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Fast Last!
''Fast Last!'' is an album by trumpeter Lester Bowie recorded for the Muse label and released in 1974. It features performances by Bowie, Julius Hemphill, John Hicks, John Stubblefield, Joseph Bowie, Bob Stewart, Cecil McBee, Jerome Cooper, Charles Shaw and Phillip Wilson. Reception The Allmusic review by Scott Yanow awarded the album 4 stars, stating, "As is often true of a Lester Bowie record, this set has surprising moments and a liberal use of absurd humor, along with some fine playing... A fine introduction to Lester Bowie's diverse music".Yanow, SAllmusic Reviewaccessed August 12, 2011 The duo recording of "Hello Dolly" with Hicks "recalls ouisArmstrong's acclaimed version of 'Dear Old Southland' with Buck Washington on piano (Apr. 5, 1930) and thus illustrates Bowie's interest in connecting his avant-garde trumpeting with Armstrong's lyrical tone." Track listing # " Lonely Woman" ( Coleman) - 5:15 # "Banana Whistle" - 9:48 # " Hello Dolly" (Herman) - 5:00 # "F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lester Bowie
Lester Bowie (October 11, 1941 – November 8, 1999) was an American jazz trumpet player and composer. He was a member of the Association for the Advancement of Creative Musicians and co-founded the Art Ensemble of Chicago. Biography Born in the historic village of Bartonsville in Frederick County, Maryland, United States, Bowie grew up in St Louis, Missouri. At the age of five he started studying the trumpet with his father, a professional musician. He played with blues musicians such as Little Milton and Albert King, and rhythm and blues stars such as Solomon Burke, Joe Tex, and Rufus Thomas. In 1965, he became Fontella Bass's musical director and husband. He was a co-founder of Black Artists Group (BAG) in St Louis. In 1966, he moved to Chicago, where he worked as a studio musician, and met Muhal Richard Abrams and Roscoe Mitchell and became a member of the AACM. In 1968, he founded the Art Ensemble of Chicago with Mitchell, Joseph Jarman, and Malachi Favors. He remained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phillip Wilson (drummer)
Phillip Sanford Wilson (September 8, 1941 – March 25, 1992) was an American blues and jazz drummer, a founding member of the Art Ensemble of Chicago, and a member of the Paul Butterfield Blues Band. Biography Born in St. Louis, Missouri, United States, Phillip Wilson was a third generation musician. His grandfather, Ira Kimball, was a percussionist playing on the riverboats that traveled down the Mississippi from St Louis to New Orleans. His recording debut was with Sam Lazar, noted for having one of the first interracial bands in the St. Louis area. After moving to Chicago, Illinois, he became a member of the Association for the Advancement of Creative Musicians AACM and performed with the Art Ensemble of Chicago. He joined up with the Paul Butterfield Blues Band in 1967 at a time when the band membership changed greatly, including an added horn section. He recorded three albums with the group. Wilson's song "Love March", written with Gene Dinwiddie, was performed at Woodst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muse Records Albums
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. R. S. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1974 Albums
Major events in 1974 include the aftermath of the 1973 oil crisis and the resignation of United States President Richard Nixon following the Watergate scandal. In the Middle East, the aftermath of the 1973 Yom Kippur War determined politics; following Israeli Prime Minister Golda Meir's resignation in response to high Israeli casualties, she was succeeded by Yitzhak Rabin. In Europe, the invasion and occupation of northern Cyprus by Turkish troops initiated the Cyprus dispute, the Carnation Revolution took place in Portugal, and Chancellor of West Germany Willy Brandt resigned following an espionage scandal surrounding his secretary Günter Guillaume. In sports, the year was primarily dominated by the FIFA World Cup in West Germany, in which the German national team won the championship title, as well as The Rumble in the Jungle, a boxing match between Muhammad Ali and George Foreman in Zaire. Events January–February * January 26 – Bülent Ecevit of CHP forms the ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Herman
Gerald Sheldon Herman (July 10, 1931December 26, 2019) was an American composer and lyricist, known for his work in Broadway theatre. One of the most commercially successful Broadway songwriters of his time, Herman was the composer and lyricist for a number of hit musicals, starting in the 1960s, that were characterized by an upbeat and optimistic outlook and what Herman called "the simple, hummable showtune". His shows include '' Hello, Dolly!'' (1964), at one time the longest-running musical in Broadway history, which also produced the hit title song for Louis Armstrong; ''Mame'' (1966), a vehicle for Angela Lansbury; and '' La Cage aux Folles'' (1984), the first hit Broadway musical about a gay couple. In 2009, Herman received the Tony Award for Lifetime Achievement in the Theatre. He was a recipient of the 2010 Kennedy Center Honors. Early life Herman was born in Manhattan and raised in Jersey City, New Jersey, the only child of musically inclined, middle-class Jewish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hello, Dolly! (song)
"Hello, Dolly!" is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001. The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including ''Mame'' and '' La Cage aux Folles''. History "Hello, Dolly!" was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of "Hello, Dolly!" for the song's publisher to use to promote the show. ''Hello, Dolly!'' opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success. The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached 1 on the U.S. ''Billboard'' Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. "Hello Dolly! ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation. AllMusic called him "one of the most important (and controversial) innovators of the jazz avant-garde". Born in Fort Worth, Texas, Coleman began his musical career playing in local R&B and bebop groups, and eventually formed his own group in Los Angeles featuring members such as Ed Blackwell, Don Cherry, Charlie Haden, and Billy Higgins. In 1959, he released the controversial album ''The Shape of Jazz to Come'' and began a long residency at the Five Spot jazz club in New York City. His 1960 album ''Free Jazz'' would profoundly influence the di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonely Woman (composition)
"Lonely Woman" is a jazz composition by Ornette Coleman. Coleman's recording of it was the opening track on his 1959 Atlantic Records album ''The Shape of Jazz to Come''. Alongside Coleman's alto saxophone, the recording featured Don Cherry on cornet, Charlie Haden on double bass and Billy Higgins on drums. Origin In an interview with Jacques Derrida, Coleman spoke of the origin of the composition: Other versions Haden and Cherry revisited the song on ''Old and New Dreams'' (ECM, 1979), Haden doing so again on '' Etudes'' (1987) and '' In Angel City'' (1988). Pianist John Lewis first recorded the song in January 1962 with the Modern Jazz Quartet for their album of the same name which was one of the earliest recorded covers of a Coleman number.jazzdisco.org entry for Lonely Woman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buck Washington
Ford Lee "Buck" Washington (October 16, 1903 – January 31, 1955) was an American vaudeville performer, pianist, and singer. He was best known as half of the duo Buck and Bubbles, who were the first black artists to appear on television, with John W. Bubbles, his performance partner for 40 years. Career Washington was born in Louisville, Kentucky. He and Bubbles (born John W. Sublett) first began working together in the 1910s, while Washington was in his teens. Their duo was known as "Buck and Bubbles." Bubbles was primarily a tap dancer while Washington sang and played stride piano and sang. They were so popular that the duo moved to Manhattan, New York City in September 1919. By the late 1920s they were on Broadway. They played together in the Columbia Theater, the Palace, performing with Eddie Cantor, Al Jolson, and Danny Kaye. They were on the ''Ziegfeld Follies of 1931.'' They also became the first black artists to perform at the Radio City Music Hall. They toured Europe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dear Old Southland
"Dear Old Southland" is a 1921 jazz standard. It was composed by Turner Layton, with lyrics by Henry Creamer. It uses basically the same melody as the song '' Deep River''. Popular recordings in 1922 were by Paul Whiteman and by Vernon Dalhart. Other recordings *Louis Armstrong recorded the song on April 5, 1930, for Okeh Records (catalog No. 41454). Armstrong recorded the song again in 1956 for the album ''Satchmo: A Musical Autobiography''. *Duke Ellington and His Orchestra – December 4, 1933 for Victor Records (catalog No. 24501). *Benny Goodman and His Orchestra – June 25, 1935 for Victor Records (catalog No. 25136). *Paul Robeson – September 26, 1939 for Victor Records (catalog No. 26741). *Sidney Bechet's Blue Note Quartet – March 27, 1940 for the Blue Note label (catalog No. 13). *Al Hirt released a version on his 1963 album, '' Our Man in New Orleans''. *Allen Toussaint released his own arrangement of Dear Old Southland (credited under Raymond Bloch), as a duet betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Jazz Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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