|
Feuchtmayer
The Feuchtmayers (also spelled Feuchtmayr, Feichtmair, and Feichtmayr) were a German family of artists from the Baroque Wessobrunner School. The best-known members of the family were the brothers Franz Joseph, Johann Michael (the Elder), and Michael; their sons; and one grandson: * Franz Joseph Feuchtmayer (1660–1718) ** Joseph Anton Feuchtmayer (1696–1770) * Johann Michael Feuchtmayer the Elder (1666–1713) * Michael Feuchtmayer (b. 1667) was a brother of Franz Joseph and Johann Michael, and the father of Franz Xaver, the Elder, as well as of Johann Michael, the Younger. ** Franz Xaver Feuchtmayer the Elder (1705–1764) *** Franz Xaver Feuchtmayer the Younger (b. 1735) ** Johann Michael Feuchtmayer the Younger (1709–1772) Bibliography *''Austria: A Phaidon Cultural Guide''. Oxford: Phaidon, 1985. . *''Germany: A Phaidon Cultural Guide''. Oxford: Phaidon, 1985. {{ISBN, 0-7148-2354-6.Swiss Institute for Art Research's SIKART Dictionary and Database Galle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Anton Feuchtmayer
Joseph Anton Feuchtmayer (6 March 1696 (baptized) – 2 January 1770) was an important Rococo stuccoist and sculptor, active in southern Germany and Switzerland. J. A. Feuchtmayer was born in Linz, a member of the famous Feuchtmayer family of the Wessobrunner School. He was the son of Franz Joseph Feuchtmayer (1660–1718); the nephew of Johann Michael Feuchtmayer (the Elder) and Michael Feuchtmayer (b. 1667); the first cousin of Franz Xaver Feuchtmayer (the Elder) (1705–1764) and Johann Michael Feuchtmayer (the Younger) (1709–1772); and the first cousin once removed of Franz Xaver Feuchtmayer (the Younger) (b. 1735). Joseph Anton began studying sculpture in Augsburg in 1715 and did work in Weingarten starting in 1718. After the death of his father Franz Joseph, he took over his father's workshop in Mimmenhausen. At the same time, he became the "house sculptor" of the monastery in Salem, delivering for them his first commission, the organ case for the Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Xaver Feuchtmayer
Franz Xaver Feuchtmayer (the Elder) (1698–1763) was a German Baroque stucco plasterer of the Wessobrunner School. Feuchtmayer was born in Wessobrunn, Bavaria. A member of the famous Feuchtmayer family, he was the son of Michael Feuchtmayer (b. 1667); the nephew of Franz Joseph Feuchtmayer (1660–1718) and Johann Michael Feuchtmayer (the Elder) (1666–1713); the older brother of Johann Michael Feuchtmayer (the Younger) (1709–1772); the cousin of Joseph Anton Feuchtmayer (1696–1770); and the father of Franz Xaver Feuchtmayer (the Younger) (b. 1735). Feuchtmayer worked alongside his brother, Johann Michael Fischer, Matthäus Günther, and Ignaz Günther to create some of the most famous churches in Bavaria and Tyrol. His style has been variously described as "lavish," "delicate," and "vigorous."''Austria: A Phaidon Cultural Guide,'' p. 182. Major works Bavaria *Augsburg—Dominican Church of St. Magdalena (1721–1724) *Augsburg—Schaezler Palais (1764 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Michael Feuchtmayer The Elder
Johann Michael Feuchtmayer (the Elder) (17 April 1666 (baptism) – 15 October 1713) was a German painter and copper engraver. Life and work He was born in Wessobrunn, into the famous Feuchtmayer family of Baroque artists associated with the Wessobrunner School. He was the brother of Franz Joseph Feuchtmayer (1660–1718) and Michael Feuchtmayer (b. 1667); the uncle of Joseph Anton Feuchtmayer (1696–1770), Franz Xaver Feuchtmayer (the Elder) (1705–1764), and Johann Michael Feuchtmayer (the Younger) (1709–1772); and the great-uncle of Franz Xaver Feuchtmayer (the Younger) (b. 1735). J. M. Feuchtmayer is most famous for the 1706 high altar paintings in the Catholic Parish Church of St. Idda in Bauen, Switzerland. With his brother Franz Joseph, he was also responsible for the choir stalls in the Benedictine monastery church in Einsiedeln, Switzerland. He died in Konstanz Konstanz (, , locally: ; also written as Constance in English) is a university ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Joseph Feuchtmayer
Franz Joseph Feuchtmayer (9 March 1660 (baptized) – 25 December 1718) was a member of the German Feuchtmayer family of Baroque artists of the Wessobrunner School. Feuchtmayer was born in Wessobrunn Abbey. A sculptor and stuccoist, he (along with his brother Johann Michael) was responsible for the choir stalls in the Benedictine monastery church in Einsiedeln, Switzerland, and for the sculptures on the altars and pulpits in the Parish Church of St. Maria in Seitenstetten, Austria. He also assisted in the rebuilding of the Salem Abbey, destroyed in a fire in 1697.''Germany: A Phaidon Cultural Guide''. Oxford: Phaidon, 1985. p. 645. . He died in Mimmenhausen (near Salem, Bodensee). He was the brother of Johann Michael Feuchtmayer (the Elder) and Michael Feuchtmayer (b. 1667); the father of Joseph Anton Feuchtmayer (1696–1770); the uncle of Franz Xaver Feuchtmayer (the Elder) (1705–1764) and Johann Michael Feuchtmayer (the Younger) (1709–1772); and the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Michael Feuchtmayer
Johann Michael Feuchtmayer (the Younger) (sometimes spelled Johann Michael Feuchtmayr or Feichtmayr) (1709 – June 4, 1772) was a German stuccoworker and sculptor of the late Baroque period. He collaborated with the architects Johann Michael Fischer, Johann Joseph Christian, and Franz Joseph Spiegler on numerous ecclesiastical buildings in Upper Swabia. His stucco decoration in the Benedictine abbey church (designed by Fischer) of Ottobeuren is considered his crowning achievement.''Germany: A Phaidon Cultural Guide,'' p. 584. Feuchtmayer was born into a family of artists in Wessobrunn, Bavaria. He and his uncle, the stuccoworker Franz Joseph Feuchtmayer (1660–1718); his uncle, the painter Johann Michael Feuchtmayer the Elder, Johann Michael Feuchtmayer the Elder (1666–1713); his brother Franz Xaver Feuchtmayer the Elder (1705–1764); his cousin, the painter and sculptor Joseph Anton Feuchtmayer (1696–1770); and his nephew, Franz Xaver Feuchtmayer the Younger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Xaver Feuchtmayer The Younger
Franz Xaver Feuchtmayer (the Younger) (17 October 1735 – 6 January 1803) was a member of the German Feuchtmayer family of Baroque artists associated with the Wessobrunner School. He was the son of Franz Xaver Feuchtmayer (the Elder) (1705–1764); the grandson of Michael Feuchtmayer (b. 1667); the great-nephew of Johann Michael Feuchtmayer (the Elder) (1666–1713) and Franz Joseph Feuchtmayer (1660–1718); and the first cousin once removed of Joseph Anton Feuchtmayer (1696–1770). His most famous works are the baldacchino over the high altar and some of the side altars of the Premonstratensian Monastery Church of St. Maria and St. Verena in Rot an der Rot Rot an der Rot () is a town in the district of Biberach in Baden-Württemberg in Germany. The town developed out of Rot an der Rot Abbey. Bilder File:Rot ad Rot, Klosterkirche Sankt Verena (und Maria) Lijst 2 Paragraph 28 foto3 2014-07-28 ..., constructed in 1777.''Germany: A Phaidon Cultural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wessobrunner School
The Wessobrunner School is the name for a group of Baroque stucco-workers that, beginning at the end of the 17th century, developed in the Benedictine Wessobrunn Abbey in Bavaria, Germany. The names of more than 600 stucco-workers who emerged from this school are known. The Wessobrunner stucco-workers exerted a decisive influence on, and at times even dominated, the art of stucco in south Germany in the 18th century. The concept of the Wessobrunner School goes back to the art historians Gustav von Bezold and Georg Hacker, who in 1888 first used the name to designate this group of artists and craftsmen. Members The most important members were the brothers Johann Baptist Zimmermann and Dominikus Zimmermann, and the Schmuzer and Feichtmayer/Feuchtmayer families, both of whom were active over multiple generations. Certain members also worked as architects, including Johann and Joseph Schmuzer and Dominikus Zimmermann. Other important family names include Finsterwalder, Gigl, Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rot An Der Rot Abbey
Rot an der Rot Abbey (also referred to as ''Roth'', ''Münchroth'', ''Münchenroth'', ''Mönchroth'' or ''Mönchsroth'') was a Premonstratensian monastery in Rot an der Rot in Upper Swabia, Baden-Württemberg, Germany. It was the first Premonstratensian monastery in the whole of Swabia. The imposing structure of the former monastery is situated on a hill between the valleys of the rivers Rot and Haslach. The monastery church, dedicated to St Verena, and the convent buildings are an important part of the Upper Swabian Baroque Route. Apart from the actual monastic buildings, a number of other structures have been preserved among which are the gates and the economy building. History Foundation and early history Rot an der Rot was first mentioned as ''Rota'' in a donation by Adelbert von Wolfertschwenden around the year 1100. Together with the church and the inn, the village formed most likely the centre of a manor. According to local tradition the monastery was founded under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Sculpture
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi (Rome, 1651), or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Bernini the dominating figure of the age in works such as ''The Ecstasy of St Theresa'' (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imst (district)
The Bezirk Imst is an administrative district (''Bezirk'') in Tyrol, Austria. It borders the district Reutte in the north, as well as sharing a small border with Bavaria (Germany). It borders the district Innsbruck-Land in the east, South Tyrol (Italy) in the south, and the district Landeck in the west. Area of the district is , which makes it by area rank 4 of the districts of Tyrol, with a population of 57,734 (as of January 1, 2012) (Number 6 in Tyrol), and a population density of 33 persons per km². The administrative center of the district is Imst. Geography The district comprises a part of the upper Inn valley, with its tributary valleys Ötztal, Pitztal, and Gurgltal, and the Mieming Plateau. The area is dominated by high alpine mountains. Mountain ranges include the Stubai Alps, Ötztal Alps, and Mieminger Mountains. The District is around 35 km from west to east and 80 km from north to south. The Highest mountain is the Wildspitze (3.768 meters), the secon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century German Sculptors
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zwiefalten Abbey
Zwiefalten Abbey (german: Kloster Zwiefalten, Abtei Zwiefalten or after 1750, ) is a former Benedictine monastery situated at Zwiefalten near Reutlingen in Baden-Württemberg in Germany. History The monastery was founded in 1089 at the time of the Investiture Controversy by Counts Gero and Kuno of Achalm, advised by Bishop Adalbero of Würzburg and Abbot William of Hirsau. The first monks were also from Hirsau Abbey, home of the Hirsau Reforms (under the influence of the Cluniac reforms), which strongly influenced the new foundation. Noker von Zwiefalten was the first abbot and led from 1065–90. The monk Ortlieb wrote a history of the monastery in the early 12th century. Berthold continued it to 1137–38. He served as abbot in 1139–1141, 1146/7–1152/6 and 1158–1169. During the 12th century Saint Ernest (died 1148) was abbot. Between 1145 and 1149 he participated in the Second Crusade to regain the Holy Lands including Jerusalem. Although Pope Urban VI granted spec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
