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Ferdinand Laloue
Ferdinand Laloue (1794 in Passy – 27 September 1850) was a French dramatist, librettist and theatre producer. Administrator of the Théâtre du Cirque-Olympique, he also was director of the Hippodrome and the théâtre des Délassements comiques. His onerous plays with fastuous settings were performed on the most important Parisian stages (Théâtre des Folies-Dramatiques, Théâtre de la Porte-Saint-Martin, Théâtre du Châtelet, Théâtre des Variétés etc.). Works * ''Le Fort de la halle'', vaudeville in 1 act, with Michel-Nicolas Balisson de Rougemont and Pierre Carmouche, 1821 * ''Le Petit Georges, ou la Croix d'honneur'', comedy in 1 act, 1821 * ''La Bataille de Bouvines, ou le Rocher des tombeaux'', mimodrame in 3 acts, with René Perin, 1822 * ''L'Arabe hospitalier'', melodrama in 1 act, 1822 * ''La diligence attaquée, or L'auberge des Cévennes'', with Constant Ménissier and Ernest Renaud, 1822 * ''La Fille à marier ou La Double éducation'', comédie en va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passy
Passy () is an area of Paris, France, located in the 16th arrondissement, on the Right Bank. It is home to many of the city's wealthiest residents. Passy was a commune on the outskirts of Paris. In 1658, hot springs were discovered around which spa facilities were developed. This attracted Parisian society and English visitors, some of whom made the area, which combined attractive countryside with both modest houses and fine residences, their winter retreat. The population was 2,400 in 1836, 4,545 in 1841, but larger in summer. In 1861 the population was 11,431. Passy's population was 17,594 when it was absorbed into Paris along with several other communities in 1860. Notable people *Alexandre Le Riche de La Poupelinière (1693–1762), French tax farmer and music patron *Niccolò Piccinni (1728–1800), Italian composer * Louis-Guillaume Le Veillard (1733–1794), aristocrat *Princess Marie Louise of Savoy (1749–1792), Savoyan princess * General Charles Edward Jennings de Ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Brazier
Nicolas Brazier (17 February 1783, Paris - 18 February 1838) was a French chansonnier and vaudevillist. Life Son of a boarding school master and author of school manuals, Brazier's education was however strongly neglected due to the French Revolution. At first a jeweller's apprentice, then employed in the "Droits réunis" (the French indirect taxes administration of the time), he showed a talent for verse and was encouraged and guided by Armand Gouffé. Following his first success at the Théâtre des Délassements-Comiques, in 1803, he left his job to devote himself to chansons and to the theatre, following courses at school to fill in the gaps in his education. His witty, spirited and lively chansons often proved popular, though the vulgarity of his style has led to them being forgotten. The Société du Caveau keeps their memory alive. Brazier collaborated on over 200 witty vaudeville pieces, above all on the couplets. His collaborators included Dumersan, Désaugiers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Théaulon
Marie-Emmanuel-Guillaume-Marguerite Théaulon de Lambert (14 August 1787, Aigues-Mortes – 16 November 1841) was a French playwright. A customs inspector, then an inspector of military hospitals, he composed an ''Ode'' on the birth of the King of Rome which brought him thanks from Napoleon himself. In 1814 he sang for the Bourbons and put on his first play, ''Les Clefs de Paris, ou le Dessert d’Henri IV'' (The Keys of Paris, or the Deservings of Henry IV), in their honour. In 1815, he composed and organised the posting of proclamations in honour of Louis XVIII. He collaborated on the royalist journals ''Le Nain rose'', ''La Foudre'', ''L’Apollon''. Selected works Above all during the Bourbon restoration, he wrote and put on a large number (sometimes alone, sometimes with collaborators), 250 according to one account. Written extremely quickly, most of them are only sketches, whose style often leaves something to be desired but which do not lack wit and beauty. He wrote two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand De Villeneuve
Ferdinand de Villeneuve (5 June 1801 – 27 September 1858) was a 19th-century French playwright. Short biography He made his debut in the theatre at the age of 21 by partnering with Charles Dupeuty, and began to be successful from 1823 onwards. In 1825, he founded the newspaper ''La Nouveauté'' with Dupeuty, Amable de Saint-Hilaire and Musnier Desclozeaux, a publication which became a daily. Co-director of the Théâtre de la Porte-Saint-Martin with Anténor Joly from December 1835, he then directed, still with Joly, the Théâtre de la Renaissance in 1838 with its own funds. His plays were presented on several 19th-century Parisian stages, including the Théâtre des Folies-Dramatiques, the Théâtre du Palais-Royal, the Théâtre du Vaudeville, and the Théâtre des Variétés. The painter and photographer Julien Vallou de Villeneuve was his brother. Works *1822: ''L'Arracheur de dents'', one-act folie-parade, mingled with couplets, with Charles Dupeuty *1822: ''Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dupeuty
Charles Désiré Dupeuty (6 February 1798 – 20 October 1865), was a 19th-century French librettist and playwright. Biography After he studied at the Lycée Impérial, he enrolled in the army during the Hundred Days then worked as an employee. He made his debut in the theatre in 1821, and in 1825 founded the opposition newspaper ''La nouveauté''. He is famous for being one of the founders of the Société des auteurs dramatiques of which he was vice-président for six years. Many of his plays were performed on the most important Parisians stages of the 19th century: Théâtre des Folies-Dramatiques, Théâtre du Vaudeville, Théâtre du Palais-Royal, Théâtre de la Gaîté, Théâtre de la Porte-Saint-Martin, Théâtre des Variétés etc. Adolphe Dupeuty was his son. Works * ''La Fête au village'', 1821 * ''L'Arracheur de dents'', folie-parade in 1 act, mingled with couplets, with Villeneuve, 1822 * ''Fille et garçon, ou la Petite orpheline'', comédie en vaudev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédérick Lemaître
Antoine Louis Prosper "Frédérick" Lemaître (28 July 1800 – 26 January 1876) was a French actor and playwright, one of the most famous players on the celebrated Boulevard du Crime. Biography Lemaître, the son of an architect, was born at Le Havre, Seine-Maritime. He adopted the first name "Frédérick" as a stage name. He spent two years at the Conservatoire de Paris, and made his first appearance at a variety performance in one of the basement restaurants at the Palais Royal. At the Théâtre de l'Ambigu-Comique on 12 July 1823 he played the part of Robert Macaire in ''L'Auberge des Adrets''. The melodrama was played seriously on the first night and was received with little favor, but it was changed on the second night to burlesque, and thanks to him had a great success. All of Paris came to see it, and from that day he was famous. He created a number of parts that added to his popularity, especially Cardillac, Cagliostro and Cartouche. His success in the last led t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Decomberousse
Alexis Decomberousse, full name Alexis Barbe Benoît Decomberousse, (13 January 1793 – 22 November 1862) was a 19th-century French playwright and vaudevillist. His plays were presented on the most important Parisian stages of the 19th century such as the Théâtre de l'Ambigu, Théâtre du Palais-Royal, Théâtre des Variétés, Théâtre du Gymnase, Théâtre de la Gaîté, Théâtre de la Porte-Saint-Martin etc.). Works * ''Le Cocher de fiacre'', melodrama in 3 acts, with Benjamin Antier, 1825 * ''Le Pauvre de l'Hôtel-Dieu'', mélodrama in 3 acts, with Antier, 1826 * ''Le Prisonnier amateur'', comedy mingled with couplets, with Armand d'Artois, Ferdinand Laloue and Frédérick Lemaître, 1826 * ''Le Vieil Artiste, ou la Séduction'', melodrama in 3 acts, with Frédérick Lemaître, 1826 * ''Le Fou'', drama in 3 acts, with Antony Béraud and Gustave Drouineau, 1829 * ''La Maîtresse'', comédie-vaudeville in 2 acts, with Hippolyte Le Roux and Merville, 1829 * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Coralli
Jean Coralli (15 January 1779 – 1 May 1854) was a French ballet dancer and choreographer, best known for collaborating with Jules Perrot in creating ''Giselle'' (1841), the quintessential Romantic ballet of the nineteenth century. Early life and career Born Giovanni Coralli Peracini, he was a son of a Bolognese family resident in Paris, where his father was a comedian at the Théâtre Italien. As a child he studied at the ballet school of the Paris Opera but chose to go to Vienna to make his debut as a dancer and choreographer. He danced for a short while at the Paris Opera in 1802 and at the King's Theatre in London and then returned to Vienna to assume the position of ballet master at the Hoftheater (Court Theater). During these early years, he and his wife formed the celebrated dancing couple Giovanni and Teresa Coralli and were often pictured in contemporary prints. They danced leading roles in most of the ballets that Coralli created at the Hoftheater, including ''Helena u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Désaugiers
Marc-Antoine Désaugiers (1742 – 10 September 1793) was a French composer of numerous operas as well as a cantata on the storming of the Bastille and several pieces of sacred music. He was born in Fréjus. He studied music there but was largely an autodidact. Désaugiers settled in Paris in 1774 where he first came to prominence with his French translation of Giovanni Battista Mancini's ''Pensieri e riflessioni pratiche sopra il canto figurato''. His translation, published in 1776 under the title ''L'Art du chant figuré'', was much admired by Gluck who became his close friend. Désaugiers died in Paris. His son, Marc-Antoine Madeleine Désaugiers Marc-Antoine Madeleine Désaugiers (17 November 1772 – 9 August 1827) was a French composer, dramatist, and songwriter. Désaugiers is easily confused in historical writings with his father, Marc-Antoine Désaugiers (b. Fréjus, 1742 – d. Pari ... was also a composer. References 1742 births 1793 deaths People from Fréjus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles De Longchamps
Charles Charpentier de Longchamps (1768 – 17 April 1832) was a French playwright. A Secretary to the Grand Duchess of Berg, Naples Theatres Superintendent under the reign of Joachim Murat, a lyricist for François-Adrien Boieldieu for his ''Quinzième recueil de quatre nouvelles romances avec accompagnement de piano-forte'' and for his ''Recueil de six nouvelles romances avec accompagnement de harpe par M.de Cléry'', his plays were presented on the most important Parisian stages of the 19th century: Théâtre du Vaudeville, Théâtre de l'Opéra-Comique, Théâtre-Français, etc. Works *1797: ''Ma Tante Aurore, ou le roman impromptu'', comedy in 2 acts, mixed with ariettes, music by François-Adrien Boieldieu,There exists a recording on vynil of that play made in 1960.Écouter sur Gallica *1799: ''L'Heureuse nouvelle'', opera impromptu à l'occasion de la paix *1799: ''L'Arbitre, ou les Consultations de l'an sept'', comedy in 1 act in prose mixed with vaudevilles *179 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amable De Saint-Hilaire
Amable Vilain de Saint-Hilaire (born 30 November 1799) was a French dramatist whose plays have been performed on the most important Parisian stages of the 19th century: Théâtre du Vaudeville, Théâtre des Variétés, Théâtre de la Renaissance etc. Œuvres *1820: ''Écoutons ! ! !'', scènes improvisées, on the occasion of the birth of H.R.H. Mgr the duke of Bordeaux, with Emmanuel Lepeintre *1820: ''La pièce d'emprunt ou le compilateur'', comedy in 1 act, mingled with vaudevilles, with Edmond Crosnier, 1820 *1821: ''Jocrisse paria'', tragédie burlesque in 1 act and in verses, with Crosnier *1821: ''Le Solitaire ou l'Exilé du mont Sauvage'', melodrama in three acts, à grand spectacle *1822: ''La Fille à marier ou La Double éducation'', comédie en vaudevilles in 1 act, with Ferdinand Laloue and Constant Ménissier *1822: ''Le Meurtrier, ou le Dévouement filial'', historical melodrama in 3 acts, à spectacle, with Crosnier *1823: ''La Chasse au renard'', vaudevill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Duport
Nicolas-Paul Duport (22 April 1798 – 26 December 1866) was a French dramatist and librettiste who also wrote under the pen names M. P. D., Paulin and Erbert. Theatre * 1824 : ''Le Beau-frère, ou la Veuve à 2 maris'', comédie-vaudeville in 1 act, with Auguste Duport and Amable de Saint-Hilaire * 1824 : ''Une journée de Charles V'', comedy in 1 act in prose, with A. Duport * 1825 : ''Kettly ou le Retour en Suisse'' vaudeville in 1 act by Duvert and Paulin, Vaudeville (28 January) * 1827 : ''L'Arbitre, ou les Séductions'', comédie-vaudeville in two acts by Théaulon and Paulin, Théâtre de Madame (7 May) * 1835 : ''Alda'', one-act opera-comique by Bayard and Paul Duport, music by Alphonse Thys, Opéra-Comique, salle des Nouveautés (8 July) * 1837 : ''La Champmeslé'', comédie anecdotique in two acts mixed with songs by Erbert and Ancelot, vaudeville (11 February) * 1838 : ''Le Perruquier de la Régence'', opera in three acts by Eugène de Planard and Paul Duport ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
