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Fess Williams And His Joy Boys
Fess Williams and His Joy Boys was a band of clarinetist Fess Williams during 1928. Brief history During 1928 Williams took a short break from leading the Royal Flush Orchestra to front Dave Peyton's band in Chicago at the Regal Theatre under the name Fess Williams and His Joy Boys. During this time they recorded two sides on Vocalion Records, ''Dixie Stomp'' and '' Drifting and Dreaming''. While still in Chicago he continued to play at the Savoy Savoy (; frp, Savouè ; french: Savoie ) is a cultural-historical region in the Western Alps. Situated on the cultural boundary between Occitania and Piedmont, the area extends from Lake Geneva in the north to the Dauphiné in the south. Savo ... as the Royal Flush. Red Hot Jazz Band members *Eddie Atkins ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, and drums. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fess Williams And His Royal Flush Orchestra
Fess Williams and his Royal Flush Orchestra was the main band of clarinetist Fess Williams from 1926–1930 Brief history In 1926 Williams formed the Royal Flush Orchestra. The popular hot jazz outfit held residency at Harlem's Savoy Ballroom The Savoy Ballroom was a large ballroom for music and public dancing located at 596 Lenox Avenue, between 140th and 141st Streets in the Harlem neighborhood of Manhattan, New York City. Lenox Avenue was the main thoroughfare through upper Harle ... for most of its life and recorded on the Victor, Vocalion, Gennett, Okeh, Brunswick, Champion, and Harmony labels. Williams, Frank Marvin, and Perry Smith supplied vocals. The flamboyant Williams typically performed wearing a white suit and top hat. In 1928 Williams traveled to Chicago where he temporarily fronted Dave Peyton's band at the Regal Theatre. Calling the group Fess Williams and His Joy Boys, he recorded two sides with them for Vocalion. The Royal Flush Orchestra continued ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinetist
This article lists notable musicians who have played the clarinet. Classical clarinetists * Laver Bariu * Ernest Ačkun * Luís Afonso * Cristiano Alves * Michel Arrignon * Dimitri Ashkenazy * Kinan Azmeh * Alexander Bader * Carl Baermann * Heinrich Baermann * József Balogh * Cristo Barrios * Luigi Bassi * Simeon Bellison * Kálmán Berkes * Julian Bliss * Kalman Bloch * Walter Boeykens * Henri Bok * Daniel Bonade * Tara Bouman * Naftule Brandwein * Shirley Brill * Bruno Brun * Jack Brymer * Lars Kristian Brynildsen * Nicola Bulfone * Ovanir Buosi * Sérgio Burgani * Louis Cahuzac * David Campbell * James Campbell * Alessandro Carbonare * Ernesto Cavallini * Florent Charpentier * Jonathan Cohler * Larry Combs * Jean-Noël Crocq * Philippe Cuper * Gervase de Peyer * Hans Deinzer * Guy Deplus * Charles Draper * Stanley Drucker * Eli Eban * Anton Eberst * Julian Egerton * Fredrik Fors * Alan Frank * Rupert Fankhauser * Thomas Friedli * Mariano Frogioni * Martin Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fess Williams
Fess Williams ''(né'' Stanley R. Williams; April 10, 1894 – December 17, 1975) was an American jazz musician.''Biography Index, A Cumulative Index to Biographical Material in Books and Magazines, Volume 10: September 1973 — August 1976'', New York: H.W. Wilson Company, 1977 Early life As a child Williams played several instruments. He received his formal education from N. Clark-Smith at Tuskegee University. By his late teens he had settled on clarinet, and soon afterwards formed the first of many bands he was to lead over the coming years. Career From 1919 to 1923, he led his own band before moving to Chicago, Illinois, and joining Ollie Powers. In 1923, he formed a new group in order to back the variety act Dave and Tressie and traveled to New York with them in 1924. There he led a trio in Albany, New York, as well as a band that played at the Rosemont Ballroom. In 1926, Williams formed the Royal Flush Orchestra. The popular hot jazz outfit held residency at Harlem's Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Peyton
Dave Peyton (19 August 1889 – 30 April 1955) was an American songwriter, pianist, arranger, orchestra leader, and music critic columnist for the ''Chicago Defender''. Peyton first began as a pianist in the trio of Wilbur Sweatman, along with George Reeves, where he played from 1908 to 1912. Following this Peyton led his own ensembles in various theaters in Chicago. His sidemen included Charlie Allen, George Mitchell, Bob Shoffner, Reuben Reeves, Kid Ory, Bud Scott, Jasper Taylor, Jimmy Bertrand, Baby Dodds, Preston Jackson, Darnell Howard, Jerome Don Pasquall, and Lee Collins. While he only recorded under his own name once (with Richard M. Jones, on piano in ''Baby o’ Mine'' (1935, Decca 7115) or ''Joe Louis Chant''), his orchestra also recorded in 1928 under Fess Williams's name (''Dixie Stomp''/''Drifting and Dreaming'', Voc. 15690). In the 1930s he led an orchestra at the Regal Theater, and from the mid-1930s until late-1940s played as a soloist in bars and nigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Regal Theater
The Avalon Regal Theater (originally the Avalon Theater, and later the New Regal Theater) is a music hall located at 1641 East 79th Street, bordered by the Avalon Park and South Shore neighborhoods on the south side of Chicago, Illinois, United States. It is a noted venue for African-American performers. The theater opened in August 1927. History Structure Architecturally, the Avalon Regal's atmospheric and Moorish Revivalist theme was conceived by Austrian-born architect John Eberson, who was nationally known for his exotic motifs. Legend has it that Eberson was inspired by an ornate Persian incense burner he found in an antique market in the French Quarter of New Orleans. Usage The theater opened as the Avalon Theater on August 29, 1927, when the community was known aAvalon Park a then predominantly German, Swedish and Irish neighborhood. At the time of its opening, The theater served as a live-performing arts venue until 1934. During the 1960s, more African Americans bega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocalion Records
Vocalion Records is an American record company and label. History The label was founded in 1916 by the Aeolian Company, a maker of pianos and organs, as Aeolian-Vocalion; the company also sold phonographs under the Vocalion name. "Aeolian" was later dropped from the label's name. In late 1924, the label was acquired by Brunswick Records. During the 1920s, Vocalion also began the 1000 race series, records recorded by and marketed to African Americans. Jim Jackson recorded "Jim Jackson's Kansas City Blues" for Vocalion in 1927. It sold exceptionally well, and the song became a blues standard for musicians from Memphis and Mississippi. The label issued Robert Johnson's "Cross Road Blues" The name Vocalion was resurrected in the late 1950s by American Decca as a budget label for back-catalog reissues. This incarnation of Vocalion ceased operations in 1973; however, its replacement as MCA's budget imprint, Coral Records Coral Records was a subsidiary of Decca Records that was fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drifting And Dreaming (song)
"Drifting and Dreaming, Sweet Paradise," is an American popular song written, copyrighted, published, and licensed by ASCAP in 1925. Lyrics are by Haven Gillespie, music is by Egbert Van Alstyne and Erwin Roeder Schmidt (1890–1966), and Loyal B. Curtis (1877–1947), L.B. Curtis, Music Publisher, New York. It was a major hit in 1926 for George Olsen. Selected discography * Ted Lewis, Columbia Records 78 rpm (1925) : Recorded in New York City, December 15, 1925 : Side A Matrix 141393: ''Don't Wake Me Up (Let Me Dream)'' 551-D : Side B Matrix 141394: ''Drifting and Dreaming'' 620-D * George Olsen and His Music, Victor master 19969, 10-inch 78 rpm (1926) : Fran C. Frey (1903–1962), Bob Rice, (baritone vocals), Bob Borger (tenor vocal), George Olsen (director) : Instrumentation: 2 violins, cello, flute, clarinet, 3 saxophones, 2 cornets, trombone, tuba, banjo, and piano : Recorded February 16, 1926, in New York City * Fess Williams and His Joy Boys, Vocalion Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savoy Ballroom (Chicago)
The Savoy Ballroom in Chicago, United States was opened on Thanksgiving Eve, November 23, 1927, at 4733 South Parkway. History At the time of its opening in 1927, the Savoy Ballroom was largest dancehall in South Side, Chicago; surpassing the other large hall in that part of the city, Lincoln Gardens. The Savoy was heavily funded and its size was unprecedented on the South Side of Chicago with elaborate decor, a triple subfloor, and a checkroom that could accommodate 6,000 hats and coats. Originally featuring primarily Jazz artists, including Louis Armstrong, Count Basie, Duke Ellington, Earl Hines, Stan Kenton, Dizzy Gillespie, Billie Holiday, Ella Fitzgerald, Gene Krupa, Woody Herman, the Savoy also hosted other activities, such as boxing, figure skating, and basketball exhibitions featuring the Savoy Big Five, who would later change their name to the Harlem Globetrotters. From 1927 until 1940, there was continuous music supplied by two bands per night. When one band took a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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