Fallen Angel (Uriah Heep Album)
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Fallen Angel (Uriah Heep Album)
''Fallen Angel'' is the 12th studio album by British rock band Uriah Heep, released in September 1978 by Bronze Records in the UK and Chrysalis Records in USA. It is the last album to feature John Lawton on vocals, before his firing in 1979. ''Fallen Angel'' only reached No. 186 in the US ''Billboard'' 200, but in Germany, the band were at the height of their popularity. On this album, the band moved toward an AOR sound, as opposed to the progressive rock of previous albums. The album was remastered and reissued by Castle Communications in 1997 with four bonus tracks, and again in 2004 in an expanded deluxe edition. Artwork The album was originally released in a gatefold sleeve, opening vertically rather than the customary horizontal axis. The lyrics were printed on the LP liner. The artwork was licensed from artist Chris Achilleos. Achilleos's website lists the original artwork as missing. The same artist designed the cover for the Whitesnake album ''Lovehunter'' a year la ...
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Uriah Heep (band)
Uriah Heep are an English rock band formed in London in 1969. Their current lineup consists of guitarist Mick Box, keyboardist Phil Lanzon, lead vocalist Bernie Shaw, drummer Russell Gilbrook, and bassist Dave Rimmer. They have experienced numerous lineup changes throughout their -year career, leaving Box as the only remaining original member. Notable former members of the band are vocalists David Byron, John Lawton, John Sloman and Peter Goalby, bassists Gary Thain, Trevor Bolder, John Wetton, Bob Daisley, Paul Newton, and John Jowitt, drummers Nigel Olsson, Iain Clark, Lee Kerslake and Chris Slade, and keyboardists Ken Hensley and John Sinclair. Uriah Heep were part of the early 1970s rock scene, and have been referred to as pioneers of the hard rock, heavy metal and progressive rock genres. The band has sold over 40 million albums worldwide with over four million sales in the U.S, where its best-known songs include "Gypsy", " Easy Livin'", "The Wizard", ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Trevor Bolder
Trevor Bolder (9 June 1950 – 21 May 2013) was an English rock musician, songwriter and record producer. He is best known for his long association with Uriah Heep and his tenure with the Spiders from Mars, the backing band for David Bowie, although he also played alongside a variety of musicians from the early 1970s. Biography Bolder was born in Kingston upon Hull, East Riding of Yorkshire, England. His father was a trumpet player, and other members of his family too were musicians. He played cornet in the school band and was active in his local R&B scene in the mid-1960s. Inspired by the Beatles, in 1964 he formed his first band with his brother and took up the bass guitar. He first came to prominence in the Rats, which also featured fellow Hull musician Mick Ronson on lead guitar. In 1971 Bolder was called in to replace Tony Visconti in David Bowie's backing band, which would soon be known as the Spiders from Mars; he subsequently appeared in D. A. Pennebaker's 1973 docu ...
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Lee Kerslake
Lee Gary Kerslake (16 April 1947– 19 September 2020) was an English musician, best known as the longtime drummer and backing vocalist for the rock band Uriah Heep and for his work with Ozzy Osbourne in the early 1980s. Biography Early life and career Kerslake was born in Bournemouth, Hampshire (now Dorset). At age 11, he began playing drums and got his first professional gig with The Gods in 1969, going on to record three albums with the band. He later played with Toe Fat and National Head Band before linking up with Uriah Heep in November 1971. Uriah Heep Kerslake first appeared with Uriah Heep on their 1972 album '' Demons and Wizards'' and went on to record nine studio records, as well as a live album, with the band before departing in 1978 after the Fallen Angels tour. He also played on David Byron's and Ken Hensley's solo albums, among other efforts during this period. On the ''Firefly'' album he was credited as Lee "The Bear" Kerslake, the nickname being a reference t ...
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Mick Box
Michael Frederick Box (born 9 June 1947) is an English musician who is the lead guitarist of rock group Uriah Heep, having previously been a member of The Stalkers and Spice, both with original Uriah Heep vocalist David Byron.Larkin, Colin (2002) ''The Virgin Encyclopedia of 70s Music'', Virgin Books, , p. 468 He is the only member from the band's founding in 1969 who is still active with the group, and – following the 2020 deaths of Lee Kerslake and Ken Hensley – is also the last surviving member of the group's classic line-up. Biography Early influences In 2018 Mick Box said he was influenced by Les Paul and Mary Ford, Django Reinhardt, Wes Montgomery, Tal Farlow and Barney Kessel. He attributes some of these influences to his first guitar instructor because he was the second guitarist for Django Reinhardt, as well as coming from a jazz background. When he started performing with Uriah Heep, other new bands included Black Sabbath, Deep Purple, and Led Zeppelin. ...
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Lovehunter
''Lovehunter'' is the second studio album by British band Whitesnake, released in 1979. It charted at No. 29 on the UK Albums Chart. " Long Way from Home", the leading track on the album reached No. 55 on the UK charts. It was the group's last album to feature original drummer Dave Dowle. Cover art ''Lovehunters controversial cover art, showing a naked woman straddling a large snake, was created by fantasy artist Chris Achilleos. It was the last album cover he designed for many years, until 2003 and Gary Hughes' rock opera ''Once and Future King Part I''. The original ''Lovehunter'' artwork was stolen in the 1980s. A similar idea had been used three years earlier for the cover of Jon Lord's ''Sarabande'' album. Lord was in Whitesnake at the time of ''Lovehunter''. Track listing ;Side one #" Long Way from Home" ''(David Coverdale)'' – 4:58 #"Walking in the Shadow of the Blues" ''(Coverdale, Bernie Marsden)'' – 4:26 #"Help Me Thro' the Day" ''(Leon Russell)'' – 4:40 #"M ...
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Whitesnake
Whitesnake are an English hard rock band formed in London in 1978. The group was originally put together as the backing band for singer David Coverdale, who had recently left Deep Purple. Though the band quickly developed into their own entity, Coverdale is the only constant member throughout their history. Whitesnake enjoyed much success in the UK, Europe and Japan through their early years. Their albums ''Ready an' Willing'', ''Come an' Get It'' and ''Saints & Sinners (Whitesnake album), Saints & Sinners'' all reached the top ten on the UK Albums Chart. By the mid-1980s, however, Coverdale had set his sights on breaking through in North America, where Whitesnake remained largely unknown. With the backing of American label Geffen Records, Whitesnake released their Whitesnake (album), eponymous album in 1987, which became their biggest success to date, selling over eight million copies in the US and spawning the hit singles "Here I Go Again" and "Is This Love (Whitesnake song) ...
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Castle Communications
Castle Communications, also known as Castle Music, was a British independent record label and home video distributor founded in 1983 by Terry Shand, Cliff Dane, and Jon Beecher. Its video imprint was called Castle Vision. The label's production ceased in 2007, and its remaining rights are now chiefly vested in BMG Rights Management. Castle also operated a subsidiary label, Essential Records. History Castle Communications was acquired by American music distributor Alliance Entertainment (which at the time owned Concord Records and NCircle Entertainment) in 1994 and then by Sanctuary Records Group in 2000. The label was dissolved when Sanctuary became a Universal Music Group subsidiary in 2007. Since 2013 Sanctuary has been owned by BMG Rights Management, with global distribution handled by Warner Music Group. Starting out as a mid-price catalogue reissue specialist, with labels including The Collector Series and Dojo, it grew into the largest European owner of repertoire outsi ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Album-oriented Rock
Album-oriented rock (AOR, originally called album-oriented radio) is an FM radio format created in the United States in the 1970s that focuses on the full repertoire of rock albums and is currently associated with classic rock. Album-oriented radio was originally established by U.S. radio stations dedicated to playing album tracks by rock artists from the hard rock to progressive rock genres. In the mid-1970s, AOR was characterized by a layered, mellifluous sound and sophisticated production with considerable dependence on melodic hooks. Using research and formal programming to create an album rock format with greater commercial appeal, the AOR format achieved tremendous popularity in the late 1970s and early 1980s. From the early 1980s onward, the "album-oriented radio" term became normally used as the abbreviation of "album-oriented rock," meaning radio stations specialized in classic rock recorded during the late 1960s and 1970s. The term is also commonly conflated with ...
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