Fast Times (Sabrina Carpenter Song)
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Fast Times (Sabrina Carpenter Song)
"Fast Times" is a song recorded by American singer Sabrina Carpenter from her fifth studio album ''Emails I Can't Send'' (2022), included as the tenth track of the album. The track was written by Carpenter, Julia Michaels, JP Saxe and its producer John Ryan. The song was released by Island Records as the second single from the album on February 18, 2022. Background and release The song was written by Carpenter, Julia Michaels, JP Saxe and John Ryan in New York on Summer 2021. The first stage of the song's songwriting was sampling a Tequila bottle and playing percussion with pencils. The singer says "We weren't taking ourselves too seriously making it, which really reflects the energy of the song". On January 1, Carpenter shares a snippet of the song's chorus, enticing new music. On The Tonight Show Starring Jimmy Fallon, Carpenter revealed the song’s name. On February 3, Carpenter finally reveals the single's cover art and release date. The song was released on Februar ...
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Sabrina Carpenter
Sabrina Annlynn Carpenter (born May 11, 1999) is an American singer and actress. Carpenter made her acting debut with an appearance in the television crime show ''Law & Order: Special Victims Unit'' and had a recurring role on Fox Broadcasting Company, Fox's short-lived series, ''The Goodwin Games'', which lasted three months. She starred in the Disney Channel comedy series ''Girl Meets World'' (2014–2017); in 2016, she appeared in a television movie, ''Adventures in Babysitting (2016 film), Adventures in Babysitting'', for the network. Carpenter has starred in several feature films, including Horns (film), ''Horns'' (2013), The Hate U Give (film), ''The Hate U Give'' (2018), ''The Short History of the Long Road'' (2019), ''Clouds (2020 film), Clouds'' (2020), and ''Emergency (2022 film), Emergency'' (2022). She also starred in three Netflix films, ''Tall Girl'' (2019), Tall Girl 2, its sequel (2022), and ''Work It (film), Work It'' (2020). In 2014, her debut music single "C ...
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Chamber Pop
Chamber pop (or Chamber rock; also called baroque pop and sometimes conflated with orchestral pop or symphonic pop) is a music genre that combines rock music with the intricate use of string section, strings, horn section, horns, piano, and vocal harmony, vocal harmonies, and other components drawn from the orchestral and lounge music, lounge pop of the 1960s, with an emphasis on melody and texture (music), texture. During chamber pop's initial emergence in the 1960s, producers such as Burt Bacharach, Lee Hazlewood, and the Beach Boys' Brian Wilson served as formative artists of the genre. Wilson's productions of the Beach Boys' albums ''Pet Sounds'' and ''Smile (The Beach Boys album), Smile'' are cited as particularly influential to the genre. From the early 1970s to early 1990s, most chamber pop acts saw little to no mainstream success. The genre's decline was attributed to costly touring and recording logistics and a reluctance among record labels to finance instruments like s ...
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Genius (company)
Genius is an American digital media company founded on August 27, 2009, by Tom Lehman, Ilan Zechory, and Mahbod Moghadam. The site allows users to provide annotations and interpretation to song lyrics, news stories, sources, poetry, and documents. Originally launched as Rap Genius with a focus on hip-hop music, the company attracted the attention and support of celebrities, and venture capital enabling further growth. The site expanded in 2014 to cover other forms of media, such as pop, literature, R&B, and added an annotation-embedded platform. That same year, an iPhone app was released. To reflect these new goals, the site re-launched as Genius in July 2014. An Android version was released in August 2015, and in 2016 and 2017, the company began producing music-focused original video content and hosting live events and concerts. In December 2013, Google penalized Rap Genius for violating their backlinks guidelines—particularly involvement with blog networks—by removing ...
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Volume 1
Volume One, Volume 1, Volume I or Vol. 1 may refer to: Albums * ''Volume One'' (The West Coast Pop Art Experimental Band album), 1966 * ''Volume One'' (Sleep album) * ''Volume One'' (Fluff album) * ''Volume One'' (She & Him album), 2008 * ''Volume One'' (Two Steps from Hell album), 2006 *'' The Honeydrippers: Volume One'', 1984 * ''Vol. I'' (Dead Combo album) * ''Vol. 1'' (Birds of Maya album), 2008 * ''Vol. 1'' (EP), by Breed 77 * ''Vol. 1'' (Hurt album), 2006 * ''Vol. 1'' (Nekropolis album), 2003 * ''Vol. 1'' (The Tempers album), 2010 * ''Vol. 1'' (We Are The Becoming album), 2008 * ''Vol. 1'' (BROS_album), 2016 * ''Vol. 1'' (Goatsnake album), 1999 * ''Volume 1'' (Reagan Youth album) * ''Volume 1'' (CKY album) * ''Volume I'' (Queensberry album), 2008 * ''Volume 1'' (Fabrizio De André album), 1967 * ''Volume 1'' (Billy Bragg album), 2006 * ''Volume 1'' (The Besnard Lakes album), 2003 * ''Volume 1'' (BNQT album), 2017 * ''Volume 1'' (Future Boy album) *''Volume 1'', a video albu ...
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Charlie’s Angels
''Charlie's Angels'' is an American crime drama television series that aired on ABC from September 22, 1976, to June 24, 1981, producing five seasons and 115 episodes. The series was created by Ivan Goff and Ben Roberts and was produced by Aaron Spelling. It follows the crime-fighting adventures of three women working at a private detective agency in Los Angeles, California, and originally starred Kate Jackson, Farrah Fawcett (billed as Farrah Fawcett-Majors), and Jaclyn Smith in the leading roles and John Forsythe providing the voice of their boss, the unseen Charlie Townsend, who directed the crime-fighting operations of the "Angels" over a speakerphone. There were a few casting changes: after the departure of Fawcett, Cheryl Ladd joined; after Jackson departed, Shelley Hack joined, who was subsequently replaced by Tanya Roberts. Despite mixed reviews from critics and a reputation for merely being "jiggle television" (specifically emphasizing the sex appeal of the female lead ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Post-disco
Post-disco (also called boogie, synth-funk, or electro-funk) is a term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither ...
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Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ...
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C-sharp Minor
C-sharp minor is a minor scale based on C, with the pitches C, D, E, F, G, A, and B. Its key signature consists of four sharps. The C-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C-sharp harmonic minor and melodic minor scales are: : : Its relative major is E major. Its parallel major, C-sharp major, is usually written instead as the enharmonic key of D-flat major, since C-sharp major’s key signature with seven sharps is not normally used. Its enharmonic equivalent, D-flat minor, having eight flats including the B, has a similar problem. Therefore, C-sharp minor is often used as the parallel minor for D-flat major. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor.) Classical music in this key There are only two known symphonies in the 18th century written in this key. One of them is by Joseph Martin Kraus, who appears t ...
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ...
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