Feminist Aesthetics
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Feminist Aesthetics
Feminist aesthetics first emerged in the 1970s and refers not to a particular aesthetic or style but to perspectives that question assumptions in art and aesthetics concerning gender-role stereotypes, or gender. Feminist aesthetics has a relationship to philosophy. The historical philosophical views of what beauty, the arts, and sensory experiences are, relate to the idea of aesthetics. Aesthetics looks at styles of production. In particular, feminists argue that despite seeming neutral or inclusive, the way people think about art and aesthetics is influenced by gender roles. Feminist aesthetics is a tool for analyzing how art is understood using gendered issues. A person's gender identity affects the ways in which they perceive art and aesthetics because of their subject position and that perception is influenced by power. The ways in which people see art is also influenced by social values such as class and race. One's subject position in life changes the way art is perceived ...
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Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ...
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Christine Battersby
Christine Battersby FRSA (born 3 March 1946) is a British philosopher and Reader Emerita in Philosophy at the University of Warwick. She was the visiting Fleishhacker Chair of Philosophy at the University of San Francisco during April 2013. Battersby is a Fellow of the Royal Society of Arts The Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA), also known as the Royal Society of Arts, is a London-based organisation committed to finding practical solutions to social challenges. The RSA acronym is used m .... She is known for her research on feminist aesthetics. Books * ''The Sublime, Terror and Human Difference'', Routledge, 2007 * ''The Phenomenal Woman: Feminist Metaphysics and the Patterns of Identity'', Routledge, 1998 * ''Gender and Genius: Towards a Feminist Aesthetics'', Indiana University Press, 1990 References External linksChristine Battersby at the University of Warwick British philosophers Philosophy academics Living people A ...
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Feminist Theory
Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and feminist politics in a variety of fields, such as anthropology and sociology, communication, media studies, psychoanalysis,Chodorow, Nancy J., Feminism and Psychoanalytic Theory' (Yale University Press: 1989, 1991) political theory, home economics, literature, education, and philosophy. Feminist theory often focuses on analyzing gender inequality. Themes often explored in feminist theory include discrimination, objectification (especially sexual objectification), oppression, patriarchy,Gilligan, Carol, 'In a Different Voice: Women's Conceptions of Self and Morality' in ''Harvard Educational Review'' (1977)Lerman, Hannah, ''Feminist Ethics in Psychotherapy'' (Springer Publishing Company, 1990) stereotyping, art history and contemporary art, a ...
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Feminist Art Criticism
Feminist art criticism emerged in the 1970s from the wider feminist movement as the critical examination of both visual representations of women in art and art produced by women. It continues to be a major field of art criticism. Emergence Linda Nochlin's 1971 groundbreaking essay, "Why Have There Been No Great Women Artists?", analyzes the embedded privilege in the predominantly white, male, Western art world and argued that women's outsider status allowed them a unique viewpoint to not only critique women's position in art, but to additionally examine the discipline's underlying assumptions about gender and ability. Nochlin's essay develops the argument that both formal and social education restricted artistic development to men, preventing women (with rare exception) from honing their talents and gaining entry into the art world. In the 1970s, feminist art criticism continued this critique of the institutionalized sexism of art history, art museums, and galleries, as well as ...
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Guerrilla Girls
Guerrilla Girls is an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world. The group formed in New York City in 1985 with the mission of bringing gender and racial inequality into focus within the greater arts community. The group employs culture jamming in the form of posters, books, billboards, and public appearances to expose discrimination and corruption. They also often use humor in their work to make their serious messages engaging. They are known for their "guerrilla" tactics, hence their name, such as hanging up posters or staging surprise exhibitions. To remain anonymous, members don gorilla masks and use pseudonyms that refer to deceased female artists such as Frida Kahlo, Käthe Kollwitz, and Alice Neel. According to GG1, identities are concealed because issues matter more than individual identities, "Mainly, we wanted the focus to be on the issues, not on our personalities or our own work." History During the heigh ...
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Everyday Aesthetics
Everyday Aesthetics is a recent subfield of philosophical aesthetics focusing on everyday events, settings and activities in which the faculty of sensibility is saliently at stake. Alexander Baumgarten established Aesthetics as a discipline and defined it as ''scientia cognitionis sensitivae'', the science of sensory knowledge, in his foundational work ''Aesthetica'' (1750). This field has been dedicated since then to the clarification of fine arts, beauty and taste only marginally referring to the aesthetics in design, crafts, urban environments and social practice until the emergence of everyday aesthetics during the ‘90s. As other subfields like environmental aesthetics or the aesthetics of nature, everyday aesthetics also attempts to countervail aesthetics' almost exclusive focus on the philosophy of art. Grounding aesthetics in experience Aesthetic inquiry on everyday life owes much of its approach to John Dewey’s (1934) pragmatist aesthetics, even if he was interested ...
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Linda Nochlin
Linda Nochlin (''née'' Weinberg; January 30, 1931 – October 29, 2017) was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer. As a prominent feminist art historian, she became well known for her pioneering 1971 article "Why Have There Been No Great Women Artists?" published by ''ARTnews''.Nochlin, Linda. "Why Have There Been No Great Women Artists?" ''ARTnews'' January 1971: 22-39, 67-71. Early life and education Linda Natalie Weinberg was born the daughter of Jules Weinberg and Elka Heller (Weinberg) in Brooklyn, New York and raised in the borough's Crown Heights neighborhood. She attended Brooklyn Ethical Cultural School, a progressive grammar school. She received her B.A. in Philosophy from Vassar College in 1951, her M.A. in English from Columbia University in 1952, and her Ph.D in the history of art from the Institute of Fine Arts at New York University in 1963. Academic career After ...
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The Women's Press Ltd
The Women's Press was a feminist publishing company established in London in 1977. Throughout the late 1970s and the 1980s, the Women's Press was a highly visible presence, publishing feminist literature. Founding In 1977, Stephanie Dowrick cofounded The Women's Press with publishing entrepreneur Naim Attallah. Attallah owned Quartet Books, which had previously partnered with Virago Press, and Virago's success inspired Attallah to collaborate with Dowrick and her conviction that "There was space for a new feminist publishing house that would reflect one of the most exciting political currents in society and make commercial sense." As Attallah recalled, The logo of The Women's Press was a clothes iron, a witty play on the symbol of domestic labour associated with women, with black and white strips running down the books' spine to represent an iron's electric cord. Dowrick was soon joined by Sibyl Grundberg, and in February 1978 The Women's Press issued its first five books, incl ...
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Jouissance
''Jouissance'' is a French term meaning "enjoyment", which in Lacanianism is taken in terms both of rights and property, and of sexual orgasm. The latter has a meaning partially lacking in the English word "enjoyment". The term denotes a transgressive, excessive kind of pleasure linked to the division and splitting of the subject involved, which compels the subject to constantly attempt to transgress the prohibitions imposed on enjoyment, to go beyond the pleasure principle. In Lacanian psychoanalysis English editions of the works of Jacques Lacan have generally left ''jouissance'' untranslated in order to help convey its specialised usage. Lacan first developed his concept of an opposition between ''jouissance'' and the pleasure principle in his Seminar "The Ethics of Psychoanalysis" (1959–1960). Lacan considered that "there is a ''jouissance'' beyond the pleasure principle" linked to the partial drive. Yet according to Lacan, the result of transgressing the pleasure princ ...
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Feminists
Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism incorporates the position that society prioritizes the male point of view and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women. Feminist movements have campaigned and continue to campaign for women's rights, including the right to vote, run for public office, work, earn equal pay, own property, receive education, enter contracts, have equal rights within marriage, and maternity leave. Feminists have also worked to ensure access to contraception, legal abortions, and social integration and to protect women and girls from rape, sexual harassment, and domestic violence. Changes in female dress standards and acceptable physical activities ...
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Sublime (philosophy)
In aesthetics, the sublime (from the Latin '' sublīmis'') is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation. Since its first application in the field of rhetoric and drama in ancient Greece it became an important concept not just in philosophical aesthetics but also in literary theory and art history. Digital sublime refers to certain perceptions of information technology. Ancient philosophy The first known study of the ''sublime'' is ascribed to Longinus: Peri Hupsous/Hypsous or ''On the Sublime''. This is thought to have been written in the 1st century AD though its origin and authorship are uncertain. For Longinus, the sublime is an adjective that describes great, elevated, or lofty thought or language, particularly in the context of rhetoric. As such, the sublime inspires awe and veneration, with ...
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Beauty
Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, together with art and taste, is the main subject of aesthetics, one of the major branches of philosophy. As a positive aesthetic value, it is contrasted with ugliness as its negative counterpart. Along with truth and goodness it is one of the transcendentals, which are often considered the three fundamental concepts of human understanding. One difficulty in understanding beauty is because it has both objective and subjective aspects: it is seen as a property of things but also as depending on the emotional response of observers. Because of its subjective side, beauty is said to be "in the eye of the beholder". It has been argued that the ability on the side of the subject needed to perceive and judge beauty, sometimes referred to as the "sense of taste", can be trained and that the verdicts of experts ...
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