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Fatale (Image Comics)
''Fatale'' is a supernatural noir comic book created by Ed Brubaker and Sean Phillips. It was published by Image Comics between January 2012 and July 2014. The series was initially announced as a 12-issue limited series, but was later extended to 24 issues. Publication history The series was originally announced in the back of the final issue of Brubaker and Phillips' previous collaboration, ''Criminal: Last of the Innocent''. Further details about the series, including its publisher, were revealed at the 2011 New York Comic Con. Brubaker also released a video teaser for the series. The series began publishing monthly in January 2012. Although initially billed as a twelve-issue series, the length was increased in November. The series concluded after 24 issues. Several issues featured essays written by Jess Nevins and others on the crime/noir characters, both fictional and real. These were: * ''H.P. Lovecraft and the Horror of the Unseen'', by Jess Nevins (Issue #1) * ''Edgar A ...
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Sean Phillips
Sean Phillips (born 27 January 1965) is a British comic book artist, best known for his collaborations with Ed Brubaker on comics including '' Sleeper'', ''Incognito'', the '' Criminal'' series of comics, '' Fatale'', '' The Fade Out'', and '' Kill or Be Killed''. He has also worked on the DC Comics' series '' WildC.A.T.s'' and ''Hellblazer''. Early life Phillips grew up in the U.K. fascinated by American comics, particularly those published by Marvel Comics. As he got older, his influences included Jim Baikie, Simon Bisley, Jamie Hewlett, Duncan Fegredo, Bill Sienkiewicz, Dave McKean, and Jaime Hernandez.Thomas, Ian“We Get to Do Whatever We Want!”: An Interview with Sean Phillips,"''The Comics Journal'' (Jan. 26, 2022). Career Phillips began his career in 1980 in British girls' comics such as ''Bunty'', ''Judy (comics), Judy'' and ''Nikki (DC Thomson), Nikki'' while still at school. After graduating art college (Lowestoft Polytechnic) in 1988 he started working with ...
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Femme Fatale
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality i ...
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Horror Comics
Horror comics are comic books, graphic novels, black-and-white comics magazines, and manga focusing on horror fiction. In the US market, horror comic books reached a peak in the late 1940s through the mid-1950s, when concern over content and the imposition of the self-censorship Comics Code Authority contributed to the demise of many titles and the toning down of others. Black-and-white horror-comics magazines, which did not fall under the Code, flourished from the mid-1960s through the early 1980s from a variety of publishers. Mainstream American color comic books experienced a horror resurgence in the 1970s, following a loosening of the Code. While the genre has had greater and lesser periods of popularity, it occupies a firm niche in comics as of the 2010s. Precursors to horror comics include detective and crime comics that incorporated horror motifs into their graphics, and early superhero stories that sometimes included the likes of ghouls and vampires. Individual horror sto ...
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Crime Comics
Crime comics is a genre of American comic books and format of crime fiction. The genre was originally popular in the late 1940s and early 1950s and is marked by a moralistic editorial tone and graphic depictions of violence and criminal activity. Crime comics began in 1942 with the publication of '' Crime Does Not Pay'' published by Lev Gleason Publications and edited by Charles Biro. As sales for superhero comic books declined in the years after World War II, other publishers began to emulate the popular format, content and subject matter of ''Crime Does Not Pay'', leading to a deluge of crime-themed comics. Crime and horror comics, especially those published by EC Comics, came under official scrutiny in the late 1940s and early 1950s, leading to legislation in Canada and Great Britain, the creation in the United States of the Comics Magazine Association of America and the imposition of the Comics Code Authority in 1954. This code placed limits on the degree and kind of criminal ...
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2012 Comics Debuts
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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Image Comics Titles
An image is a visual representation of something. It can be two-dimensional, three-dimensional, or somehow otherwise feed into the visual system to convey information. An image can be an artifact, such as a photograph or other two-dimensional picture, that resembles a subject. In the context of signal processing, an image is a distributed amplitude of color(s). In optics, the term “image” may refer specifically to a 2D image. An image does not have to use the entire visual system to be a visual representation. A popular example of this is of a greyscale image, which uses the visual system's sensitivity to brightness across all wavelengths, without taking into account different colors. A black and white visual representation of something is still an image, even though it does not make full use of the visual system's capabilities. Images are typically still, but in some cases can be moving or animated. Characteristics Images may be two or three- dimensional, such as a ...
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Eisner Award For Best Coloring
The Eisner Award for Best Coloring is an award for "creative achievement" in American comic books. It is awarded to a colorist. Name change The award was named "Best Colorist" from 1992 until 1994. Winners and nominees Multiple awards and nominations The following individuals have won Best Coloring or Best Colorist one or more times: The following individuals have received two or more nominations but never won Best Coloring or Best Colorist: Notes See also * Eisner Award for Best Publication for Early Readers * Eisner Award for Best Academic/Scholarly Work * Eisner Award for Best Writer * Eisner Award for Best Cover Artist * Eisner Award for Best Lettering References {{American Comic Book Industry Awards Coloring 1992 establishments in the United States Annual events in the United States Awards established in 1992 Category Category, plural categories, may refer to: Philosophy and general uses *Categorization, categories in cognitive science ...
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Eisner Awards
The Will Eisner Comic Industry Awards, commonly shortened to the Eisner Awards, are prizes given for creative achievement in American comic books, sometimes referred to as the comics industry's equivalent of the Academy Awards. They are named in honor of the pioneering writer and artist Will Eisner, who was a regular participant in the award ceremony until his death in 2005."The Will Eisner Comic Industry Awards"
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Comic Book Resources
''Comic Book Resources'', also known by the initialism CBR, is a website dedicated to the coverage of comic book–related news and discussion. History Comic Book Resources was founded by Jonah Weiland in 1995 as a development of the Kingdom Come Message Board, a message forum that Weiland created to discuss DC Comics' then-new mini-series of the same name. Comic Book Resources features columns written by industry professionals that have included Robert Kirkman, Gail Simone, and Mark Millar. Other columns are published by comic book historians and critics such as George Khoury and Timothy Callahan. In April 2016, Comic Book Resources was sold to Valnet Inc., a Montreal-based company based known for its acquisition and ownership of media properties including Screen Rant. The site was relaunched as CBR.com on August 23, 2016, with the blogs integrated into the site. The company has also hosted a YouTube channel since 2008, with 3.97 million subscribers as of December 21, 2 ...
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Incognito (comics)
''Incognito'' is a six-issue comic book limited series written by Ed Brubaker with art by Sean Phillips. It was originally published by the Icon Comics imprint of Marvel Comics. A second five issue miniseries, ''Incognito: Bad Influences'', was released in late 2010. Publication history The first series was published in December 2008 and ran for six issues. The title took a seven-month hiatus while the creators worked on the third volume of ''Criminal''. It returned in November 2010 and ran for another five issues. Each issue featured an article written by Jess Nevins on the pulp characters The Shadow (#1), Doc Savage (#2), The Spider (#3), Operator No. 5 (#4), Fu Manchu (#5), and Zeppelin Pulps (#6). The articles in the second miniseries focused on The Phantom Detective (#1), G-8 (#2), Captain Future (#3), Nick Carter (#4), and Pulp Supervillains (#5). Plot The comic is set in a world in which larger-than-life pulp science heroes and villains have existed since the early 19 ...
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Sleeper (comics)
''Sleeper'' was a comic book series written by Ed Brubaker with art by Sean Phillips, published by DC Comics under their Wildstorm imprint. The series consisted of two twelve-issue limited series and the events of the first "season" served as a catalyst for the '' Coup D'Etat'' line-wide crossover. ''Sleeper'' was set in the Wildstorm Universe and concerned the travails of Holden Carver, a covert operative who has been placed undercover in a villainous organisation led by TAO, a WildC.A.T.s villain from Alan Moore's run. It was a spin-off of ''Point Blank'', a mini-series about Grifter from Wildcats and John Lynch from ''Gen¹³'' that was also written by Ed Brubaker. Plot Holden Carver, also known as The Conductor (although he prefers going by his real name), is placed undercover in Tao's criminal organization by John Lynch, the director of International Operations after being fused with an alien artifact that makes him impervious to pain, gives him a powerful healing factor, an ...
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Wild West
The American frontier, also known as the Old West or the Wild West, encompasses the geography, history, folklore, and culture associated with the forward wave of American expansion in mainland North America that began with European colonial settlements in the early 17th century and ended with the admission of the last few western territories as states in 1912 (except Alaska, which was not admitted into the Union until 1959). This era of massive migration and settlement was particularly encouraged by President Thomas Jefferson following the Louisiana Purchase, giving rise to the expansionist attitude known as " Manifest Destiny" and the historians' " Frontier Thesis". The legends, historical events and folklore of the American frontier have embedded themselves into United States culture so much so that the Old West, and the Western genre of media specifically, has become one of the defining periods of American national identity. The archetypical Old West period is generally ...
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