Father And Son (song)
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Father And Son (song)
"Father and Son" is a popular song written and performed by English singer-songwriter Cat Stevens (now known as Yusuf Islam/Cat Stevens) on his 1970 album ''Tea for the Tillerman''. The song frames a heartbreaking exchange between a father not understanding a son's desire to break away and shape a new life, and the son who cannot really explain himself but knows that it is time for him to seek his own destiny. Stevens sings in a deeper register for the father's lines, while using a higher one for those of the son. Additionally, there are backing vocals provided by Stevens' guitarist and friend Alun Davies beginning mid-song, singing an unusual chorus of simple refrains. In 2021, it was listed at No. 408 on ''Rolling Stone'''s " Top 500 Best Songs of All Time". Origins Cat Stevens originally wrote "Father and Son" as part of a proposed musical project starring Nigel Hawthorne, called ''Revolussia'', that was set during the Russian Revolution, and could also have become a film; ...
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Cat Stevens
Yusuf Islam (born Steven Demetre Georgiou; ), commonly known by his stage names Cat Stevens, Yusuf, and Yusuf / Cat Stevens, is a British singer-songwriter and multi-instrumentalist. His musical style consists of folk, pop, rock, and, later in his career, Islamic music. He returned to making secular music in 2006. He was inducted into the Rock and Roll Hall of Fame in 2014. His 1967 debut album and its title song "Matthew and Son" both reached top ten in the UK charts. Stevens' albums '' Tea for the Tillerman'' (1970) and ''Teaser and the Firecat'' (1971) were certified triple platinum in the US. His 1972 album '' Catch Bull at Four'' went to No.1 on the ''Billboard'' 200 and spent weeks at the top of several other major charts.Billboard – Catch Bull at Four
Allmusic. Retrieved 20 Oc ...
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Tuberculosis
Tuberculosis (TB) is an infectious disease usually caused by '' Mycobacterium tuberculosis'' (MTB) bacteria. Tuberculosis generally affects the lungs, but it can also affect other parts of the body. Most infections show no symptoms, in which case it is known as latent tuberculosis. Around 10% of latent infections progress to active disease which, if left untreated, kill about half of those affected. Typical symptoms of active TB are chronic cough with blood-containing mucus, fever, night sweats, and weight loss. It was historically referred to as consumption due to the weight loss associated with the disease. Infection of other organs can cause a wide range of symptoms. Tuberculosis is spread from one person to the next through the air when people who have active TB in their lungs cough, spit, speak, or sneeze. People with Latent TB do not spread the disease. Active infection occurs more often in people with HIV/AIDS and in those who smoke. Diagnosis of active TB is ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Sandie Shaw
Sandie may refer to: __NOTOC__ People * Sandie Clair (born 1988), French professional racing cyclist * Sandie Fitzgibbon, Irish former camogie player * Sandie Jones (1950/1951–2019), Irish singer * Sandie Lindsay, 1st Baron Lindsay of Birker (1879-1952), British academic * Sandie Pendleton (1840-1864), Confederate officer in the American Civil War * Sandie Richards (born 1968), Jamaican track and field athlete * Sandie Rinaldo (born 1950), Canadian television journalist and news anchor * Sandie Shaw (born 1947), English pop singer * Shelley Sandie (born 1969), Australian Olympic basketballer Arts and entertainment * ''Sandie'' (album), by Sandie Shaw * ''Sandie'' (comics), a British girls' comic * Sandie Merrick, a character on the ITV soap opera ''Emmerdale Farm'' Other uses * Sandie (cookie), a type of sugar or shortbread cookie, e.g. a pecan sandie * Sandie River, Taiwan See also *Sandy (other) *Sandi (other) Sandi may refer to: People *Sandi (given name) ...
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Federazione Industria Musicale Italiana
The Federazione Industria Musicale Italiana (FIMI) is an umbrella organization that keeps track of virtually all aspects of the music recording industry in Italy. It was established in 1992, when major corporate labels left the previously existing Associazione dei Fonografici Italiani (AFI). During the following years, most of the remaining Italian record labels left AFI to join the new organisation. As of 2011, FIMI represents 2,500 companies operating in the music business. FIMI is a member of the International Federation of the Phonographic Industry and of the Italian employers' federation, Confindustria. Its main purpose is to protect the interests of the Italian record industry. Starting in March 1995, the Italian Music Industry Federation began providing the Italian official albums chart. In January 1997, FIMI also became the provider of the Italian official singles chart. Due to the decrease of CD singles sales in Italy, FIMI replaced its physical singles chart with a ...
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Tea For The Tillerman 2
''Tea for the Tillerman 2'' (stylised as ''Tea for the Tillerman²'') is the sixteenth studio album by singer-songwriter Yusuf / Cat Stevens, released on 18 September 2020 by Cat-O-Log Records. It is a re-imagining of his hit 1970 album '' Tea for the Tillerman''. Track listing Personnel * Yusuf / Cat Stevens – Spanish guitar, acoustic guitar, electric guitar, 12-string guitar, grand piano, keyboards, harpsichord, lead vocals * Alun Davies – acoustic guitar, backing vocals, vocals on "Father and Son" * Jim Cregan – acoustic guitar, electric guitar, backing vocals * Eric Appapoulay – acoustic guitar, electric guitar, Spanish guitar, backing vocals * Bruce Lynch – double bass, electric bass * Martin Allcock - bass on (3), piano (3) * Peter-John Vettese – keyboards, organ, synth horns, backing vocals, string arrangements * Andreas Andersson - clarinet on "Wild World" * Kwame Yeboah– drums, percussion, keyboards, backing vocals * John Ashton Thomas – string ...
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Alun Davies (guitarist)
Alun Davies (born 21 July 1942) is a Welsh guitarist, studio musician, recording artist, and composer who rose to fame primarily with his supporting guitar work and backing vocals as accompanist for English musician Cat Stevens, from early 1970 to 1977. Prior to his association with Stevens, Davies co-wrote, sang, and played on two albums: in 1963, with Jon Mark, (known then as John Michael Burchell) and in 1968, as a member of the band Sweet Thursday with Mark, keyboardist Nicky Hopkins, Harvey Burns and Brian Odgers, when folk-rock music was still in its infancy. When their label declared bankruptcy, Davies was invited to join Cat Stevens as a session musician, who was attempting to change his sound and advance in the music world. Davies' experience, similar tastes in the emerging folk-rock genre, and capabilities with guitar and voice placed him in a pivotal role in Stevens' career, resulting in hit songs and a string of RIAA platinum certified breakthrough albums. Two su ...
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Disc (magazine)
''Disc'' was a weekly British popular music magazine, published between 1958 and 1975, when it was incorporated into ''Record Mirror''. It was also known for periods as ''Disc Weekly '' (1964–1966) and ''Disc and Music Echo '' (1966–1972). Background It first published on 8 February 1958, with the main competition being ''Record Mirror''. It gained a reputation for its emphasis on pop music as reflected in the music charts, in comparison with its more music-industry-focused rivals ''Melody Maker'' and ''New Musical Express''. Its pop music charts were based on its own sample of shops, initially no more than 25 in number, but expanding to about 100 by the mid-1960s. It also awarded silver discs (for UK sales of 250,000) and gold discs (for UK sales of 1,000,000) from 1959 until 1973. Awards were based on sales figures submitted by record companies. In 1973, ''Discs awards were superseded by the British Phonographic Industry (BPI) setting up an 'official' certification award ...
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Moon Shadow (song)
"Moonshadow" is a song written and performed by Cat Stevens (known since 1978 as Yusuf Islam), first released as a single in the UK in 1970 on the Island label and in the US in 1971 on the A&M label. It also appears on Stevens' 1971 album ''Teaser and the Firecat''. History Stevens considers this his favourite of his old songs. When Yusuf appeared on ''The Chris Isaak Hour'' in 2009, he said of this song: "I was on a holiday in Spain. I was a kid from the West End f London– bright lights, et cetera. I never got to see the moon on its own in the dark, there were always streetlamps. So there I was on the edge of the water on a beautiful night with the moon glowing, and suddenly I looked down and saw my shadow. I thought that was so cool, I'd never seen it before." An animated short featuring the song was part of the ''Fantastic Animation Festival'' feature film released in 1977. The animation begins with a still frame of Teaser and his pet Firecat, pictured as they appear on ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Album-oriented Rock
Album-oriented rock (AOR, originally called album-oriented radio) is an FM radio format created in the United States in the 1970s that focuses on the full repertoire of rock albums and is currently associated with classic rock. Album-oriented radio was originally established by U.S. radio stations dedicated to playing album tracks by rock artists from the hard rock to progressive rock genres. In the mid-1970s, AOR was characterized by a layered, mellifluous sound and sophisticated production with considerable dependence on melodic hooks. Using research and formal programming to create an album rock format with greater commercial appeal, the AOR format achieved tremendous popularity in the late 1970s and early 1980s. From the early 1980s onward, the "album-oriented radio" term became normally used as the abbreviation of "album-oriented rock," meaning radio stations specialized in classic rock recorded during the late 1960s and 1970s. The term is also commonly conflated with ...
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Progressive Rock (radio Format)
Progressive rock (sometimes known as underground rock) is a radio station programming format that emerged in the late 1960s,Thomas Staudter"On the Radio With a Mix Very Distinctly His Own" ''The New York Times'', March 24, 2002. Accessed March 23, 2008. in which disc jockeys are given wide latitude in what they may play, similar to the freeform format but with the proviso that some kind of rock music is almost always played.Fritz E. Froehlich, Allen S. Kent, Carolyn M. Hall (eds.), "FM Commercialization in the United States", ''The Froehlich/Kent Encyclopedia of Telecommunications'', CRC Press, 1991. . p. 179. It enjoyed the height of its popularity in the late 1960s and 1970s. The name for the format began being used circa 1968, when serious disc jockeys were playing "progressive 'music for the head and discussing social issues in between records.Mike Olszewski, ''Radio Daze: Stories from the Front in Cleveland's FM Air Wars'', Kent State University Press, 2003. . p. xi. Dur ...
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