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Fanny Tacchinardi Persiani
Fanny Tacchinardi Persiani () (4 October 1812 – 3 May 1867) was an Italian soprano particularly associated with bel canto composers, such as Rossini, Donizetti, Bellini, and early Verdi. Her 'golden' period in Paris and London was between 1837 and 1848.Ashbrook and Lo Presti 1986, p.216 note 114. Life and career Born in Rome as Francesca Felicita Maria Tacchinardi, she was the daughter of cellist and tenor Nicola Tacchinardi, a very eminent teacher of vocal technique who trained her voice from childhood, and his first wife, Maria Angiola Tacchinardi, a relative. She had two older siblings, Carolina and Ulisse and a younger sibling, Enrichetta "Elisa". She was the half-sister of Guido Tacchinardi who was born from her father's third marriage. In 1830 she married the composer Giuseppe Persiani (1799–1869), and as she embarked on her stage career she added his surname to her own. She made her stage début at Livorno in Giuseppe Fournier-Gorre's ''Francesca da Rimini'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Brullov 04
Karl may refer to: People * Karl (given name), including a list of people and characters with the name * Karl der Große, commonly known in English as Charlemagne * Karl Marx, German philosopher and political writer * Karl of Austria, last Austrian Emperor * Karl (footballer) (born 1993), Karl Cachoeira Della Vedova Júnior, Brazilian footballer In myth * Karl (mythology), in Norse mythology, a son of Rig and considered the progenitor of peasants (churl) * ''Karl'', giant in Icelandic myth, associated with Drangey island Vehicles * Opel Karl, a car * ST Karl, ST ''Karl'', Swedish tugboat requisitioned during the Second World War as ST ''Empire Henchman'' Other uses * Karl, Germany, municipality in Rhineland-Palatinate, Germany * ''Karl-Gerät'', AKA Mörser Karl, 600mm German mortar used in the Second World War * KARL project, an open source knowledge management system * Korean Amateur Radio League, a national non-profit organization for amateur radio enthusiasts in South Korea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pirata
''Il pirata'' (''The Pirate'') is an opera in two acts by Vincenzo Bellini with an Italian libretto by Felice Romani which was based on a three-act ''mélodrame ''from 1826: ''Bertram, ou le Pirate'' (''Bertram, or The Pirate'') by Charles Nodier and Isidore Justin Séverin Taylor). This play was itself based upon a French translation of the five-act verse tragedy ''Bertram, or The Castle of St. Aldobrand'' by Charles Maturin which appeared in London in 1816. The original play has been compared with Bellini's opera and the influence of ''Il pirata'' on Gaetano Donizetti's ''Lucia di Lammermoor'' has been noted. Also, Bellini's recycling of his own music in this opera has been analyzed, as well as his utilizing "a more self-consciously innovative compositional style" and participating more in work on the libretto, as compared with prior efforts where he was more deferential to the librettists chosen by the Naples opera management and the corresponding texts. In addition, 19th-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Lablache
Luigi Lablache (6 December 1794 – 23 January 1858) was an Italian opera singer of French and Irish ancestry. He was most noted for his comic performances, possessing a powerful and agile bass voice, a wide range, and adroit acting skills: Leporello in ''Don Giovanni'' was one of his signature roles. Biography Luigi Lablache was born in Naples, the son of Nicolas Lablache, a merchant from Marseille, France, to an Irish lady. He was educated from 1806 at the Conservatorio della Pietà de' Turchini in Naples, where Gentili taught him the elements of music, and Giovanni Valesi instructed him in singing, while at the same time he studied the violin and cello. He fled the Conservatorio five times in order to pursue an acting career, but each time he was brought back in disgrace.Grove Dictionary of Music and Musicians, 5th ed., 1954, Eric Blom, ed. His voice was a beautiful contralto, and just before it broke he sang the solos in Mozart's '' Requiem'' on the death of Joseph Hay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Tamburini
Antonio Tamburini (28 March 1800 – 8 November 1876) was an Italian operatic baritone.Randel (1996) p. 900. Biography Born in Faenza, then part of the Papal States, Tamburini studied the orchestral horn with his father and voice with Aldobrando Rossi, before making his debut as a singer, aged 18, in ''La contessa di colle erbose'' (Pietro Generali). He went on to become one of the finest baritones of his age. He had a beautiful, smooth and flexible voice the quality of which is indicated by the bel canto music written for him. Castil-Blaze described his voice in ''The Harmonicon'' of May 1833: :His voice is a fine baritone, well defined, extending from A to F, occasionally reaching G#, and sometimes descending to Gb. I might have allotted to him the two full octaves without reserve, but I prefer to retrench the semitone, above and below, that I may give to his voice and tone the full praise it merits. It is round, rich, and clear, of wonderful flexibility, and such aston ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossini - Il Barbiere Di Siviglia - Fanny Persiani As Rosina - 1840 (cropped)
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Rubini
Giovanni Battista Rubini (7 April 1794 – 3 March 1854) was an Italian tenor, as famous in his time as Enrico Caruso in a later day. His ringing and expressive coloratura dexterity in the highest register of his voice, the ''tenorino'', inspired the writing of operatic roles which today are almost impossible to cast. As a singer Rubini was the major early exponent of the Romantic style of the ''bel canto'' era of Vincenzo Bellini and Gaetano Donizetti. Rubini is remembered as an extraordinary bel canto singer, one of the most famous in Europe in the 1820s to 1840s. He also popularized the use of a pervasive vibrato as a means of heightening the emotional impact of his operatic performances. However, if his upper register was exceptional—he could effortlessly go up to a "ringing" high F (F5) (a note that most tenors today escape because of their "chesty" technique),Green 2008, p. 167. he was reported as barely audible in the others parts of his voice and his tone was "sligh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pia De' Tolomei (opera)
''Pia de' Tolomei'' is a ''tragedia lirica'' (tragic opera) in two acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian language, Italian libretto after Bartolomeo Sestini's verse novella ''Pia de' Tolomei (novella), Pia de' Tolomei'', which was based on Canto V, vv. 130–136 from Dante's narrative poem ''The Divine Comedy'' part 2: ''Purgatorio#Purgatorio, Purgatorio''. It premiered on 18 February 1837 at the Teatro Goldoni (Venice), Teatro Apollo in Venice. Composition history Background Pia de' Tolomei is a tragic figure whom Dante encountered in Purgatory. Her story was so familiar to Dante's readers that an understated allusion was enough to call it to mind: Performance history 19th century Donizetti agreed to write ''Pia de' Tolomei'' for the Teatro La Fenice in Venice and began composing it in October 1836 before the premiere of ''L'assedio di Calais'' in Naples in November. In early December he left for Venice, but was delayed in Genoa by an eighteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert Duprez
Gilbert-Louis Duprez (6 December 180623 September 1896) was a French tenor, singing teacher and minor composer who famously pioneered the delivery of the operatic high C from the chest (''Ut de poitrine'', as Paris audiences called it). He also created the role of Edgardo in the popular bel canto-era opera ''Lucia di Lammermoor'' in 1835. Biography Gilbert-Louis Duprez was born in Paris. He studied singing, music theory, and composition with Alexandre-Étienne Choron and made his operatic début at the Odéon in 1825 as ''Count Almaviva'' in Rossini's ''Il barbiere di Siviglia''. He worked in that theatre without much success until 1828, when he decided to try his luck in Italy. There, the operatic scene was more active and developed. As a result, Duprez was able to immerse himself in work, beginning principally with ''tenore contraltino'' roles such as ''Idreno'' in '' Semiramide '' and ''Rodrigo'' in ''Otello'', both by Rossini. He appeared, too, as ''Gualtiero'' in Bellini' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosmonda D'Inghilterra
''Rosmonda d'Inghilterra'' (''Rosamund of England'') is a ''melodramma'' or opera in two acts by Gaetano Donizetti. The Italian language, Italian libretto was written by Felice Romani originally for Carlo Coccia, Coccia's ''Rosmunda'' (1829). It is based on the legend of Rosamund Clifford (''The Fair Rosamund''). Performance history It premiered at the Teatro della Pergola, Florence on 27 February 1834 and was revived only in Livorno in 1845. A request for it to be approved for the Teatro di San Carlo in Naples was submitted in June 1837 and it was revised as ''Eleonora di Gujenna'' for that theatre, but there is no evidence that it was actually performed there. It was largely forgotten until its English rediscovery in 1975 by Patric Schmid, co-founder of Opera Rara, who recognised Donizetti's handwriting by chance on the manuscript in the library of the Naples Conservatory. A concert performance was given at the Queen Elizabeth Hall, London with Yvonne Kenny in the title ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Archivio_Storico_Ricordi_ICON012449.jpg "Click for more on -> Lucia Di Lammermoor")
