Fantasy And Fugue On The Theme B-A-C-H
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Fantasy And Fugue On The Theme B-A-C-H
Fantasie und Fuge über das Thema B-A-C-H (also in the first version known as ''Präludium und Fuge über das Motiv B-A-C-H''), title in English: ''Fantasy and Fugue on the Theme B-A-C-H'') ( S.260i/ii st/2nd version S.529i/ii iano arrangement of 1st/2nd version is an organ fantasy on the BACH motif composed by Franz Liszt in 1855, later revised in 1870. Both versions were transcribed for solo piano by the composer. The piece was dedicated to Alexander Winterberger (who also played it on the premiere, 13 May 1856) and published by Breitkopf & Härtel in 1856. It is, along with the Fantasy and Fugue on the chorale Ad nos, ad salutarem undam, one of Liszt's most famous organ works. It was composed for the consecration of the Ladegast organ in the Merseburg Cathedral. The piece is a recurring piece in the organ repertory and is frequently performed. External links * Compositions by Franz Liszt Compositions for organ 1870 compositions Fugues Liszt Franz Liszt, in ...
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List Of Compositions By Franz Liszt (S
Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding. The primary cataloguing system for his compositions was developed by Humphrey Searle; it has been thoroughly revamped by Michael Short and Leslie Howard. Legend The table below gives the following information for works by Franz Liszt (where applicable): # S. — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). A number sign (#) signifies that a number is no longer in use. # LW. — numbering by R. Charnin Mueller and M. Eckhardt referenced in '' Grove Music Online'' (2010) # Title — normally following the New Liszt Edition' and Library of Congress', as well as other authoritative sources # Forces — the instrumentation used (seAbbreviations for Instruments # ...
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BACH Motif
In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, ''B flat, A, C, B natural''. In German musical nomenclature, in which the note ''B natural'' is named ''H'' and the ''B flat'' named ''B'', it forms Johann Sebastian Bach's family name. One of the most frequently occurring examples of a musical cryptogram, the motif has been used by countless composers, especially after the Bach Revival in the first half of the 19th century. Origin Johann Gottfried Walther's ''Musicalisches Lexikon'' (1732) contains the only biographical sketch of Johann Sebastian Bach published during the composer's lifetime. There the motif is mentioned thus:This reference work thus indicates Bach as the inventor of the motif. Usage in compositions In a comprehensive study published in the catalogue for the 1985 exhibition "300 Jahre Johann Sebastian Bach" ("300 years of Johann Sebastian Bach") in Stuttgart, Germany, Ulrich Prinz lists 409 works by ...
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Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ...
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Alexander Winterberger
Alexander Winterberger, by Sergey Lvovich Levitsky Alexander Winterberger (14 August 183423 September 1914) was a German organist and composer. He is mostly remembered for his association with Franz Liszt, in particular his close involvement with the two great organ fantasies Liszt wrote for the Merseburg Cathedral organ, the '' Fantasy and Fugue on the chorale "Ad nos ad salutarem undam"'' and the ''Fantasy and Fugue on the Theme B-A-C-H''. Biography Alexander Winterberger was born in 1834. He studied at Weimar with the Weimar Municipal Organist Johann Gottlob Töpfer (1791-1870). Although he also studied under Franz Liszt until 1853, he was in the 'outer circle' of students, that is, not among those with whom Liszt spent most time and was on most intimate personal terms. He displayed a mastery of novel registrations, which in some cases Liszt and he worked out together. Winterberger had been a classmate of Julius Reubke in Berlin, and he was instrumental in Reubke deciding ...
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Fantasy And Fugue On The Chorale Ad Nos Ad Salutarem Undam
Fantasy is a genre of speculative fiction involving magical elements, typically set in a fictional universe and sometimes inspired by mythology and folklore. Its roots are in oral traditions, which then became fantasy literature and drama. From the twentieth century, it has expanded further into various media, including film, television, graphic novels, manga, animations and video games. Fantasy is distinguished from the genres of science fiction and horror by the respective absence of scientific or macabre themes, although these genres overlap. In popular culture, the fantasy genre predominantly features settings that emulate Earth, but with a sense of otherness. In its broadest sense, however, fantasy consists of works by many writers, artists, filmmakers, and musicians from ancient myths and legends to many recent and popular works. Traits Most fantasy uses magic or other supernatural elements as a main plot element, theme, or setting. Magic, magic practitione ...
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Friedrich Ladegast
Friedrich Ladegast (August 30, 1818 – June 30, 1905) was a famous German organ builder. Ladegast was born in Hochhermsdorf (now Hermsdorf), Saxony, to a carpenter and cabinet-maker. He worked first for his brother Christlieb, an organ builder at Geringswalde, and built his first two organs at the age of twenty. He then traveled as a journeyman to various workshops, including those of Johann Gottlob Mende in Leipzig, Urban Kreutzbach in Borna, Adolf Zuberbier in Dessau, Martin Wetzel in Strasbourg, and Aristide Cavaillé-Coll in Paris. His work with Cavaillé-Coll was especially influential on his own designs; the two developed a friendship, and Ladegast introduced many technical innovations learned from Cavaillé-Coll's workshop to Germany, such as swell pedals and Barker levers. He set up his own workshop at Weißenfels in 1846, with his first commission being for a small organ in Geusa. He went on to build over 200 organs, with notable works including the reconstruc ...
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Merseburg Cathedral
Merseburg Cathedral (german: Merseburger Dom) is the proto-cathedral of the former Bishopric of Merseburg in Merseburg, Germany. The mostly Gothic church is considered an artistic and historical highlight in southern Saxony-Anhalt. History Background Merseburg acquired importance beyond the immediate region in the 10th century when it came to King Heinrich I (Henry I) by marriage. He built a ''Kaiserpfalz'' there overlooking the Saale and founded a church next to it, consecrated in 919. His son and successor, Otto I swore an oath on 10 August 955 to establish a diocese at Merseburg if God would grant him victory at the upcoming Battle of Lechfeld. In 968, the Diocese of Merseburg was established but dissolved in 981. In 1004 it was reestablished by King Heinrich II (Henry II). Early Romanesque cathedral Construction of the early Romanesque cathedral was begun by Bishop Thietmar of Merseburg in 1015. It was consecrated on 1 October 1021 in the presence of Emperor Heinrich II ( ...
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Compositions By Franz Liszt
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ...
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Compositions For Organ
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hungarian ...
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1870 Compositions
Year 187 ( CLXXXVII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Quintius and Aelianus (or, less frequently, year 940 ''Ab urbe condita''). The denomination 187 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Septimius Severus marries Julia Domna (age 17), a Syrian princess, at Lugdunum (modern-day Lyon). She is the youngest daughter of high-priest Julius Bassianus – a descendant of the Royal House of Emesa. Her elder sister is Julia Maesa. * Clodius Albinus defeats the Chatti, a highly organized German tribe that controlled the area that includes the Black Forest. By topic Religion * Olympianus succeeds Pertinax as bishop of Byzantium (until 198). Births * Cao Pi, Chinese emperor of the Cao Wei state (d. 226) * Gu ...
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Fugues
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ...
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