Ferruccio Busoni Discography (as Composer)
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Ferruccio Busoni Discography (as Composer)
Ferruccio Busoni discography chronicles the list of releases by the music artist. List of recorded works by category This list of recorded works is not complete. The recording artists are listed under each item with a link ( v) to the recording description in the section Recording details. Details for some recordings are on the individual artist's page, and these links are indicated with ( • ). The date given is for the completion of composition. Soloist with orchestra Original works Concertstück oncert Piecefor piano and orchestra, Op. 31a (1890) BV 236 : v Carlo Grante, piano; I Pomeriggi Musicali; , conductor Violin Concerto in D, Op. 35a (1897) BV 243 : v Jaime Laredo, violin; Daniel Barenboim, conductor : v Ingolf Turban, violin; Lior Shambadal, conductor : v Frank Peter Zimmermann, violin; John Storgårds, conductor : v Manoug Parikian, violin; Jascha Horenstein, conductor ( LP, limited availability) : v Joseph Szigeti, violin; Thomas Scherman, con ...
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Ferruccio Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in his early years in a late romantic style, but after 1907, when he publis ...
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LP Album
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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Gunnar Johansen
Gunnar Johansen (January 21, 1906, Copenhagen – May 25, 1991, Blue Mounds, Wisconsin) was a Danish-born pianist and composer. He was one of the chief proponents of the music of Ferruccio Busoni, whose mature keyboard works he recorded in their entirety, as well as the complete keyboard works of Johann Sebastian Bach. Johansen was also a scholar, educator and humanist. His many humanitarian efforts included establishment of the Leonardo Academy, dedicated to the integration of the arts and sciences. Biography Born in Copenhagen, Johansen was introduced to the keyboard by his father and made his hometown debut at the age of twelve. Remaining in his native Denmark, he went on to study with the pianist and conductor Victor Schiøler. At the age of fourteen, he moved to Berlin to further his musical education with Egon Petri, a disciple of Ferruccio Busoni. He also worked with Edwin Fischer and Franz Liszt's pupil, Frederic Lamond. He toured as a pianist in Europe in the 1920s and ...
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Music & Arts CD-1163
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal j ...
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