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Fake Or Fortune
''Fake or Fortune?'' is a BBC One documentary television series which examines the provenance and attribution of notable artworks. Since the first series aired in 2011, ''Fake or Fortune?'' has drawn audiences of up to 5 million viewers in the UK, the highest for an arts show in that country. ''Fake or Fortune?'' was created by art dealer and historian Philip Mould, together with producer Simon Shaw. It was inspired by Mould's 2009 book ''Sleuth'', after which the programme was originally to be entitled. It is co-presented by Mould and journalist Fiona Bruce, with specialist research carried out by Bendor Grosvenor during the first 5 series. Forensic analysis and archival research is carried out by various fine art specialists. Each series first aired on BBC One, except for series 3, which was shown mistakenly on SVT in Sweden before being broadcast in the UK. Format In each episode Philip Mould and Fiona Bruce focus their attention on a painting (or a group of paintings), ...
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Aviva Burnstock
Aviva Ruth Burnstock (born 1959) is head of the Department of Art Conservation & Technology at the Courtauld Institute, London. Professor Burnstock is a graduate of the University of Sussex (BSc. Neurobiology 1981) and took in 1991 a PhD at the Courtauld Institute In 2011 Burnstock was member of a team that confirmed in the BBC One television series ''Fake or Fortune?'' that the painting ''The Procuress'' in the Courtauld's collection – a version of a 1622 work by Dirck van Baburen now in the Museum of Fine Arts, Boston – is an Oil paint- Bakelite forgery by Han van Meegeren made in the 1930s or 1940s. She has since made several appearances on the programme. She is Fellow of the International Institute for Conservation. Personal life She is the daughter of the neurobiologist Geoffrey Burnstock Geoffrey Burnstock (10 May 1929 – 2 June 2020) was a neurobiologist and President of the Autonomic Neuroscience Centre of the UCL Medical School. He is best known f ...
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Wildenstein Institute
The Wildenstein Institute was a French art institute that published ''catalogues raisonnés'' and scholarly inventories. History The Institute was founded in 1970 by Daniel Wildenstein as the ''Fondation Wildenstein'', and it was renamed the Wildenstein Institute in 1990. It was an offshoot of the art dealing company ( Wildenstein & Co.) owned by the Wildenstein family for five generations. Until 2017, it housed the historic documents and photographic archives assembled by Nathan Wildenstein (the company founder) and his son Georges, which have been added to by subsequent generations. Daniel Wildenstein established the Wildenstein Index Number used by the Institute to identify paintings. It published catalogues raisonnés and scholarly inventories of impressionists such as Monet, and other modern artists such as Gauguin. It described itself as a center for research in art history. It was headed by Guy Wildenstein. In 2017, the Wildenstein Institute gifted its entire archive and ...
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The Courtauld Institute Of Art
The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni. The art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, The Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project. History The Courtauld was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the art ...
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Nazi Plunder
Nazi plunder (german: Raubkunst) was the stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany. The looting of Polish and Jewish property was a key part of the Holocaust. The plundering was carried out from 1933, beginning with the seizure of the property of German Jews, until the end of World War II, particularly by military units which were known as the Kunstschutz, although most of the plunder was acquired during the war. In addition to gold, silver, and currency, cultural items of great significance were stolen, including paintings, ceramics, books, and religious treasures. Although most of these items were recovered by agents of the Monuments, Fine Arts, and Archives program (MFAA, also known as the Monuments Men), on behalf of the Allies immediately following the war, many of them are still missing. An international effort to identify Nazi plunder which still remains unacco ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, ...
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Han Van Meegeren
Henricus Antonius "Han" van Meegeren (; 10 October 1889 – 30 December 1947) was a Dutch painter and portraitist, considered one of the most ingenious art forgers of the 20th century. Van Meegeren became a national hero after World War II when it was revealed that he had sold a forged painting to '' Reichsmarschall'' Hermann Göring during the Nazi occupation of the Netherlands. As a child, Van Meegeren developed an enthusiasm for the paintings of the Dutch Golden Age, and he set out to become an artist. Art critics, however, decried his work as tired and derivative, and Van Meegeren felt that they had destroyed his career. He decided to prove his talent by forging paintings by 17th-century artists including Frans Hals, Pieter de Hooch, Gerard ter Borch and Johannes Vermeer. The best art critics and experts of the time accepted the paintings as genuine and sometimes exquisite. His most successful forgery was ''Supper at Emmaus'', created in 1937 while he was living in the so ...
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Courtauld Institute
The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni. The art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, The Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project. History The Courtauld was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the ar ...
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The Procuress (Dirck Van Baburen)
''The Procuress'' is the name given to a number of similar paintings by the Dutch Golden Age painter Dirck van Baburen. The painting is in the Caravaggiesque style of the Utrecht school. Description The painting shows three figures: a prostitute on the left, the client in the middle and the procuress on the right pointing to her palm to indicate that she is expecting payment. The client is holding a coin between his fingers as he puts his arm around the prostitute, who is playing a lute. The painting is an example of the popular genre known as ''Bordeeltjes'', or brothel scenes (see also the overlapping genre of Merry company scenes). The cropped, close-up figures close to the picture plane against a flat blank background are typical of Utrecht Caravaggism. There are at least three versions of the painting. The versions in the Rijksmuseum in Amsterdam and the Museum of Fine Arts, Boston are attributed to Dirck van Baburen or his studio. One copy of the painting was owned ...
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Winslow Homer
Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art. Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations. Early life Born in Boston, Massachusetts, in 1836, Homer was the second of three sons of Charles Savage Homer and Henrietta Benson Homer, both from long lines of New Englanders. His mother was a gifted amateur watercolorist and Homer's first teacher. She and her son had a close relationship throughout their lives. Homer took on many of her traits, including her quiet, strong-willed, t ...
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Children Under A Palm
''Children Under a Palm'' (or sometimes ''Children Under a Palm Tree'') is a water colour painting by Winslow Homer. It was featured in the second episode of the BBC TV series ''Fake or Fortune?''. Origin The work was painted in the Bahamas in 1885. It is in watercolour and pencil. It measures 14 inches by 20 inches and depicts the three children of Sir Henry Blake, the colonial governor of the Bahamas at the time. They were attending a fancy dress party in Arabian costume. The party was also attended by Winslow Homer who was asked by Lady Blake to sketch the children. The central figure is Olive Blake. On either side of her are her younger brothers, Maurice and Arthur. Olive subsequently married John (Jack) Arbuthnot who wrote some of the Beachcomber columns. In her later years, Olive was described by one of her grandsons as being "a formidable looking woman of whom I was somewhat frightened". The painting was not framed and was subsequently included among a number of ...
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The Daily Telegraph
''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was founded by Arthur B. Sleigh in 1855 as ''The Daily Telegraph & Courier''. Considered a newspaper of record over '' The Times'' in the UK in the years up to 1997, ''The Telegraph'' generally has a reputation for high-quality journalism, and has been described as being "one of the world's great titles". The paper's motto, "Was, is, and will be", appears in the editorial pages and has featured in every edition of the newspaper since 19 April 1858. The paper had a circulation of 363,183 in December 2018, descending further until it withdrew from newspaper circulation audits in 2019, having declined almost 80%, from 1.4 million in 1980.United Newspapers PLC and Fleet Holdings PLC', Monopolies and Mergers Commission (1985), pp. 5–16. Its ...
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Bords De La Seine à Argenteuil
' (''Banks of the Seine at Argenteuil'') is an oil painting by an unknown artist. The painting is a landscape depicting the River Seine at Argenteuil in France. It is owned by Englishman David Joel. In 2011 ''Bords de la Seine à Argenteuil'' was featured on the British TV programme ''Fake or Fortune?'', in an attempt to establish it as an authentic painting by Claude Monet. After thorough research into the provenance of the painting, as well as forensic evidence and the opinions of many experts in the field, the painting was deemed to be almost certainly authentic. However, the painting has been rejected from inclusion in the catalogue raisonné by the Wildenstein Institute due to the opinion of Daniel Wildenstein, who examined the work only once before his death. ''Fake or Fortune?'' investigation History The title ' along with the date, 1875, appears on the frame, and there is a painted signature purportedly of Claude Monet. The painting was sold by Georges Petit in 1918 ...
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