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Festival De Beaune
The Festival de Beaune: ''Festival international d’opéra baroque'' is a month-long annual summer festival of baroque opera in Beaune, France. It is notable for revivals of many baroque operas and performances of Mozart on original instruments Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in which .... More recently the town has also become host, in a different week, to the ''Festival international du film policier de Beaune'' - a festival of detective films. Founded in 1982, the Baroque Music Festival of Beaune has presented over 80 operas, over 30 of them significant revivals and world, European or French premières; over 100 oratorio and sacred music concerts, including 5 revivals or premières. In addition to recitals by individual performers. The festival also runs classes and voice w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poro (opera)
''Poro, re dell'Indie'' ("Porus, King of the Indians", HWV 28) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted from ''Alessandro nell'Indie'' by Metastasio, and based on Alexander the Great's encounter with Porus in 326 BC. The libretto had already been set to music by Leonardo Vinci in 1729 and was used as the text for more than sixty operas throughout the 18th century. Graham Cummings has examined in detail the composition history of ''Poro'' in the context of Handel's work on his London operas during the 1730s, and has postulated the principal time of Handel's composing from September 1730 to 16 January 1731, with small revisions prior to the 2 February premiere. The opera shifted the story's emphasis from Alessandro to Poro and Cleofide, and their relationship. Performance history The opera was first given at the King's Theatre in London on 2 February 1731 and on 15 further occasions. A run of 16 performances was a mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio De Literes
Antoni de Literes (18 June 1673 Majorca – 18 January 1747 Madrid), also known as Antonio de Literes or Antoni Literes Carrión) was a Spanish composer of ''zarzuelas''. As with other national forms of baroque opera, Literes's stage works employ a wide variety of musical forms – arias, ariettas and recitative (accompanied and unaccompanied) as well as dance movements and choruses, though here mingled with spoken verse dialogue. His use of the orchestra follows French and Italian practice in including guitars, lutes, and harpsichords amongst the continuo instruments. From 1693, after the exile of his predecessor Sebastián Durón, Literes became the Master of the Capilla Real of Madrid, playing the bass viol and soon being accounted the greatest Spanish court composer of his time. Zarzuelas His most famous work was ''Acis y Galatea'' (1708), to a libretto by José de Canizares, which enjoyed frequent performances in Madrid's Spanish court and public theatres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antigona (Traetta)
''Antigona'' (''Antigone'') is an opera in three acts in Italian by the composer Tommaso Traetta Tommaso Michele Francesco Saverio Traetta (30 March 1727 – 6 April 1779) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic r .... The libretto, by Marco Coltellini, is based on the tragedy ''Antigone (Sophocles), Antigone'' by Sophocles. Performance history ''Antigona'' received its premiere at the Imperial Theatres, Imperial Theatre, Saint Petersburg on 11 November 1772. Roles Synopsis Background The background to the opera is the myth of Oedipus. Oedipus has been expelled from Thebes (Greece), Thebes, the city where he was king, after it was revealed he had killed his father and married his mother. He left four children: Eteocles, Polynices, Antigone and Ismene. Creon of Thebes, Creon, Oedipus' brother-in-law, declares that the vacant throne of Thebes wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommaso Traetta
Tommaso Michele Francesco Saverio Traetta (30 March 1727 – 6 April 1779) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers. Biography Traetta was born in Bitonto, a town near Bari in the Apulia region, in Italy. He eventually became a pupil of the composer, singer and teacher Nicola Porpora in Naples, and scored a first success with his opera ''Il Farnace'' in Naples in 1751. Around this time, he came into contact with Niccolò Jommelli. From here on in, Traetta seems to have had regular commissions from all around the country, running the gamut of the usual classical subjects. Then in 1759, something untoward happened that was to trigger Traetta's first operatic re-think. He accepted a post as court composer at Parma. Parma, it has to be said, was hardly an important place i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis Et Galatée
''Acis et Galatée'' (''Acis and Galatea'') is an opera by Jean-Baptiste Lully. Unlike most of his operas, which are designated '' tragédies en musique'', Lully called this work a '' pastorale-héroïque'', because it was on a pastoral theme and had only three acts (plus a prologue) compared to the usual five. Otherwise, there is little musically or dramatically to distinguish it from Lully's ''tragédies''. The opera was commissioned by Louis Joseph, duc de Vendôme in honor of Louis, ''le Grand Dauphin''. Lully did not work with his usual librettist Philippe Quinault, although the two men collaborated on '' Armide'', which premiered the same year as ''Acis et Galatée''. The duke considered giving the commission to Racine, but it went instead to his protege Jean Galbert de Campistron. The libretto is based on the story in Ovid's ''Metamorphoses''. The same story was also to inspire a dramatic work by Handel, '' Acis and Galatea''. Performance history The opera was premie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous '' comédie-ballets'', including '' L'Amour médecin'', '' George Dandin ou le Mari confondu'', '' Monsieur de Pourceaugnac'', '' Psyché'' and his best known work, '' Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Francis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rinaldo Alessandrini
Rinaldo Alessandrini (born 25 January 1960) is a virtuoso on Baroque keyboards, including harpsichord, fortepiano, and organ. He is founder and conductor of the Italian early music ensemble Concerto Italiano, performing music of Monteverdi, Vivaldi, Couperin, Bach, and others. He is considered a foremost interpreter of early Italian opera. Alessandrini did not start piano until around the age of 14. In parallel he participated in a choral ensemble. At age 18 he discovered the harpsichord, took lessons with Ton Koopman, and subsequently gave his first concert. In 2009 Alessandrini conducted his Concerto Italiano at the annual Misteria Paschalia Festival in Kraków, Poland. Discography Alessandrini has recorded for Tactus, Italy, for the Opus 111 label of Yolanta Skura, now part of Naïve Records Naïve Records is a French independent record label based in Paris, specializing in electronic music, pop music, jazz and classical music. Founding and expansion It was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arianna In Nasso (Porpora)
''Arianna in Nasso'' is a 1733 opera by Nicola Porpora to a libretto by Paolo Rolli, chief conductor of the Opera of the Nobility. Background The choice of the subject of Ariadne was a challenge to Handel, whose '' Arianna in Creta'' was completed by 5 October 1733. Handel's ''Arianna in Creta'' was based on Pietro Pariati's much-set ''Arianna e Teseo'', in the later of two versions by Leonardo Leo (1729). This was a libretto which Porpora himself had also used for his own ''Arianna e Teseo'' (1721). Handel's choice of libretto obliged Porpora to turn to Rolli's libretto which was modeled not on Pariati but on Stampa's libretto to Giovanni Porta Giovanni Porta (c. 1677 – 21 June 1755) was an Italian opera composer. His opera '' Argippo'', to a libretto by Domenico Lalli, was premiered in Venice in 1717.Freeman, Daniel E. (1992)''The Opera Theater of Count Franz Anton Von Sporck i ...'s ''dramma pastorale'', ''Arianna''. Colin Timms, Bruce Wood ''Music in the London The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque music, Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli (castrato), Caffarelli. Other students included composers Matteo Capranica and Joseph Haydn. Biography Porpora was born in Naples. He graduated from the music conservatory Music Conservatories of Naples, Poveri di Gesù Cristo of his native city, where the civic opera scene was dominated by Alessandro Scarlatti. Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armida Abbandonata
''Armida Abbandonata'' (''Armida Abandoned'') is an opera in three acts by the Italian composer Niccolò Jommelli. The libretto, by Francesco Saverio De Rogatis, is based on the epic poem ''Jerusalem Delivered'' by Torquato Tasso. The opera was first performed at the Teatro San Carlo, Naples, on 30 May 1770. The young Wolfgang Amadeus Mozart was in the audience. He described the work as "beautiful but too serious and old-fashioned for the theatre". Nevertheless, despite a lukewarm reception at its premiere, ''Armida abbandonata'' was widely performed throughout Italy in the following years. Roles Synopsis ;Act 1: The Courtyard of Armida's castle, a drawbridge is visible. The two Crusader-knights Rambaldo and Tancredi do battle while Erminia, in love with Tancredi and disguised in the armor of Clorinda (Tancredi’s beloved) and with the visor down, tries to stop them. Rambaldo has lured Tancredi into Armida’s castle and when Erminia asks Tancredi to lay down his arms, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
