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Feelings (Milt Jackson Album)
''Feelings'' is an album by vibraphonist Milt Jackson accompanied by a string section that was recorded in 1976 and released by the Pablo Records, Pablo label. accessed May 30, 2019 Reception AllMusic reviewer Stewart Mason stated "1976's ''Feelings'' is an atypical set for Milt Jackson. Usually the epitome of cool jazz hipness, the title track finds the music's pre-eminent vibraphonist squandering his talents on Morris Albert's gloppy pop hit to the accompaniment of an uninspired, violin-heavy string section. Both concept and execution are dire ... The remainder of the album picks up significantly from that abysmal beginning; producer Norman Granz and arranger Jimmy Jones wisely keep the orchestra well in the backgro ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerald Wilson
Gerald Stanley Wilson (September 4, 1918 – September 8, 2014) was an American jazz trumpeter, big band bandleader, composer, arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. In addition to being a band leader, Wilson wrote arrangements for Duke Ellington, Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson. Early life Wilson was born in Shelby, Mississippi, and at the age of 16 moved to Detroit, Michigan, where he graduated from Cass Technical High School (one of his classmates was saxophonist Wardell Gray).Peter Vacher"Gerald Wilson obituary" ''The Guardian'', 15 September 2014. He joined the Jimmie Lunceford orchestra in 1939, replacing its trumpeter and arranger, Sy Oliver. While with Lunceford, Wilson contributed songs to the band, including "Hi Spook" and "Yard-dog Mazurka", the first influenced by Ellington's recording o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmie Smith
James Howard Smith (born January 27, 1938) is an American jazz drummer. Early life and education Smith was born in Newark, New Jersey. He studied at the Al Germansky School for Drummers from 1951 to 1954 and the Juilliard School in 1959 and 1960. Career Smith began his professional career in New York City around 1960. In the 1960s, he played with Jimmy Forrest (1960), Larry Young (1960–62), Lambert, Hendricks, and Ross (1962–63), Pony Poindexter (1963), Jimmy Witherspoon (1963), Gildo Mahones (1963), Jimmy McGriff (1963–65), and Groove Holmes (1965). From 1967 to 1974 he played with Erroll Garner before moving to California around 1975. He then played with: Benny Carter (1975, 1978, 1985), Sonny Criss (1975), Bill Henderson (1975, 1979), Hank Jones (1976), Ernestine Anderson (1976, 1986), Plas Johnson (1976), Phineas Newborn, Jr. (1976), Harry Edison (1976–78, with Eddie Lockjaw Davis and Zoot Sims), Lorez Alexandria (1977–78), Tommy Flanagan (1978), Terry Gibb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Budimir
Dennis Matthew Budimir (June 20, 1938 – January 2023) was an American jazz and rock guitarist. He was considered to be a member of The Wrecking Crew. Biography Budimir learned to play piano and guitar in his youth and first played professionally when he was fourteen years old. In Los Angeles in the mid-1950s he played in a quartet with La Monte Young, Billy Higgins, and Don Cherry. In the late 1950s he worked in the bands of Ken Hanna, Keith Williams, Harry James, and Chico Hamilton. In 1960–1961 he worked with Bud Shank and accompanied Peggy Lee, then entered into military service in 1961. After his discharge in 1963 he toured Japan with Bobby Troup and returned to the Los Angeles area, where he played as a studio musician for the next several decades. He recorded in this capacity with Joni Mitchell, The Carpenters, Brian Wilson, Barbra Streisand, Ravi Shankar, Frank Zappa, Linda Ronstadt, Julie London, Dusty Springfield, Dave Grusin, Quincy Jones, David Axelrod, Lalo Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album ''Saxophone Colossus''. Recordings under various leaders, including ''Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Richardson
Jerome Richardson (November 15, 1920 – June 23, 2000) was an American jazz musician, tenor saxophonist, and flute player, who also played soprano sax, alto sax, baritone sax, clarinet, bass clarinet, alto flute and piccolo. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band. Richardson was born in Oakland, California, and died in Englewood, New Jersey, of heart failure at the age of 79. Discography As leader * '' Midnight Oil'' (New Jazz, 1959) * '' Roamin' with Richardson'' (New Jazz, 1959) * ''Going to the Movies'' (United Artists, 1962) * '' Groove Merchant'' (Verve, 1967) * ''Jazz Station Runaway'' (TCB, 1997) As sideman * 1955: Oscar Pettiford: '' Another One'' (Bethlehem) * 1955: Kenny Clarke: ''Bohemia After Dark'' (Savoy) * 1955: Ernie Wilkins: '' Flutes & Reeds'' (Savoy) with Frank Wess * 1955: Nat Adderley: '' That's Nat'' (Savoy) * 1955: Sarah Vaughan: '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Laws
Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. Biography Hubert Laws, Jr. was born November 10, 1939, in the Studewood section of Houston, Texas, the second of eight children to Hubert Laws, Sr. and Miola Luverta Donahue. Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra, and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra's regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At the age of 15, he was a member of the early Jazz Crusaders while in T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene De Paul
Gene Vincent de Paul (June 17, 1919 – February 27, 1988) was an American pianist, composer and songwriter. Biography Born in New York City, he served in the United States Army during World War II. He was married to Billye Louise Files (November 23, 1924 – January 30, 1977) of Jack County, Texas. He joined the American Society of Composers, Authors and Publishers (ASCAP) in 1941, and went on to compose the music for many motion pictures. He was nominated (with Don Raye) for an Academy Award for Best Music, Original Song in 1942 for the song "Pig Foot Pete" from the movie '' Hellzapoppin''. The song actually was not included in that movie, but in the 1941 feature, ''Keep 'Em Flying'', and was thus ineligible for the nomination and award. The award was given to " White Christmas". De Paul collaborated with Johnny Mercer, Don Raye, Carolyn Leigh, Charles Rinker and others at Universal Studios, Walt Disney Studios and other Hollywood companies. De Paul composed the 1953 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Don't Know What Love Is
"You Don't Know What Love Is" is a popular song of the Great American Songbook, written by Don Raye (lyrics) and Gene de Paul (music) for the Abbott and Costello film ''Keep 'Em Flying'' (1941), in which it was sung by Carol Bruce. The song was deleted from the film prior to release. The song was later included in '' Behind the Eight Ball'' (1942), starring the Ritz Brothers. "You Don't Know What Love Is" was again sung by Carol Bruce; it was her third and final film until the 1980s.Wilson, Jeremy"'You Don't Know What Love Is' (1941)" JazzStandards.com, accessed October 15, 2017 After Miles Davis recorded an instrumental version of the song in 1954, it became a jazz standard, with Dinah Washington releasing the definitive vocal version a year later. Other noteworthy recordings were made by Billie Holiday and Sonny Rollins. Other versions * Louis Armstrong * Chet Baker – ''Chet Baker Sings and Plays'' (1955) *Art Blakey - ''Art Blakey!!!!! Jazz Messengers!!!!! (1961)'' * John Col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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