Feste Romane
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Feste Romane
''Roman Festivals'' (Italian: ''Feste Romane''), P 157 is a tone poem in four movements for orchestra completed in 1928 by the Italian composer Ottorino Respighi. It is the last of his three tone poems about Rome, following '' Fountains of Rome'' (1916) and ''Pines of Rome'' (1924), which he referred to as a triptych. Each movement depicts a scene of celebration in ancient and contemporary Rome, specifically gladiators battling to the death, the Christian Jubilee, a harvest and hunt festival, and a festival in the Piazza Navona. Musically, the piece is the longest and most demanding of Respighi's Roman trilogy. The premiere was held on 21 February 1929 at Carnegie Hall in New York City, with Arturo Toscanini conducting the New York Philharmonic. The piece was published by Casa Ricordi in the same year. Overview Having completed the work, Respighi felt that he had incorporated the "maximum of orchestral sonority and colour" from the orchestra and could no longer write such ...
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Tone Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ...
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Yan Pascal Tortelier
Yan Pascal Tortelier (born 19 April 1947) is a French conductor and violinist. Biography Born in Paris, Tortelier is the son of the cellist Paul Tortelier, and the brother of Maria de la Pau. Tortelier began piano and violin studies at age 4. At age 14, he was a first-prize winner for violin at the Paris Conservatoire. Tortelier has worked and recorded extensively in the United Kingdom. He was principal conductor of the Ulster Orchestra from 1989 to 1992. He served as Principal Conductor of the BBC Philharmonic in Manchester from 1992 to 2003, and now has the title of conductor emeritus with the orchestra. He has also been a Principal Guest Conductor of the National Youth Orchestra of Great Britain (NYOGB). Tortelier served as Principal Guest Conductor of the Pittsburgh Symphony Orchestra from 2005 to 2008. He was principal conductor of the Orquestra Sinfônica do Estado de São Paulo (OSESP) from 2009 to 2011, and had the title of honorary guest conductor with the OSESP fr ...
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Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ...
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Cor Anglais
The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F. The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe, and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes, and so its sounding range stretches from E3 (written B) below middle C to C6 two octaves above middle C. Description and timbre The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'am ...
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Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ...
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Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. Sti ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Woodwind Instrument
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Reed aerophones, reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed (mouthpiece), reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge ...
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Buccina 1
A buccina ( lat, buccina) or bucina ( lat, būcina, link=no), anglicized buccin or bucine, is a brass instrument that was used in the ancient Military history of the Roman Empire, Roman army, similar to the Cornu (horn), cornu. An ''aeneator'' who blew a buccina was called a "buccinator" or "bucinator" ( lat, buccinātor, būcinātor, link=no). Design It was originally designed as a tube made of either bronze or shells. However, as time went on more materials started to be used. It measured in length, of narrow cylindrical bore, and played by means of a cup-shaped mouthpiece (brass), mouthpiece. The tube is bent round upon itself from the mouthpiece to the bell (wind), bell in the shape of a broad C and is strengthened by means of a bar across the curve, which the performer grasps while playing to steady the instrument; the bell curves over his head or shoulder. Usage The buccina was used for the announcement of night watches, to summon soldiers by means of the special signa ...
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Monte Mario
Monte Mario (English: Mount Mario or Mount Marius) is the hill that rises in the north-west area of Rome (Italy), on the right bank of the Tiber, crossed by the Via Trionfale. It occupies part of Balduina, of the territory of Municipio Roma I (''Roma Centro''), of Municipio Roma XIV (''Roma Monte Mario'') and a small portion of Municipio Roma XV of Rome, thus including part of the Quarters Trionfale, Della Vittoria and Primavalle. The same toponym also identifies the urban area which extends over the hill, close to Via Trionfale and the first stretch of Via di Torrevecchia, with the railway station of the same name. It is the highest (139 m) hill in the town and, together with the Janiculum and the Pincius, one of the most scenic spots in the city, especially in the place called "''Zodiac''", which offers a south and west view of the main architectural monuments of the city, of the Vatican City, of the Alban Hills, of the Monti Tiburtini, of the Monti Prenestini and of th ...
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Christ Ist Erstanden
"Christ ist erstanden" (Christ is risen) is a German Easter hymn, and is possibly the oldest Christian liturgical German song. It has inspired music by composers such as Ludwig Senfl and Heinrich Schütz (from the sixteenth and seventeenth centuries respectively) through to modern composers such as Oskar Gottlieb Blarr and Enjott Schneider, and has appeared in 45 hymnals, including the current German Catholic and Protestant hymnals. Translations and paraphrases include a version by Catherine Winkworth which has appeared in 231 hymnals. "Christ ist erstanden" also inspired Martin Luther to write "Christ lag in Todes Banden", deriving the melody from it. History "Christ ist erstanden" is possibly the oldest liturgical song in German. The first stanza was sung around 1100 to venerate the cross. It is mentioned in 1160 in an order of liturgy of the diocese of Salzburg, which is kept as the Codex MII6 at the library of the University of Salzburg; it is a Leise (a form of medieval ch ...
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Martyr
A martyr (, ''mártys'', "witness", or , ''marturia'', stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an actor by an alleged oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious beliefs, the term has come to be used in connection with people killed for a political cause. Most martyrs are consid ...
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