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Filin (music)
Filin ( es, filin) was a Cuban, but US–influenced, popular song fashion of the late 1940s to the early 1960s. The word is derived from ''feeling'', and is sometimes spelled ''filin'' or even ''el filin''. It describes a style of ''post-microphone jazz-influenced romantic song'' (~crooning). The Cuban roots of filin were in the bolero and the canción. It was related to the trova: in fact, filin was sometimes regarded as a renewal or reinvigoration, of the old trova. Some Cuban quartets, such as Cuarteto d'Aida and Los Zafiros, modelled themselves on U.S. close-harmony groups. Others were singers who had heard Ella Fitzgerald, Sarah Vaughan and Nat King Cole. Filin singers included César Portillo de la Luz, José Antonio Méndez, who spent a decade in Mexico from 1949 to 1959, Frank DomÃnguez, the blind pianist Frank Emilio Flynn, and the great singers of boleros Elena Burke and the still-performing Omara Portuondo, who both came from the Cuarteto d'Aida. A house in Hava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popular Song
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Funk & Wagnalls New World Encyclopedia'' It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Emilio Flynn
Francisco Emilio Flynn RodrÃguez (April 13, 1921 – August 23, 2001), better known as Frank Emilio Flynn, was a renowned Cuban pianist. Despite being blind, he was a skilled and versatile pianist who mastered many forms of Cuban music, from danzas and danzones to filin, descarga and Afro-Cuban jazz. He was the founder and director of several ensembles, including Loquibambia (1946) and Los Modernistas (1951), both co-founded with José Antonio Méndez, as well as the Quinteto Instrumental de Música Moderna (1958), which later became Los Amigos. Biography Early life and career Francisco Emilio Flynn RodrÃguez was born in Havana on April 13, 1921, to a Cuban mother and an American father. His eyes were damaged during birth by the doctor's forceps. As a result, he was unable to distinguish shapes as a child, and by his late teens he was totally blind. From a young age he was known as Frank Emilio instead of Francisco Emilio due to his father. His mother died when he was 5 year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nueva Trova
Nueva Trova (, "new trova") is a movement in Cuban music that emerged around 1967/68 after the Cuban Revolution of 1959, and the consequent political and social changes. Nueva Trova has its roots in the traditional trova, but differs from it because its content is, in the widest sense, political. It combines traditional folk music idioms with 'progressive' and often politicized lyrics. It is related to nueva canción in Latin America, especially Chile and Argentina. Some of the Nueva Trova musicians were also influenced by rock and pop of that time. Nueva Trova is defined by its connection with the Cuban revolution, and by its lyrics, which tried to escape the banalities of life by concentrating on socialism, injustice, sexism, colonialism, racism and similar 'serious' issues. Haydée SantamarÃa was the creator and sponsor of this movement. Influences Nueva Trova was one aspect of the Pan-Latin American "new song movement" which tended to use lyrics that were self-consciously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo Milanés
Pablo Milanés Arias (24 February 1943 – 22 November 2022) was a Cuban guitar player and singer. He was one of the founders of the Cuban nueva trova, along with Silvio RodrÃguez and Noel Nicola. His music, originating in the Trova, Son and other traditional styles of early 20th Century Cuban music, set him apart from the style of Silvio RodrÃguez. Biography Pablo Milanés, widely known as Pablito, moved with his family from Bayamo to Havana in 1950. He studied in the Conservatorio Municipal de La Habana, at the time the most prestigious musical school in the country. His first public performance was in 1956. By age 15, he was active in "bohemian" musical circles in Havana, associated with the so-called " filin" musicians. Although he supported the Cuban Revolution, in 1965 he was sent to the UMAP agricultural forced-labor camp in Camagüey. In 1967, he escaped and fled to Havana to denounce the injustice of the labor camp. This resulted in his imprisonment, first for two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Revolution
The Cuban Revolution ( es, Revolución Cubana) was carried out after the 1952 Cuban coup d'état which placed Fulgencio Batista as head of state and the failed mass strike in opposition that followed. After failing to contest Batista in court, Fidel Castro organized an armed attack on the Cuban military's Moncada Barracks. The rebels were arrested and while in prison formed the 26th of July Movement. After gaining amnesty the M-26-7 rebels organized an expedition from Mexico on the Granma yacht to invade Cuba. In the following years the M-26-7 rebel army would slowly defeat the Cuban army in the countryside, while its urban wing would engage in sabotage and rebel army recruitment. Over time the originally critical and ambivalent Popular Socialist Party would come to support the 26th of July Movement in late 1958. By the time the rebels were to oust Batista the revolution was being driven by the Popular Socialist Party, 26th of July Movement, and the Directorio Revoluci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Mil Diez
Radio Mil Diez (or Radio 1010) was a radio station broadcasting from Havana, Cuba, owned by the Popular Socialist Party (PSP). Radio Mil Diez broadcast for five years, between 1943-1948, and played an important role in shaping contemporary Cuban music. Emergence Following the entry of the Soviet Union in the war against Germany the Cuban communists re-emerged as a legal political party, the PSP. The party purchased Radio LavÃn and converted it into Radio Mil Diez in 1943. The first broadcast was made on April 1, 1943. The name reflected the dial sign (1010). Radio Mil Diez became an important propaganda weapon of the party, and one of the foremost communist media outlets in the Caribbean at the time. The slogans of the radio station were ''La emisora del pueblo'' ('The Broadcaster of the People') and ''Todo lo bueno al servicio del pueblo'' ('All the Best to Serve the People'). Frequency Radio Mil Diez had the most powerful shortwave radio transmitter in Havana. It broadcast on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PeruchÃn
Pedro Nolasco Jústiz RodrÃguez, better known as PeruchÃn (January 31, 1913 – December 24, 1977), was a Cuban pianist specializing in jazz-influenced Cuban popular music. He was an important figure in the 1950s descarga (jam session) scene in Havana, and one of the most influential Cuban pianists of the 20th century. Biography Early life and career Pedro Jústiz was born in Banes, HolguÃn, on January 31, 1913 into a family of local musicians. Taught by his mother since 1923, he soon learned to play the piano and joined the family band La Rechiva del Son, directed by his uncles. In 1928 he moved to Antilla to study piano and saxophone under the supervision of his grandfather, Emilio RodrÃguez.PeruchÃn Jústiz ''EcuRed''. In 1933, his family moved to |
Niño Rivera
Andrés EchevarrÃa Callava (April 18, 1919 – January 27, 1996), better known as Niño Rivera, was a renowned Cuban Tres (musical instrument), tres player, songwriter and arranger. Early in his career he played with the Sexteto Boloña and Sexteto Bolero, before forming his own Conjunto#Cuban conjunto, conjunto in the 1940s.Niño Rivera ''EcuRed''. His music was based on popular Cuban forms such as the son montuno and the Cha-cha-cha (music), chachachá, often with notable jazz influences. Biography Early life Niño Rivera was born Andrés Perfecto Eleuterio Goldino Confesor EchevarrÃa Callava on April 18, 1919 in Pinar del RÃo, Cuba. He started playing the bongo in his uncle's band, Sexteto Caridad, when he was only 5 years old. In 1924 his family moved to Havana ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebo Valdés
Dionisio Ramón Emilio Valdés Amaro (October 9, 1918 – March 22, 2013), better known as Bebo Valdés, was a Cuban pianist, bandleader, composer and arranger. He was a central figure in the golden age of Cuban music, especially due to his big band arrangements and compositions of mambo, chachachá and batanga, a genre he created in 1952. He was the director of the Radio Mil Diez house band and the Tropicana Club orchestra, before forming his own big band, Orquesta Sabor de Cuba, in 1957. However, after the end of the Cuban Revolution, in 1960, Bebo left his family behind and went into exile in Mexico before settling in Sweden, where he remarried. His musical hiatus lasted until 1994, when a collaboration with Paquito D'Rivera brought him back into the music business. By the time of his death in 2013, he had recorded several new albums, earning multiple Grammy Awards. His son Chucho Valdés is also a successful pianist and bandleader. Biography Early career Bebo Valdés wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ñico Rojas
Ñico Rojas (August 3, 1921 – November 22, 2008 in Havana, Cuba) was a prominent Cuban composer and guitarist, considered as one of the founders of a style of Cuban song called ''filin''.Lusk, John: Ñico Rojas: Guitarist and composer who mixed Cuban rhythms with jazz: https://www.independent.co.uk/news/obituaries/nico-rojas-guitarist-and-composer-whomixed-cuban-rhythms-with-jazz-1048762.html Biography José Antonio Rojas, also known by the nickname of Ñico Rojas, began playing the guitar as an autodidact at a very young age. He entered the University of Havana when he was 18 years old in order to study Hydraulic Engineering.Bellido, Nacho: Ñico Rojas (1921-2008) Obras para guitarra: http://www.laguitarra-blog.com/2012/03/19/nico-rojas-1921-2008-obras-para-guitarra/ In the 1940s, while he was still studying at the University, Ñico became a member of a group of artists that created a new style of Cuban song, called '' filin'', which combined Cuban rhythms with harmonies and me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Portillo
César Eduardo Portillo Brown (born September 26, 1968 in Barcelona, Anzoátegui) is a retired male basketball player (2.06 metres) from Venezuela, who played as a center during his career. High school and college Portillo attended high school in the United States at Miami High School in Miami, Florida. There, Portillo led Miami High to a state title, with teammate and future NBA player Doug Edwards. Portillo was named a Parade All-American as a senior. After his standout high school career, César Portillo committed to the University of Florida. His time there was cut short after only four games as his Scholastic Aptitude Test (SAT) came into question and he was asked to re-take the test. Instead, Portillo transferred to Palm Beach Community College to play. Following a junior college season where he averaged 19.5 points, 9.9 rebounds and 3.2 blocks per game, Portillo signed with the University of South Alabama. Portillo played two years for South Alabama, leading them to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omara Portuondo
Omara Portuondo Peláez (born 29 October 1930) is a Cuban singer and dancer. A founding member of the popular vocal group Cuarteto d'Aida, Portuondo has collaborated with many important Cuban musicians during her long career, including Julio Gutiérrez, Juanito Márquez and Chucho Valdés. Although primarily known for her rendition of boleros, she has recorded in a wide range of styles from jazz to son cubano. Since 1996, she has been part of the Buena Vista Social Club project, touring extensively and recording several albums with the ensemble. She won a Latin Grammy Award for Best Contemporary Tropical Album in 2009 and a Latin Grammy Lifetime Achievement Award in 2019, and she received three Grammy Award nominations. Early life and career Born on 29 October 1930 in the Cayo Hueso neighborhood of Havana, Portuondo had three sisters. Her mother, Esperanza Peláez, came from a wealthy family of Spanish ancestry, and had created a scandal by running off with and marrying a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
