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Fantasia For Saxophone, Three Horns, And Strings
Fantasia for saxophone, three horns, and strings, W. 490, is a concertante work in three movements by the Brazilian composer Heitor Villa-Lobos, written in 1948. A performance of it lasts approximately ten minutes. History The saxophone features prominently throughout Villa-Lobos's compositional output. He discovered the saxophone in his youth, while playing in the street orchestras called " chorões". Amongst his friends in these circles was the saxophonist and, as a clarinetist himself, Villa-Lobos occasionally performed on the saxophone also. As a composer, he frequently scored for the saxophone. In chamber music, the most important examples include the ''Sexteto místico'' for flute, oboe, alto saxophone, harp, guitar, and celesta (1917), ''Quarteto simbólico'' for flute, alto saxophone, harp, celesta and women's voices (1921), the Nonet (1923), ''Chôros No. 3'' and '' No. 7'' (1925 and 1924, respectively). Orchestral compositions with prominent parts for the saxophone inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his ''Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Heitor Villa-Lobos
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixolydian Mode
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode. (The Hypomixolydian mode of medieval music, by contrast, has no modern counterpart.) The modern diatonic mode is the scale forming the basis of both the rising and falling forms of Harikambhoji in Carnatic music, the classical music form of southern India. Greek Mixolydian The idea of a Mixolydian mode comes from the music theory of ancient Greece. The invention of the ancient Greek Mixolydian mode was attributed to Sappho, the poet and musician. However, what the ancient Greeks thought of as Mixolydian is very different from the modern interpretation of the mode. The prefix ''mixo''- (μιξο-) means "half", referring to its resemblance to the Lydian mode. In Greek theory, the Mixolydian ''tonos'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Mode
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. : Because of the importance of the major scale in modern music, the Lydian mode is often described as the scale that begins on the fourth scale degree of the major scale, or alternatively, as the major scale with the fourth scale degree raised half a step. This sequence of pitches roughly describes the scale underlying the fifth of the eight Gregorian (church) modes, known as Mode V or the authentic mode on F, theoretically using B but in practice more commonly featuring B. The use of the B as opposed to B would have made such piece in the modern day F major scale. Ancient Greek Lydian The name Lydian refers to the ancient kingdom of Lydia in Anatolia. In Greek music theory, there was a Lydian scale or "octave species" extending from ''parhypate hypaton'' to ''trite diezeugmenon'', equivalent in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyrhythm
Polyrhythm is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Mozart's opera ''Don Giovanni'', two orchestras are heard playing toget ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pianist (2002 Film)
''The Pianist'' is a 2002 biographical war drama film produced and directed by Roman Polanski, with a script by Ronald Harwood, and starring Adrien Brody. It is based on the autobiographical book ''The Pianist'' (1946), a Holocaust memoir by the Polish-Jewish pianist and composer Władysław Szpilman, a Holocaust survivor. The film was a co-production by France, the United Kingdom, Germany and Poland. ''The Pianist'' premiered at the 2002 Cannes Film Festival on 24 May 2002, where it won the Palme d'Or, and went into wide release that September; the film received widespread critical acclaim, with critics lauding Polanski's direction, Brody's performance and Harwood's screenplay. At the 75th Academy Awards, the film won for Best Director (Polanski), Best Adapted Screenplay (Harwood), and Best Actor (Brody), and was nominated for four others, including Best Picture (it would lose out to ''Chicago)''. It also won the BAFTA Award for Best Film and BAFTA Award for Best Direction in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Władysław Szpilman
Władysław Szpilman (; 5 December 1911 – 6 July 2000) was a Polish pianist and classical composer of Jewish descent. Szpilman is widely known as the central figure in the 2002 Roman Polanski film '' The Pianist'', which was based on Szpilman's autobiographical account of how he survived the German occupation of Warsaw and the Holocaust. Szpilman studied piano at music academies in Berlin and Warsaw. He became a popular performer on Polish radio and in concert. Confined within the Warsaw ghetto after the German invasion of Poland, Szpilman spent two years in hiding. Towards the end of his concealment, he was helped by Wilm Hosenfeld, a German officer who detested Nazi policies. After World War II, Szpilman resumed his career on Polish radio. Szpilman was also a prolific composer; his output included hundreds of songs and many orchestral pieces. Career as a pianist Szpilman began his study of the piano at the Chopin Academy of Music in Warsaw, Poland, where he studied piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Selmer Mark VI
The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s (see discussion of serial numbers below), and to the Super Action 80 for the soprano and baritone saxophones in 1981. The sopranino saw limited production until about 1985. Selmer debuted the Mark VI in 1954 with sopranino, soprano, alto, tenor, baritone and bass saxophones, until the introduction of the Mark VII model in 1975. Since the Mark VI design continued for sopraninos, sopranos, baritones, or bass saxes, they did not have a Mark VII model. There are reports of a limited number of baritone saxophones labeled as Mark VIIs, but these horns were of the same design as the Mark VI. All Mark VI saxophones were manufactured in France. After manufacture, instruments designated for the British/Canadian or American markets were shipped unassembled and unengraved to their respective markets for completion. The style of engraving on the bell of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altissimo
Altissimo (Italian for ''very high'') is the uppermost register on woodwind instruments. For clarinets, which overblow on odd harmonics, the altissimo notes are those based on the fifth, seventh, and higher harmonics. For other woodwinds, the altissimo notes are those based on the third, fourth, and higher harmonics. The altissimo register is also known as the ''high register''. Flute, oboe, clarinet, and bassoon On the Boehm system flute, the first altissimo note, D6, is played using the third harmonic of G4. Fourth harmonics are used for D6 through G6, and notes from A6 through C7 are played with fifth or sixth harmonics. A careful examination of the flute fingering for the notes D6 through G6 reveals that they are actually a combination of third and fourth harmonic fingerings. For example, the D fingering is like the low D4 with the addition of the G key vented, for which D6 is the third harmonic. Similarly, in the third octave, the E is a combination of E and A fingerings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contract
A contract is a legally enforceable agreement between two or more parties that creates, defines, and governs mutual rights and obligations between them. A contract typically involves the transfer of goods, services, money, or a promise to transfer any of those at a future date. In the event of a breach of contract, the injured party may seek judicial remedies such as damages or rescission. Contract law, the field of the law of obligations concerned with contracts, is based on the principle that agreements must be honoured. Contract law, like other areas of private law, varies between jurisdictions. The various systems of contract law can broadly be split between common law jurisdictions, civil law jurisdictions, and mixed law jurisdictions which combine elements of both common and civil law. Common law jurisdictions typically require contracts to include consideration in order to be valid, whereas civil and most mixed law jurisdictions solely require a meeting of the mind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
