wuxia'' film. King Hu was credited as the director but allegedly left the project midway, and the film was completed by a team led by producer Tsui Hark. The film is loosely adapted from Louis Cha's novel ''The Smiling, Proud Wanderer''. The film was followed by two sequels: ''Swordsman II'' (1992) and '' The East Is Red'' (1993). Plot The story is set in 16th-century China during the Ming dynasty. Gu Jinfu, a eunuch from the spy agency Eastern Depot, leads a team to retrieve the Sunflower Manual, a martial arts manual stolen from the imperial palace. They track down and attack the thief, Lin Zhennan. Around this time, Linghu Chong and Yue Lingshan, members of the Mount Hua Sect, encounter Lin Zhennan and save him. Before succumbing to his wounds, Lin Zhennan tells them to tell his son, Lin Pingzhi, where he had hidden the manual. While making their way to rendezvous with their Mount Hua Sect fellows, Lingh ...
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Love & Death In Saigon
Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest interpersonal affection, to the simplest pleasure. An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love for food. Most commonly, love refers to a feeling of a strong attraction and emotional attachment.''Oxford Illustrated American Dictionary'' (1998) Love is considered to be both positive and negative, with its virtue representing human kindness, compassion, and affection, as "the unselfish loyal and benevolent concern for the good of another" and its vice representing human moral flaw, akin to vanity, selfishness, amour-propre, and egotism, as potentially leading people into a type of mania, obsessiveness or codependency. It may also describe compassionate and affectionate actions towards other humans, one's self, or animals.Fromm, Erich; ''The Art of Loving'', Har ...
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The Killer (1989 Film)
''The Killer'' () is a 1989 Hong Kong action thriller film written and directed by John Woo. The film stars Chow Yun-fat, Danny Lee and Sally Yeh. Chow plays the assassin Ah Jong, who accidentally damages the eyes of the singer Jennie (Sally Yeh) during a shootout. He later discovers that if Jennie does not undergo an expensive operation, she will go blind. To get the money for Jennie, Ah Jong decides to perform one last hit. After the financial backing from Tsui Hark became problematic following the release of Woo's film '' A Better Tomorrow 2'', Woo had to find backing through Chow Yun-fat's and Danny Lee's financing companies. Woo went into filming ''The Killer'' with a rough draft whose plot was influenced by the films '' Le Samouraï'', '' Mean Streets'', and ''Narazumono''. Woo wanted to make a film about honour, friendship and the relationship of two seemingly opposite people. After finishing filming, Woo referred to ''The Killer'' as a tribute to directors Jean-Pierre Me ...
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The Master (1992 Film)
''The Master'' (traditional Chinese: 龍行天下) is a 1992 Hong Kong martial arts film written, produced and directed by Tsui Hark, and starring Jet Li, Yuen Wah, Crystal Kwok and Jerry Trimble. The project was filmed in 1989, but it was not released until 1992 when the success of ''Once Upon a Time in China'' made Li a major action star. Plot The story occurs in Los Angeles, where a fight between Master Tak (Yuen Wah) and Johnny (Jerry Trimble) destroys Tak's herbal medicine store. Johnny is prevented from killing Tak when Anna (Anne Rickets) comes to save him. During his recovery he stays in Anna's camper van. Anna is both a janitor and a student from a gymnastics school but was banned from competing and attending for physically attacking a fellow classmate. As a result, Anna ends up being fired by her coach, who is already fed up with Anna's bad behaviour. Jet (Jet Li) arrives from Hong Kong on the airport bus. When he arrives at Tak's store to resume as Tak's Kung Fu stud ...
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A Chinese Ghost Story
''A Chinese Ghost Story'' ( zh, t=倩女幽魂, w=Ch'ien-nü Yu-hun, l=The Ethereal Spirit of a Beauty) is a 1987 Hong Kong romantic comedy horror film starring Leslie Cheung, Joey Wong and Wu Ma, directed by Ching Siu-tung and produced by Tsui Hark. The plot is loosely based on a short story about Nie Xiaoqian from Qing dynasty writer Pu Songling's ''Strange Stories from a Chinese Studio'' and is also inspired by the 1960 Shaw Brothers Studio film '' The Enchanting Shadow''. The film was popular in Hong Kong and several Asian countries, including South Korea and Japan. Although the film could not gain access to movie theaters in mainland China when it was first released, it became a cult film among young people in the mainland. At that time the film generated a phenomenal cult following among audiences, especially the generation born in the 1980s. In 2011, the Hong Kong producers screened a restored version officially in mainland China. Most notably it boosted the stardom of ...
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