Feel The Music (Dayton Album)
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Feel The Music (Dayton Album)
''Feel The Music'' is the fourth studio album by American funk band Dayton. Track listing Credits adapted from the album's original liner notes.Dayton. “Feel The Music” (Album Notes). Capitol Records. 1983. ;Notes a = Associate Producerc = Production Coordinator Personnel ;Leader *Music & Vocals arranged by Rahni Harris Jr. ;Dayton *Rachel Beavers - Background Vocals *Rahni Harris Jr. - Lead Vocals (2, 4-7), Rhythm Guitar (3), Background Vocals, Vocoder, Steel Drums, Vibes, Wind Chimes, Hammond B3 Organ, Clavinet Keyboard, Fender Rhodes Piano, OBX, Prophet-5, Various Synthesizers *Karen Harris Chappell - Lead Vocals (8-9), Background Vocals *Kevin Hurt - Drums (1-7, 9), Other Percussion *Chris Jones - Lead Vocals (3), Background Vocals, Other Percussion *Shawn Sandridge - Lead Vocals (1), Lead Guitar (1-3, 6-9), Rhythm Guitar (1-2, 6-9), Background Vocals, Moog Synthesizer, OBX Synthesizer ;Additional Musicians *Billy Beck - Background Vocals *Wes Boatman - Pr ...
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Dayton (band)
Dayton was a post-disco funk band, formed in Dayton, Ohio, United States by Chris Jones (trumpet, keyboards, vocals) from the band Sun and Shawn Sandridge (guitar, vocals) from Over Night Low. Derrick Armstrong (vocals), Kevin Hurt (drums, percussion), Jenny Douglas (vocals) and Rachel Beavers (vocals) completed the line up. Former Sun member Dean Hummons played the keyboards on the first two Dayton albums. Biography The group signed to Liberty Records in 1980 and released their self-titled debut album which included the track "Eyes on You". Dayton toured with Ashford & Simpson, Quincy Jones and Stephanie Mills. They recorded a second Liberty album, ''Cutie Pie'', in 1981. Guest musicians included James "Diamond" Williams, Keith Harrison, Clarence "Chet" Willis, Billy Beck, Wes Boatman and Vincent Andrews. The group switched to Capitol Records in 1982 and delivered the successful album ''Hot Fun''. This record included "Krackity-Krack" with a guest appearance by Bootsy Collins ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Post-disco
Post-disco (also called boogie, synth-funk, or electro-funk) is a term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither ...
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Capitol Records
Capitol Records, LLC (known legally as Capitol Records, Inc. until 2007) is an American record label distributed by Universal Music Group through its Capitol Music Group imprint. It was founded as the first West Coast-based record label of note in the United States in 1942 by Johnny Mercer, Buddy DeSylva, and Glenn E. Wallichs. Capitol was acquired by British music conglomerate EMI as its North American subsidiary in 1955. EMI was acquired by Universal Music Group in 2012, and was merged with the company a year later, making Capitol and the Capitol Music Group both distributed by UMG. The label's circular headquarters building is a recognized landmark of Hollywood, California. Both the label itself and its famous building are sometimes referred to as "The House That Nat Built." This refers to one of Capitol's most famous artists, Nat King Cole. Capitol is also well known as the U.S. record label of the Beatles, especially during the years of Beatlemania in America from 1964 ...
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Hot Fun
''Hot Fun'' is the third studio album by American funk band Dayton. It was released on June 28, 1982 by Capitol Records. The album was subdued but well received by Billboard critics for its cool skating and step-by-step rhythm and was set amidst some jazzy riffs and ensemble vocals, as well as the rest of the album with its upbeat manner and mixed male and female voices. The group moved from their previous label, Liberty to Capitol Records. The album also features "Krackity Krack" with another Dayton native, Bootsy Collins, and the funk and jazzy "Movin' Up". Other major hits include the bouncy and funky “We Can't-Miss”, the danceable single “Meet The Man”, the funky tune of "Gunch" and the slow jam "Patiently". Track listing #"Hot Fun in the Summertime "Hot Fun in the Summertime" is a 1969 song recorded by Sly and the Family Stone. The single was released just prior to the band's high-profile performance at Woodstock, which greatly expanded their fanbase. The song peaked ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Roger Troutman
Roger Troutman (November 29, 1951 – April 25, 1999), also known as Roger, was an American singer, songwriter, record producer, multi-instrumentalist and the founder of the band Zapp who helped spearhead the funk movement and heavily influenced West Coast hip hop due to the scene's heavy sampling of his music over the years. Troutman was well known for his use of the talk box, a device that is connected to an instrument (frequently a keyboard, but most commonly a guitar) to create different vocal effects. Roger used a custom-made talkbox—the Electro Harmonix "Golden Throat"—through a Moog Minimoog and later in his career a Yamaha DX100 FM synthesizer. As both band leader of Zapp and in his subsequent solo releases, he scored a bevy of funk and R&B hits throughout the 1980s and regularly collaborated with hip hop artists in the 1990s. Biography Early career Born in Hamilton, Ohio, Roger was the fourth of ten children. A graduate of Central State University, his first ban ...
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Zapp (band)
Zapp (also known as the Zapp Band, Zapp & Roger) is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger, Larry, Lester and Terry—and non-Troutman family members Bobby Glover, Gregory Jackson, Sherman Fleetwood, Jerome Derrickson, Eddie Barber and Shirley Murdock. Zapp also worked closely with George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979. Zapp released its eponymous debut album in 1980, and achieved mainstream recognition from the single "More Bounce to the Ounce". The group's follow-up ''Zapp II'' was released in 1982, selling well and becoming certified gold. In the 1990s, Zapp would also be an influence on the regional ...
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Wes Boatman
Wes Boatman is an American television composer. Biography Boatman became interested in music at the age of six, and began playing such instruments as pianos and keyboards. During his adult years, he received a B.F.A. in Film and Electronic Music from the University of Cincinnati – College-Conservatory of Music. He has performed with artists such as Bootsy Collins, George Clinton and Midnight Star, on four Platinum and five Gold Records. He also toured with them around the world. Boatman currently resides in Los Angeles, California, where he is writing and composing partners with John Henry Kreitler. Credits *''The Banger Sisters'' (2002) *''Material Girls'' (2006) *'' Runaway with the Rich and Famous'' (1987) *''Riviera'' (1991) *''Melrose Place'' (1992) *''Lady Boss'' (1992) *'' Loving'' (1995) *'' Once a Thief'' (1996) *''Prime Suspects'' (1997) *'' Fox Sports News'' (1995) *'' Molly'' (1999) *''Wheel of Fortune'' (2000) *'' Above & Beyond'' (2001) *'' 20 Years of Must See ...
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Doug Wimbish
Douglas Arthur Wimbish (born September 22, 1956) is an American bass player, primarily known for being a member of rock band Living Colour and funk/dub/hip hop collective Tackhead, and as a session musician with artists such as Sugarhill Gang, Grandmaster Flash and the Furious Five, The Rolling Stones, Mick Jagger, Depeche Mode, James Brown, Annie Lennox, and Barrington Levy (as well as his studio work for the rap/hip hop label Sugarhill Records and the experimental dub label On-U Sound). Biography and career Born in Hartford, Connecticut, Wimbish started playing guitar at the age of 12 and switched to bass guitar at the age of 14. In 1979 he was hired together with guitarist Skip McDonald and drummer Keith LeBlanc to form the house rhythm section for Sugarhill Records. Although they did not play on the Sugarhill Gang's famous song "Rapper's Delight" (the rhythm tracks for this song were played by the group Positive Force), they did play on many other popular song trac ...
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