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Faust Discography
This is a list of recordings of the opera ''Faust (opera), Faust'' (1859) by Charles Gounod, sung in French unless otherwise noted. Recordings References Notes SourcesAmazon Faust discography (15 items) {{Portal bar, Opera Opera discographies Operas by Charles Gounod, Faust Discography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Molajoli
Lorenzo Molajoli (1868 - 4 April 1939) was an Italian opera conductor who was active in recording during the 1920s and 1930s. The facts surrounding Molajoli's career are obscure. He was born in Rome in 1868 and studied there at the Accademia di Santa Cecilia. His career began in 1891, and it would appear that much of his career prior to the First World War was spent in both North and South America, South Africa and various provincial Italian opera houses. Claims have been made that Molajoli conducted at La Scala in the inter-war years, but there is no published documentation to substantiate this assumption. What can be established is that he served with considerable distinction as the house conductor in Milan for Columbia Records, recording complete operas and accompanying a large number of singers, in addition to making recordings of a number of operatic overtures. Molajoli conducted twenty complete or abridged operas for Columbia between 1928 and 1932, including the first compl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margarete Teschemacher
Margarete Teschemacher (3 March 190319 May 1959) was a German operatic soprano, particularly associated with the German repertory, although she sang a wide range of roles. She possessed a warm lyrico-dramatic voice and a good stage presence. Life Margarete Teschemacher was born in Cologne in 1903. She studied in Cologne and made her debut there in 1923, as Micaëla in ''Carmen''. She sang at the Theater Aachen (1924–26), Theater Dortmund (1926–28), Mannheim National Theatre (1928–30), Staatsoper Stuttgart (1930–34), Semperoper in Dresden (1934–46) and Opernhaus Düsseldorf (1947-52). She created the title role in ''Daphne'' by Richard Strauss, and Miranda in ''Die Zauberinsel'' by Heinrich Sutermeister. In 1931, she appeared at the Royal Opera House in London, as Pamina (''The Magic Flute'') and Elsa (''Lohengrin''), and again in 1936 on tour with the Staatsoper Dresden, as Countess Almaviva (''The Marriage of Figaro'') and Donna Elvira (''Don Giovanni''). She also ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Hann
Georg Hann (January 30, 1897 – December 9, 1950)Nach anderen Angaben: 9–11 December 1950 was an Austrian operatic bass-baritone, particularly associated with the comic (singspiel) German repertory. Born in Vienna, he studied at the Music Academy there with Theodor Lierhammer. He joined the Munich State Opera in 1927, and remained with this theatre until his death. He also appeared regularly at the Vienna State Opera and the Salzburg Festival, quickly establishing himself as a leading buffo interpreter, notably in roles such as Leporello, Falstaff, Kecal, Ochs, La Roche (role he created in 1942), etc. He made guest appearances at the Berlin State Opera, La Monnaie in Brussels, the Paris Opéra, the Royal Opera House in London, La Scala in Milan. He did not limit himself to comic roles but also sang Sarastro, Pizzaro, Gunther, Amfortas, Daland and tackled a few Italian roles as well notably Wurm, Alfio, Tonio, as well as Mefistophele in Gounod's ''Faust''. Hann d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helge Rosvaenge
Helge Rosvaenge (born Helge Anton Rosenvinge Hansen, August 29, 1897June 17, 1972) was a Danish-born operatic tenor whose career was centred on Germany and Austria, before, during and after World War II. His last name is sometimes spelled Roswaenge or Rosvænge. Rosvaenge was born in Copenhagen. However, his life was spent in Germany, and he made his debut at Neustrelitz as Don Jose in ''Carmen'' in 1921. Engagements followed at Altenburg, Basel, Cologne (1927–30) and the Berlin State Opera, where he was leading tenor from 1930 to 1944, being especially distinguished in the Italian repertory. He also sang regularly at the Vienna State Opera from 1936, and in Munich. Rosvaenge also appeared at the Salzburg Festival, making his debut there in ''Der Rosenkavalier''. Other roles which he performed at Salzburg between 1933 and 1939 were Tamino in ''The Magic Flute'', Huon in ''Oberon'' and Florestan in ''Fidelio''. His London debut at the Royal Opera House, Covent Garden, occurred in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Opéra De Paris
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Büsser
Paul Henri Büsser (16 January 1872 – 30 December 1973) was a French classical composer, organist, and conductor. Biography Büsser was born in Toulouse of partly German ancestry. He entered the Paris Conservatoire in 1889, where he studied organ with César Franck and composition with Ernest Guiraud. After serving as secretary to Charles Gounod, he received valuable advice from him, who helped him obtain a position as organist at Saint-Cloud. In 1893, he won the Prix de Rome, and on his return from Italy he began a career as a conductor. At the personal request of Claude Debussy, Büsser led the fourth performance, and numerous subsequent performances, of '' Pelléas et Mélisande''. He also became a protégé of Jules Massenet and was one of his closest friends during the last two decades of his life (Massenet died in 1912). In 1921, Büsser began teaching at the Paris Conservatoire, and was promoted to professor of composition in 1931. Noted students include Prix de Rome w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Journet
Marcel Journet (25 July 1868 – 7 September 1933), was a French, bass, operatic singer. He enjoyed a prominent career in England, France and Italy, and appeared at the foremost American opera houses in New York City and Chicago. Biography Journet was born in the town of Grasse, Alpes-Maritimes, and studied at the Paris Conservatory. He made his operatic debut at Montpellier in 1891. Journet went on to sing a wide range of roles in operas by Richard Wagner and major French and Italian composers during a distinguished, 40-year career. The Royal Opera House at London's Covent Garden, Milan's La Scala, the Paris Opera and the New York Metropolitan Opera, were some of the famous venues graced by Journet's presence during the first quarter of the 20th century. Arturo Toscanini was just one of the celebrated conductors under whose baton he performed. His on-stage colleagues included such renowned singers as Nellie Melba, Luisa Tetrazzini, Enrico Caruso, Giovanni Martinelli, Titta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Vezzani
César Vezzani (8 August 1888 – 11 November 1951) was a French/Corsican operatic tenor who became a leading exponent of French ''grand opera'' through several decades. (Some sources give his date of birth as 1886.) Career César Vezzani was born in Bastia in Corsica; his father died shortly before his birth. Soon after 1900 his family moved to Toulon on the French mainland, but little is known about his early musical training. In 1908 he went to Paris to study singing and was taught by the Corsican soprano Agnès Borgo (1879 - 1958). He then made his operatic début at the Opéra-Comique in 1911 in the title-role of ''Richard Coeur-de-Lion'' by Grétry. He continued singing there in such works as ''Dinorah'' by Meyerbeer and Erlanger's ''La sorcière'', as well as Italian operas such as ''Tosca'' and ''Cavalleria Rusticana''. In 1913 Vezzani and Agnès Borgo were married, and they had one daughter. (They later divorced in 1919, and Vezzani had two subsequent marriages.) V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Symphony Orchestra
The BBC Symphony Orchestra (BBC SO) is a British orchestra based in London. Founded in 1930, it was the first permanent salaried orchestra in London, and is the only one of the city's five major symphony orchestras not to be self-governing. The BBC SO is the principal broadcast orchestra of the British Broadcasting Corporation (BBC). The orchestra was originally conceived in 1928 as a joint enterprise by the BBC and the conductor Sir Thomas Beecham, but the latter withdrew the next year and the task of assembling and training the orchestra fell to the BBC's director of music, Adrian Boult. Among its guest conductors in its first years was Arturo Toscanini, who judged it the finest orchestra he had ever conducted. During and after the Second World War, Boult strove to maintain standards, but the senior management of the post-war BBC did not allocate the orchestra the resources to meet competition from new and well-funded rivals. After Boult's retirement from the BBC in 1950, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Beecham
Sir Thomas Beecham, 2nd Baronet, Order of the Companions of Honour, CH (29 April 18798 March 1961) was an English conductor and impresario best known for his association with the London Philharmonic Orchestra, London Philharmonic and the Royal Philharmonic Orchestra, Royal Philharmonic orchestras. He was also closely associated with the Royal Liverpool Philharmonic, Liverpool Philharmonic and The Hallé, Hallé orchestras. From the early 20th century until his death, Beecham was a major influence on the musical life of United Kingdom, Britain and, according to the BBC, was Britain's first international conductor. Born to a rich industrial family, Beecham began his career as a conductor in 1899. He used his access to the family fortune to finance opera from the 1910s until the start of the Second World War, staging seasons at Royal Opera House, Covent Garden, Theatre Royal, Drury Lane, Drury Lane and Her Majesty's Theatre, His Majesty's Theatre with international stars, his own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miriam Licette
Miriam Licette (9 September 188511 August 1969) was an English operatic soprano whose career spanned 35 years, from the mid-1910s to after World War II. She was also a singing teacher, and created the Miriam Licette Scholarship. Career She was born as Miriam Lycett in the village of Over, Cheshire in 1885. (Her cousin was the champion tennis player Randolph Lycett.) She spent some of her early years in places like Hong Kong and Singapore, as her father was a captain with the Blue Star Shipping Line. She studied singing at Lowther College in Lytham. She was first noticed by Dame Nellie Melba, who advised her to go to Paris for further study with her own teacher, Mathilde Marchesi. She also studied with Melba herself, Jean de Reszke, and in Milan with Vincenzo Sabbatini. She made her debut in Rome on 7 November 1911, as Myriam Licette, in the title role of ''Madama Butterfly''. Her first appearance as Miriam Licette was in London in 1912, at the Kennington Theatre, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
