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Fillmore West 1969
''Fillmore West 1969'' is a three-CD live album by the rock band the Grateful Dead. It contain selected songs recorded at the Fillmore West in San Francisco on February 27 through March 2, 1969. The album was remixed and remastered from the original 16-track concert soundboard tapes. The album is packaged as a hardcover booklet, with photos of the band and an essay by Dennis McNally. In addition to the three-disc set, the entire run of four nights was released as '' The Complete Fillmore West 1969'', a 10-CD box set that was limited to 10,000 copies. Five of the seven songs on ''Live/Dead'' (rock's first 16-track live album, released in November 1969) were taken from these shows. ''Fillmore West 1969'' includes highlights that did not appear on ''Live/Dead'', with the exception of "Feedback" and the full-length version of "And We Bid You Good Night", which had appeared in truncated form on that album. Critical reception On ''AllMusic'' Lindsay Planer wrote, "Collectively he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Complete Fillmore West 1969
''Fillmore West 1969: The Complete Recordings'' is a 10-CD live album by the rock band the Grateful Dead. It contains four complete concerts recorded on February 27, February 28, March 1, and March 2, 1969, at the Fillmore West in San Francisco. The album was remixed from the original 16-track concert soundboard tapes. It was released as a box set in November 2005, in a limited edition of 10,000 copies. Five of the seven songs on the Grateful Dead's 1969 album ''Live/Dead'' – the first live rock album recorded in 16-track – were selected from these shows. They are " Dark Star", "St Stephen", "Death Don't Have No Mercy", "Feedback", and "And We Bid You Goodnight". ("The Eleven" and " Turn On Your Lovelight" were recorded about a month earlier at the Avalon Ballroom.) ''Fillmore West 1969'', released at the same time as ''Fillmore West 1969: The Complete Recordings'', is a three-disc compilation that features highlights of the four nights. The opening acts at these concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Rose
Timothy Alan Patrick Rose (September 23, 1940 – September 24, 2002) (unofficial website by long-term correspondent of Rose's) was an American singer and songwriter who spent much of his life in London, England, and had more success in Europe than in his native country. Biography Early years Rose was born in Washington, D.C., and raised by his mother Mary, who worked for the Army Corps of Engineers, his aunt, and his grandmother in an area known as South Fairlington Historic District, in Arlington, Virginia, where he was to meet Scott McKenzie, who lived nearby. Rose learned to play the banjo and guitar, and won the top music award in high school. Rose graduated from Gonzaga College Prep School, a noted Jesuit institution in DC, class of 1958. From there he joined the United States Air Force (in the Strategic Air Command), in the pre-Vietnam era, and was stationed in Kansas. He later worked as a merchant seaman on the S.S. Atlantic and in a bank, before becoming involve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Lesh
Philip Chapman Lesh (born March 15, 1940) is an American musician and a founding member of the Grateful Dead, with whom he played bass guitar throughout their 30-year career. After the band's disbanding in 1995, Lesh continued the tradition of Grateful Dead family music with side project Phil Lesh and Friends, which paid homage to the Dead's music by playing their originals, common covers, and the songs of the members of his band. Lesh operated a music venue called Terrapin Crossroads. He scaled back his touring regimen in 2014 but continues to perform with Phil Lesh & Friends at select venues. From 2009 to 2014, he performed in Furthur alongside former Grateful Dead bandmate Bob Weir. Background Lesh was born in Berkeley, California, United States, and started out as a violin player. While enrolled at Berkeley High School he switched to trumpet and participated in all of the school's music-related extracurricular activities. Studying the instrument under Bob Hansen, conducto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Kreutzmann
William Kreutzmann Jr. ( ; born May 7, 1946) is an American drummer and founding member of the rock band Grateful Dead. He played with the band for its entire thirty-year career, usually alongside fellow drummer Mickey Hart, and has continued to perform with former members of the Grateful Dead in various lineups, and with his own bands BK3, 7 Walkers and Billy & the Kids. Early life Kreutzmann was born in Palo Alto, California, the son of Janice Beryl (née Shaughnessy) and William Kreutzmann Sr. His father was of German descent. His maternal grandfather was football coach and innovator Clark Shaughnessy. Kreutzmann started playing drums at the age of 13. At first he practiced on a Slingerland drum kit lent to him. As a teenager, he was practicing drums alone in a large building at his high school when Aldous Huxley and another man walked in. Huxley told Bill he'd never heard anything like it, and encouraged him in his drumming – despite the fact Bill had been told by h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mickey Hart
Mickey Hart (born Michael Steven Hartman, September 11, 1943) is an American percussionist. He is best known as one of the two drummers of the rock band Grateful Dead. He was a member of the Grateful Dead from September 1967 until February 1971, and again from October 1974 until their final show in July 1995. He and fellow Dead drummer Bill Kreutzmann earned the nickname "the rhythm devils". Early life and education Michael Steven Hartman was born in Flatbush, Brooklyn, Flatbush neighborhood of Brooklyn, New York. He was raised in suburban Inwood, New York by his mother, Leah, a drummer, gown maker and bookkeeper. His father Lenny Hart, a champion Drum rudiment, rudimental drummer, had abandoned his family when the younger Hart was a toddler. Although Hart (who was hyperactive and not academically inclined) became interested in percussion as a grade school student, his interest intensified after seeing his father's picture in a newsreel documenting the 1939 World's Fair. Shor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dark Star (song)
"Dark Star" is a song released as a single by the Grateful Dead on Warner Bros. records in 1968. It was written by lyricist Robert Hunter and composed by lead guitarist Jerry Garcia; however, compositional credit is sometimes extended to include Phil Lesh, Bill Kreutzmann, Mickey Hart, Ron "Pigpen" McKernan, and Bob Weir. "Dark Star" was an early Grateful Dead classic which the group often used as a vehicle for extended jamming sessions during live performances. The song is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list and was ranked at number 57 on Rolling Stone's 100 Greatest Guitar Songs of All Time. Composition and release In May 1967, Garcia composed the preliminary chords of the song, but it was at the time without lyrics. A handful of months later, Robert Hunter, who would become a longtime collaborator with the Grateful Dead, arrived back in California and overheard the band playing around with the track. While in Rio Nido, a sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deadric Malone
Don Deadric Robey (November 1, 1903 – June 16, 1975) was an American record label executive, songwriter, and record producer. As the founder of Peacock Records and the eventual owner of Duke Records, he was responsible for developing the careers of many rhythm and blues artists in the 1950s and 1960s. He was the first African American record mogul, 10 years prior to Berry Gordy's Motown label (though the first Black-owned label, Black Swan Records, belonged to Harry Pace in the 1920s). Robey was notorious for his controversial business practices; he reputedly used criminal means, including violence and intimidation, as part of his business model, though he was held in high regard by some of the musicians who worked for him. He was credited with writing or co-writing many of the songs recorded by Duke/Peacock artists, either under his real name, or under the pseudonym of Deadric Malone. However in many cases, he was merely a publisher and was not involved in the writing. Many o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Scott (musician)
Joseph Wade Scott (December 2, 1924 – March 6, 1979) was an American R&B trumpeter, bandleader, songwriter, arranger, record producer and A&R man, best known for his work at Duke and Peacock Records in the 1950s and 1960s, notably with Bobby "Blue" Bland. Biography Born in Texarkana, Texas, United States, he settled in Houston, Texas, by about 1950, becoming established as the principal bandleader, A&R man and arranger at Don Robey's Duke and Peacock Records. He wrote and arranged songs for Johnny Ace, Big Mama Thornton, Bobby Bland, and Junior Parker, as well as leading their touring bands. Among the songs that Scott wrote – although in most cases Robey claimed a co-writing credit with him, or in some cases sole credit – were Bobby Bland's "Lead Me On", "Turn On Your Love Light" and "Ain't Nothing You Can Do"; Larry Davis' " Texas Flood"; Johnny Ace's "Never Let Me Go"; and Junior Parker's "Annie Get Your Yo-Yo". Scott's arrangements featured extensive use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turn On Your Love Light
"Turn On Your Love Light" is a rhythm and blues song recorded by Bobby Bland in 1961. It was both an important R&B and pop chart hit for Bland and has become one of his most identifiable songs. A variety of artists have recorded it, including the Grateful Dead, who made it part of their concert repertoire. Composition and recording "Turn On Your Love Light" was written by band leader and arranger Joe Scott (with an additional credit given to Duke Records owner/producer Don Robey aka Deadric Malone). Scott's brass arrangement "upped the excitement ante" with "the groove picking up momentum as the horns and percussion talk to each other" and Bland's vocal "riding on top". Backing Bland are probably Joe Scott and Melvin Jackson on trumpets, Pluma Davis on trombone, Johnny Board and Jimmy Beck on saxophones, Rayfield Davers on baritone saxophone, Teddy Reynolds on piano, Wayne Bennett on guitar, Hamp Simmons on bass, and John "Jabo" Starks on drums. Charts and recognition "Turn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slim Harpo
Slim Harpo (born James Isaac Moore; January 11, 1924 – January 31, 1970) was an American blues musician, a leading exponent of the swamp blues style, and "one of the most commercially successful blues artists of his day". He played guitar and was a master of the blues harmonica, known in blues circles as a "harp". His most successful and influential recordings included "I'm a King Bee" (1957), " Rainin' in My Heart" (1961), and "Baby Scratch My Back" (1966), which reached number one on ''Billboard'''s R&B chart and number 16 on its broader Hot 100 singles chart. Life and career Moore was born in Lobdell, Louisiana, the eldest child in his family. After his parents died he worked as a longshoreman and construction worker in New Orleans in the late 1930s and early 1940s. Influenced in style by Jimmy Reed, he began performing in Baton Rouge bars using the name "Harmonica Slim", and also accompanied his brother-in-law Lightnin' Slim in live performances. He started his recording ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm A King Bee
"I'm a King Bee" is a swamp blues song written and first recorded by Slim Harpo in 1957. It has been performed and recorded by numerous blues and other artists and in 2008, Slim Harpo's original received a Grammy Hall of Fame Award. Original song Written by Slim Harpo, whose legal name was James Moore, the song was recorded in March 1957. The recording features a spare arrangement and instrumentation typical of J. D. Miller's production approach. Accompanying Slim Harpo were Gabriel " Guitar Gable" Perrodin on guitar, John "Fats" Perrodin on bass, and Clarence "Jockey" Etienne on drums. The song has an irregular number of bars (as opposed to the standard 12 bars). According to blues historian Gerard Herzhaft, it is derived from songs by Memphis Minnie, Bo Carter, and Muddy Waters and uses the rhythm figure from " Rockin' and Rollin'" by Lil' Son Jackson. Baton Rouge, Louisiana-based Excello Records originally released it in 1957 as the B-side to his debut solo single, "I Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
