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Fender Princeton
The Fender Princeton was a guitar amplifier made by Fender. It was introduced in 1947 and discontinued in 1979. After Fender introduced the Champ Amp in 1948, the Princeton occupied the next to the bottom spot in the Fender line. Fender Princetons (as well as their sister amp the Princeton Reverb) from the early models into the 1970s models are highly valued particularly as recording amplifiers. The first Princeton, the "Woody" (so called for its uncovered wooden cabinet), was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt practice amp with no controls at all, not even a power switch. The first widely produced Princeton, the 1948 tweed-covered "TV front," used one 6SL7 or 6SC7 dual-triode tube to provide two stages of RC-coupled voltage amplification in the preamplifier section; the power amplifier section used a single cathode-biased 6V6 beam power tetrode necessarily in Class A operation. The amplifier had a single volume control an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Princeton
The Fender Princeton was a guitar amplifier made by Fender. It was introduced in 1947 and discontinued in 1979. After Fender introduced the Champ Amp in 1948, the Princeton occupied the next to the bottom spot in the Fender line. Fender Princetons (as well as their sister amp the Princeton Reverb) from the early models into the 1970s models are highly valued particularly as recording amplifiers. The first Princeton, the "Woody" (so called for its uncovered wooden cabinet), was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt practice amp with no controls at all, not even a power switch. The first widely produced Princeton, the 1948 tweed-covered "TV front," used one 6SL7 or 6SC7 dual-triode tube to provide two stages of RC-coupled voltage amplification in the preamplifier section; the power amplifier section used a single cathode-biased 6V6 beam power tetrode necessarily in Class A operation. The amplifier had a single volume control an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Amplifier
A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier (and preamplifier) circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance. Guitar amplifiers can also modify an instrument's tone by emphasizing or de-emphasizing certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Musical Instruments Corporation
The Fender Musical Instruments Corporation (FMIC, or simply Fender) is an American manufacturer of instruments and amplifiers. Fender produces acoustic guitars, bass amplifiers and public address equipment, however it is best known for its solid-body electric guitars and bass guitars, particularly the Stratocaster, Telecaster, Jaguar, Jazzmaster, Precision Bass, and the Jazz Bass. The company was founded in Fullerton, California by Clarence Leonidas "Leo" Fender in 1946. Its headquarters are in Los Angeles, California. The FMIC is a privately held corporation, with Andy Mooney serving as the Chief Executive Officer (CEO). The company filed for an initial public offering in March 2012, but this was withdrawn five months later. In addition to its Los Angeles headquarters, Fender has manufacturing facilities in Corona, California (US) and Ensenada, Baja California (Mexico). As of July 10, 2012, the majority shareholders of Fender were the private equity firm of Weston P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Champ
The Fender Champ was a guitar amplifier made by Fender. It was introduced in 1948 and discontinued in 1982. An updated version was introduced in 2006 as part of the "Vintage Modified" line. The Champ had the lowest power output and the simplest circuit of all Fender tube amps. The Champ had only one power tube, and the power stage circuit is, typically, single-ended and class A. Five watts and the simple toneful circuit allowed the Champ to be used easily and often in recording studios. Champion 800/600 First introduced in 1948, it sported the name "Champion 800" (with 8" speaker), changing a year later to "Champion 600" (6" speaker) with circuit designation 5B1. It was rated at about 3 watts, featuring a "T.V. Front" style cabinet; the 800 was covered in greenish fabric while the 600 featured two-tone blonde and brown vinyl covering. This style lasted until 1953, when Fender's cabinet style changed to the "Wide Panel" design with a tweed cloth covering. Fender also renamed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Princeton Reverb
Fender Princeton Reverb The Fender Princeton Reverb is a guitar amplifier combo, essentially a Princeton with built-in reverb and vibrato. The 12 Watt Blackface version was introduced in 1964 and available until 1967; in 1968 it was changed to the Silverface version with a drip edge around the grill cloth. Amps produced after the end of 1969 saw a change in circuitry, the removal of the drip edge and a change in the rectifier from a 5AR4 to a 5U4GB along with a change in bias resistor value; a "boost" pull switch to the volume control pot was added in 1977. In 1980 and 1981 the Silverface version was cosmetically changed back to the Blackface. It was discontinued in 1981. Fender Princeton Reverb II This Paul Rivera-specified Fender guitar amplifier was introduced in 1982 to replace the Princeton Reverb. It was a completely different and significantly more powerful amplifier. Designed by Ed Jahns, it featured a built-in reverb, treble boost and mid boost controls, and a switchab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Deluxe
The Fender Deluxe guitar amplifier is a range of non-reverb guitar amplifiers produced by Fender. The amplifiers were originally produced from early 1948 to 1966 and reissues are in current production. Its predecessor was the Fender Model 26 "Woodie" produced from 1946 to 1948. Tweed Deluxe The Fender Deluxe amp of the 1950s was a medium-powered unit designed to let guitarists "hold their own" in a small group. As blues, western swing, Western, and rockabilly bands began getting louder, the overdriven tone of a cranked-up Deluxe found its way onto many live and recorded performances. The earliest version of the Deluxe was the 5A3, and is often referred to as having a TV Front appearance because the wide panels around the grill were like the television sets of the 1950s. This was true also of the smaller Fender Princeton student and studio amp introduced in 1946 and upgraded in 1948. Subsequent versions of the Deluxe were the "wide panel" cabinet design 5B3, 5C3, and 5D3, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12AX7
12AX7 (also known as ECC83) is a miniature dual-triode 6AV6 vacuum tube with high voltage gain. Developed around 1946 by RCA engineers in Camden, New Jersey, under developmental number A-4522, it was released for public sale under the 12AX7 identifier on September 15, 1947. The 12AX7 was originally intended as replacement for the 6SL7 family of dual-triode amplifier tubes for audio applications. As a popular choice for guitar tube amplifiers, its ongoing use in such equipment makes it one of the few small-signal vacuum tubes in continuous production since it was introduced. History The 12AX7 is a twin triode basically composed of two of the triodes from a 6AV6, a double diode triode. The 6AV6 is a miniature repackaging (with just a single cathode) of the triode and twin diodes from the octal 6SQ7 (a double-diode triode used in AM radios), which itself is very similar to the older type 75 triode-diode dating from 1930. Application The 12AX7 is a high-gain (typical amplifica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesa Boogie
Mesa/Boogie (also known as Mesa Engineering) is an American company in Petaluma, California, that manufactures amplifiers and other accessories for guitars and basses. It has been in operation since 1969. Mesa was started by Randall Smith as a small repair shop which modified Fender amplifiers, particularly the diminutive Fender Princeton. Smith's modifications gave the small amps much more input gain, making them much louder as well as creating a high-gain, distorted guitar tone. Prominent early customers included Carlos Santana, and Ron Wood and Keith Richards of The Rolling Stones. Exposure from these top players helped to establish Mesa/Boogie's position on the market, and it is frequently referred to as the first manufacturer of boutique amplifiers. History Early life Randall Smith was born into a musical family in Berkeley, California in 1946. His mother and sister played piano and his father was the first-chair clarinet with the Oakland Symphony Orchestra, played tenor s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesa Boogie Mark Series
The Mesa Boogie Mark Series is a series of guitar amplifier made by Mesa Engineering (more commonly known as "Mesa/Boogie"). Originally just referred to as "Boogies," the product line took on the moniker "Mark Series" as newer revisions were put into production. The Mark Series amplifier was Mesa's flagship product until the introduction of the Rectifier series, and the amplifiers are collectable. Mark I Randall Smith began Mesa/Boogie with a practical joke: he borrowed a Fender Princeton (a small 12-watt amplifier) from his friend, Barry Melton of Country Joe and the Fish, and "hotrodded" it by replacing the amplifier section with a powerful Fender Bassman amp and installing a 12-inch speaker instead of the original 10-inch. The resulting amplifier proved to be loud and successful, and Smith made more than 200 of these Princeton "Boogies"—a name allegedly provided by Carlos Santana, who is to have exclaimed "Man, that little thing really boogies!" A second important improveme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Amp
The White amplifier was an instrument amplifier made by the Fender company, named for Fender's production manager Forrest White and designed as a surprise by Leo Fender for his longtime associate. It was sold together with the matching steel guitar and was made from 1954 until 1962. Approximately 1,500 copies were made. The amp was nearly identical to the 5F2 Princeton circuit, but was made under the White production name, probably "to get more inexpensive amps and steels into the market without offending authorized Fender dealers." The amplifier was not in fact white, but had blue-gray linen tweed, dark blue grill cloth, and blue dyed leather handles. See also * Fender Princeton The Fender Princeton was a guitar amplifier made by Fender. It was introduced in 1947 and discontinued in 1979. After Fender introduced the Champ Amp in 1948, the Princeton occupied the next to the bottom spot in the Fender line. Fender Princet ... References {{guitar-stub Fender amplifiers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
