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Farewell Blues
"Farewell Blues" is a 1922 jazz standard written by Paul Mares, Leon Roppolo and Elmer Schoebel. Background The song was recorded on August 29, 1922, in Richmond, Indiana and released as Gennett 4966A, Matrix #11179, as by the Friars Society Orchestra under the direction of Husk O'Hara. It was first released by the New Orleans Rhythm Kings under the name the Friars Society Orchestra and soon was covered by several jazz bands. A band called The Georgians recorded it in 1923, copying Roppolo's acclaimed clarinet solo note for note.'' Jelly Roll, Bix, and Hoagy: Gennett Studios and the Birth of Recorded Jazz''. Rick Kennedy and Steve Allen. Indiana University Press, 1994. . p.56 Cover versions *Joe "King" Oliver – ''Sugar Foot Stomp'' (1928) *The Georgians (1923) *Gus Mulcay (1926) *The Charleston Chasers (1928) *Wingy Manone (1939) * Ted Lewis (1929) *Roy Smeck (1931) *Sol Hoopii (1938) *Abe Lyman (1932) *Henderson's Dance Players (1923) *Isham Jones Orchestra – ''Swinging Down th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farewell Blues Friars Society Orchestra 1922
Farewell or fare well is a parting phrase. The terms may also refer to: Places * Farewell, Missouri, a community in the United States * Farewell and Chorley, a location in the United Kingdom near Lichfield, site of the former Farewell Priory Films * ''Farewell'' (1930 film) (German: ''Abschied''), a film directed by Robert Siodmak * ''Farewells'' (Polish: ''Pożegnania''), a 1958 film directed by Wojciech Has * ''Farewell'' (1967 film) (''Gobyeol''), a South Korean film starring Shin Young-kyun * ''Farewell'' (1972 film) (''Jagbyeol''), a South Korean film starring Namkoong Won * ''Farewell'' (1983 film) (''Proshchanie''), a film directed by Elem Klimov * ''The Farewell'' (2000 film), a 2000 German film * ''Farewell'' (2009 film) (''L'affaire Farewell''), a 2009 French film * ''The Farewell'' (2019 film), a 2019 American film Music Groups and labels * Farewell (band), an American pop-punk band Classical * ''Farewell Symphony'', Symphony No. 45 by Haydn * Piano Sona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a membe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixieland Jazz Standards
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1920s Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list. A period known as the " Jazz Age" started in the United States in the 1920s. Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1922 Songs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of 1920s Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list. A period known as the " Jazz Age" started in the United States in the 1920s. Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordéon Mélancolique
Accordéon Mélancolique is a Dutch accordion duo consisting of Cherie de Boer (born 10 June 1950 in Jakarta) and Jean-Pierre Guiran (born 27 January 1957 in Vlissingen). The duo is founded in 1984. In 1997 they were asked to play during the fiftieth anniversary of the Marshall-plan in Rotterdam, the Netherlands, for, among others, Bill en Hillary Clinton, Dutch crown prince Willem Alexander and former Dutch prime minister Wim Kok. Their first CD ''L'Imparfait du Cœur'' was released in 1998, and was proclaimed by the Swedish accordion magazine Dragspels Nytt as the best accordion CD of 1999. As a result, they played at various festivals in Iceland and Denmark during the summer of 2000 and 2003. In total, seven CDs have been released. The music is also published as sheet music. Style The duo plays increasingly more original compositions. Their inspiration comes from French accordion music, French musette waltzes, Italian folk music, Music of the former Netherlands Antilles, Ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Munde
Alan Munde (pronounced "mun-dee") (born November 4, 1946) is an American five-string banjo player and bluegrass musician. Biography Born in Norman, Oklahoma, Munde learned banjo from a well-regarded Oklahoman banjo player, Ed Shelton. He frequently played amateur gigs around the state where he first met Byron Berline at the University of Oklahoma. Shelton introduced Munde to three fine Dallas bluegrass players - Mitchell Land, Louis "Bosco" Land and Harless "Tootie" Williams - and the four of them joined to form "The Stone Mountain Boys" in 1965. Alan moved to Kentucky in January 1969 after he had graduated from college to play with Wayne Stewart and Sam Bush in a group called Poor Richard's Almanac. ''"Wayne Stewart had this idea for a group with this kid he knew in Kentucky named Sam Bush, who was probably 15. So I moved to Hopkinsville, Kentucky, and we formed Poor Richard's Almanac. Not long after, I got my draft notice, but before I left, Sam, Wayne and I made this tape, lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Gatton
Daniel Wood Gatton Jr. (September 4, 1945 – October 4, 1994) was an American virtuoso guitarist who combined blues, rockabilly, jazz, and country to create a musical style he called "redneck jazz". Career Daniel Wood Gatton Jr. was born in Washington, D.C., in 1945. The son of a rhythm guitarist, Gatton started playing at the age of nine. From 1960–1964 he played jazz guitar with the Offbeats, then worked as a session musician in Nashville. When he returned to Washington, he drew attention in the 1970s as a member of Liz Meyer & Friends and other local bands. He recorded his debut album, ''American Music'' (1975), followed by ''Redneck Jazz'' (1978) with pedal steel guitarist Buddy Emmons appearing as a guest. He founded the band the Redneck Jazz Explosion. Although Gatton could play most genres of music, including jazz, blues, bluegrass, and rock, he was known as a country and rockabilly guitarist. He toured with singers Roger Miller and Robert Gordon. He was sometimes ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Django Reinhardt
Jean Reinhardt (23 January 1910 – 16 May 1953), known by his Romani nickname Django ( or ), was a Romani-French jazz guitarist and composer. He was one of the first major jazz talents to emerge in Europe and has been hailed as one of its most significant exponents. With violinist Stéphane Grappelli, Reinhardt formed the Paris-based Quintette du Hot Club de France in 1934. The group was among the first to play jazz that featured the guitar as a lead instrument. Reinhardt recorded in France with many visiting American musicians, including Coleman Hawkins and Benny Carter, and briefly toured the United States with Duke Ellington's orchestra in 1946. He died suddenly of a stroke in 1953 at the age of 43. Reinhardt's most popular compositions have become standards within gypsy jazz, including " Minor Swing", "Daphne", "Belleville", "Djangology", "Swing '42", and "Nuages". Jazz guitarist Frank Vignola says that nearly every major popular-music guitarist in the world has been influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
V-Disc
V-Disc ( "V" for Victory) was a record label that was formed in 1943 to provide records for U.S. military personnel. Captain Robert Vincent supervised the label from the Special Services division. Many popular singers, big bands, and orchestras recorded V-discs. History Under the leadership of James Caesar Petrillo, the American Federation of Musicians ( AFM) was involved in the 1942–44 musicians' strike in which there was a recording ban on four companies. On October 27, 1943 George Robert Vincent convinced Petrillo to allow the union's musicians to make records for the military as long as the discs were not sold and the masters were disposed of. Musicians who had contracts with different record labels were now able to record together for this nonprofit enterprise. A group consisting of Louis Armstrong, Coleman Hawkins, and Art Tatum recorded concerts that were released as V-Discs. Captain Vincent ran the program from the Special Services Division. Artists and repertoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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