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False Impressions
''False Impressions'' is a 1797 melodramatic comedy play by the British playwright Richard Cumberland. It was first staged at the Covent Garden Theatre in November 1797. Much of the plot resembles Cumberland's 1795 novel ''Henry''.Nicoll p.129 Algernon has to pretend to be a servant to restore his good name. The original cast included John Quick as Scud, Joseph George Holman as Algernon, Joseph Shepherd Munden as Simon Single, Charles Murray as Sir Oliver Monrath, John Whitfield as Earling, Julia Betterton as Emily Fitzallan and Mary Ann Davenport Mary Ann Davenport ée Harvey(1759 – 8 May 1843) was a British Shakespearean actress. Life She was born at Launceston, Cornwall. She first appeared on the stage at Bath in December 1784, as Lappet in Henry Fielding's ''The Miser''. After two ... as Mrs Buckram. References Bibliography * Nicoll, Allardyce. ''A History of English Drama 1660-1900. Volume III: Late Eighteenth Century Drama''. Cambridge University Press, 1952. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Cumberland (dramatist)
Richard Cumberland (19 February 1731/2 – 7 May 1811) was an English dramatist and civil servant. In 1771 his hit play '' The West Indian'' was first staged. During the American War of Independence he acted as a secret negotiator with Spain in an effort to secure a peace agreement between the two nations. He also edited a short-lived critical journal called ''The London Review'' (1809). His plays are often remembered for their sympathetic depiction of characters generally considered to be on the margins of society. Early life and education Richard Cumberland was born in the master's lodge of Trinity College, Cambridge on 19 February 1731/2. His father was a clergyman, Doctor Denison Cumberland, who became successively Bishop of Clonfert and Bishop of Kilmore, and through him his great-grandfather was Richard Cumberland, the philosopher and bishop of Peterborough. His mother was Johanna Bentley, youngest daughter of Joanna Bernard and the classical scholar Richard Bentley, l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covent Garden Theatre
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, maki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodramatic
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy (drama)
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone. In this sense Dante used the term in the title of his poem, the ''Divine Comedy'' (Italian: ''Divina Commedia''). The phenomena connected with laughter and that which provokes it have been carefully investigated by psychologists. The predominating characteristics are incongruity or contrast in the object, and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential factor: thus Thomas Hobbes speaks of laughter as a "sudden glory." Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play insti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry (novel)
Henry may refer to: People *Henry (given name) *Henry (surname) * Henry Lau, Canadian singer and musician who performs under the mononym Henry Royalty * Portuguese royalty ** King-Cardinal Henry, King of Portugal ** Henry, Count of Portugal, Henry of Burgundy, Count of Portugal (father of Portugal's first king) ** Prince Henry the Navigator, Infante of Portugal ** Infante Henrique, Duke of Coimbra (born 1949), the sixth in line to Portuguese throne * King of Germany **Henry the Fowler (876–936), first king of Germany * King of Scots (in name, at least) ** Henry Stuart, Lord Darnley (1545/6–1567), consort of Mary, queen of Scots ** Henry Benedict Stuart, the 'Cardinal Duke of York', brother of Bonnie Prince Charlie, who was hailed by Jacobites as Henry IX * Four kings of Castile: **Henry I of Castile **Henry II of Castile **Henry III of Castile **Henry IV of Castile * Five kings of France, spelt ''Henri'' in Modern French since the Renaissance to italianize the name and to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Servant
A domestic worker or domestic servant is a person who works within the scope of a residence. The term "domestic service" applies to the equivalent occupational category. In traditional English contexts, such a person was said to be "in service". Domestic workers perform a variety of household services for an individual, from providing cleaning and household maintenance, or cooking, laundry and ironing, or care for children and elderly dependents, and other household errands. Some domestic workers live within their employer's household. In some cases, the contribution and skill of servants whose work encompassed complex management tasks in large households have been highly valued. However, for the most part, domestic work tends to be demanding and is commonly considered to be undervalued, despite often being necessary. Although legislation protecting domestic workers is in place in many countries, it is often not extensively enforced. In many jurisdictions, domestic work is p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Quick (actor)
John Quick (1748 – 4 April 1831) was a British comic actor. Life The son of a brewer, he was born in Whitechapel, London. At age 13 he left his home and joined Oliver Carr's theatrical company at Fulham, where he played Altamont in the ''Fair Penitent'', receiving three shillings as a share in the profits. For some years, in Kent and Surrey, he played Romeo, George Barnewell, Hamlet, Jaffier, Tancred, and other tragic characters, and in 1766 was at the Haymarket Theatre under the management of Samuel Foote, with Edward Shuter, John Bannister, and John Palmer. His performance, for Shuter's benefit, of Mordecai in ''Love à la Mode'' commended him to Covent Garden, where, on 7 November 1767, he was the original Postboy in Colman's ''Oxonian in Town''; on 14 December the First Ferret in the ''Royal Merchant'', an operatic version of the ''Beggar's Bush''; and on 29 January 1768 the original Postboy in Oliver Goldsmith's ''Good-natured Man''. At Covent Garden, with occasional vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph George Holman
Joseph George Holman (1764–1817) was an English actor, dramatist and actor-manager. Early life Born in August 1764, he was son of John Major Holman of St. Giles's, Middlesex, an ensign and adjutant in the British service, who died when his son was two years of age. He was placed by an uncle at Barwis's school in Soho Square, where amateur acting was in vogue. With a view to the church as a career, he matriculated 7 February 1783 at The Queen's College, Oxford, but took no degree. At Covent Garden On 25 October 1784, at Covent Garden, as Romeo, Holman made his first appearance on the stage. An address was spoken by Thomas Hull (actor), Thomas Hull, who played Friar Lawrence. Holman's performances were attended by fashionable audiences, and he remained at Covent Garden until 1800. His original characters include Harry Thunder in John O'Keeffe (Irish writer), John O'Keeffe's ''Wild Oats'', 16 April 1791, Harry Dornton in Thomas Holcroft's ''The Road to Ruin (play), The Road to Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Shepherd Munden
Joseph Shepherd Munden (1758 – 6 February 1832) was an English actor. He had a long provincial experience as actor and manager. His first London appearance was in 1790 at Covent Garden, where he mostly remained until 1811, becoming a leading comedian. In 1813 he was at Drury Lane. He retired in 1824. Early life Munden was the son of a poulterer in Brook's Market, Leather Lane, Holborn. He ran away from home to join a strolling company. He was by the age of twelve in an apothecary's shop; subsequently he was apprenticed to Mr. Druce, a law stationer in Chancery Lane. In Liverpool he was engaged for a while in the office of the town clerk, also appearing on the stage as an extra. After some experience of repertory companies, Munden was engaged to play old men at Leatherhead. He began to make his mark at Canterbury under the manager Hurst, where in 1780 he was the original Faddle in Mrs. Burgess's comedy, ''The Oaks, or the Beauties of Canterbury''. In the company of Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Murray (Scottish Actor)
Charles Murray (1754–1821) was a Scottish actor and dramatist. Life The son of Sir John Murray of Broughton, he was born at Cheshunt in Hertfordshire. He spent some time in France, studied pharmacy and surgery in London, and went surgeon's mate on some Mediterranean voyages. Stage career After playing as an amateur in Liverpool Murray went, with an introduction from Younger, the theatre manager there, to Tate Wilkinson of the York circuit. He made his first professional stage appearance at York, under the name of Raymur, and playing Carlos in ''Love Makes a Man'' (Colley Cibber). A quarrel in a tavern in Wakefield in September 1776 lost him his position. After further time at sea Murray acted under his own name with Griffiths at Norwich. On 8 October 1785, as Sir Giles Overreach in ''A New Way to pay Old Debts'', he made his first appearance in Bath. Here he remained until 1796, playing a great variety of parts. His wife Mrs. Murray occasionally played with him, and on 1 Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Whitfield (actor)
John Whitfield (1752–1814) was a British stage actor. He was part of the Covent Garden and Drury Lane companies, playing over two hundred roles. He often appeared alongside his wife Mary Whitfield.Cox & Gamer p.426 Selected roles * Agenor in '' Cleonice, Princess of Bithynia'' by John Hoole (1775) * Edric in ''Percy'' by Hannah More (1777) * Sir Henry Lovewit in Known Your Own Mind by Arthur Murphy (1777) * Earl of Surrey in ''Alfred'' by John Home (1778) * Don Garcia in '' A Bold Stroke for a Husband'' by Hannah Cowley (1783) * Camillo in ''Julia'' by Robert Jephson (1787) * Nicrates in '' The Fate of Sparta'' by Hannah Cowley (1788) * De Courcy in '' The Haunted Tower'' by James Cobb (1789) * Lupercio in ''Marcella'' by William Hayley (1789) * Wortimerus in ''Vortigern and Rowena'' by William Henry Ireland (1796) * Earling in '' False Impressions'' by Richard Cumberland (1797) * Sir Henry Netterville in ''The Eccentric Lover'' by Richard Cumberland Richard Cumberland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia Betterton
Julia Betterton Glover (8 January 1779 – 16 July 1850) was an Irish-born stage actress well known for her comic roles in the late 18th and 19th centuries. Biography Glover was born Julia Butterton in 1779 or 1781 in Newry, Ireland. In London in 1800 she married Samuel Glover the son of an industrial family from Birmingham. "Betterton" was not her real name, despite her father`s promotion of the fiction. She was born Julianna Butterton in Newry, Ireland, the daughter of the town`s theatre manager William Butterton. His venture failed and he decided there would be financial benefit to him if her name were changed to "Betterton", claiming links to a famous actor and long dead Thomas Betterton. With this deception he and his family travelled round the theatres and the young Julia was acclaimed as an infant acting prodigy in York, the West Country, Bath and elsewhere. At age 9 she made her debut in Scotland at the Dumfries Theatre Royal in 1790, and at age 16 she made her debut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
