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Fahai
Fahai, born Pei Wende, was a monk who lived in Tang dynasty, and was identified as a compiler of Zen Buddhism according to the Dun-huang edition of the Platform Sutra. Fahai was a disciple of the Six Patriarch of Zen Buddhism, Hui-neng. Biography Fahai was the son of Tang chancellor Pei Xiu, and the secular name of Fahai was Pei Wende. The young Pei Wende was sent by his father to Laoshan (Hunan province) to practice Zen Buddhism. Fahai's father, the then court chancellor donated to build Miyin Temple (located in Ningxiang County, Hunan Province). The Miyin Temple host gave the Pei Wende a Buddhist name "Fahai". Fahai's master, Master Lingyou ordered ascetic practice every day. Fahai spent nearly three years cutting firewood, and delivered water for more than five hundred monks for nearly three years. Soon after, the ascetic life of Zen Master Fahai came to a successful end and he began a three-year meditation. Master Lingyou went to the door to call the name "Fahai". The Z ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legend Of The White Snake
The Legend of the White Snake is a Chinese legend. It has since been presented in a number of major Chinese operas, films, and television series. The earliest attempt to fictionalize the story in printed form appears to be ''The White Maiden Locked for Eternity in the Leifeng Pagoda'' () in Feng Menglong's '' Stories to Caution the World'', which was written during the Ming dynasty. The legend is now counted as one of China's Four Great Folktales, the others being ''Lady Meng Jiang'', ''Butterfly Lovers'', and ''The Cowherd and the Weaver Girl''. Basic story Lü Dongbin, one of the Eight Immortals, disguises himself as a '' tangyuan'' vendor at the Broken Bridge near the West Lake in Hangzhou. A boy called Xu Xian () buys some ''tangyuan'' from Lü Dongbin without knowing that they are actually immortality pills. After eating them, he does not feel hungry for the next three days so he goes back to ask the vendor why. Lü Dongbin laughs and carries Xu Xian to the bridge, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huineng
Dajian Huineng (); (February 27, 638 – August 28, 713), also commonly known as the Sixth Patriarch or Sixth Ancestor of Chan (traditional Chinese: 禪宗六祖), is a semi-legendary but central figure in the early history of Chinese Chan Buddhism. According to tradition he was an uneducated layman who suddenly attained awakening upon hearing the Diamond Sutra. Despite his lack of formal training, he demonstrated his understanding to the fifth patriarch, Daman Hongren, who then supposedly chose Huineng as his true successor instead of his publicly known selection of Yuquan Shenxiu. Twentieth century scholarship revealed that the story of Huineng's Buddhist career was likely invented by the monk Heze Shenhui, who claimed to be one of Huineng's disciples and was highly critical of Shenxiu's teaching. Huineng is regarded as the founder of the "Sudden Enlightenment" Southern Chan school of Buddhism, which focuses on an immediate and direct attainment of Buddhist enlightenment. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leifeng Pagoda
Leifeng Pagoda is a five story tall tower with eight sides, located on Sunset Hill south of the West Lake in Hangzhou, Zhejiang, China. Originally constructed in the year AD 975, it collapsed in 1924 but was rebuilt in 2002. Since then, it has become a popular tourist attraction. History Original The original pagoda was built in 975 AD, during the Five Dynasties and Ten Kingdoms period, at the order of King Zhongyi (Qian Chu) of Wuyue for his favorite concubine, Consort Huang. The Leifeng Pagoda was an octagonal, five-story structure built of brick and wood with a base built of bricks. During the Ming dynasty, Japanese pirates attacked Hangzhou. Suspecting the pagoda contained weapons, they burned its wooden elements, leaving only the brick skeleton, which can be seen from Ming paintings of the West Lake. Leifeng Pagoda was one of the ten sights of the West Lake because of the Legend of the White Snake. In the Chinese folk story “The Legend of White Snake”, the monk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bai Suzhen
Bai Suzhen ( zh, t=白素貞), also known as Lady Bai ( zh, c=白娘子, links=no), is a mythological figure in Chinese folk religion. She is a one-thousand-year-old white snake spirit and the title character of the Legend of the White Snake, one of China's "four great folktales". The legend has been adapted into several Chinese operas, films, television series and other media. In some versions of the legend, Bai Suzhen becomes a goddess; her worshippers refer to her as Madam White Snake ( zh, c=白蛇娘娘, links=no). Legend After one thousand years of disciplined training in Taoism on Mount Emei, the white snake, Bai Suzhen, is transformed into a woman by the essence of the Dragon King of the East China Sea. She decides to go out into the human world and do good deeds in order to become immortal. She is later accepted by the goddess Lishan Laomu as a disciple. On a visit to West Lake, she falls in love with a young man named Xu Xian and soon becomes his wife. Eventually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miyin Temple
Miyin Temple () is a Buddhist temple located in Weishan Township, Ningxiang, Hunan, China. The temple is built within grounds of some . The Chinese Buddhist monk Weishan Lingyou of the Tang dynasty (618–907) founded Miyin Temple on and started the Weiyang school of Buddhism making Mount Wei an important religious sacred site in China's feudalist era. History Tang dynasty In 813, in the eighth year of the age of Yuanhe of Emperor Xianzong, the traveler who named Liu Qian () came to Ningxiang, Hunan Province. He saw the Wei Mountain's steep cliffs, lofty peaks, roaring waterfalls, gurgling springs, towering trees and fragrant flowers, and Wei Mountain has seven hills like the Big Dipper. After the tour, Liu Qian came to Baizhang Mountain () in Jiangxi and told his friend Baizhang Huaihai about the natural landscape he had seen. He told Huaihai that there would be a good place to build temples. Huaihai followed Liuqian's advice, he commanded his disciple Weishan Lingyou to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lu Xun
Zhou Shuren (25 September 1881 – 19 October 1936), better known by his pen name Lu Xun (or Lu Sun; ; Wade–Giles: Lu Hsün), was a Chinese writer, essayist, poet, and literary critic. He was a leading figure of modern Chinese literature. Writing in vernacular Chinese and classical Chinese, he was a short story writer, editor, translator, literary critic, essayist, poet, and designer. In the 1930s, he became the titular head of the League of Left-Wing Writers in Shanghai during republican era China (1912-1949). Lu Xun was born into a family of landlords and government officials in Shaoxing, Zhejiang; the family's financial resources declined over the course of his youth. Lu aspired to take the imperial examinations, but due to his family's relative poverty he was forced to attend government-funded schools teaching "Western education". Upon graduation, Lu went to medical school in Japan but later dropped out. He became interested in studying literature but was eventually f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qinqiang
Qinqiang (秦腔, pinyin: Qín qiāng, literally "Qin's tune") is a genre of folk Chinese opera originated in Shaanxi Province of Qing China in 1807 and soon took over other genres to be the representative genre of the province. Historically, there were two separate genres both referring themselves as Qinqiang, the one with a longer history was later renamed as Handiao Erhuang (汉调二簧), while the newer genre is the topic of this article. The genre features ''bangzi'' (wooden clapper) as its accompanying instruments, from which it derives its other names, ''Bangzi opera'' and luàntán (wikt:亂彈, 亂彈, literally "hit in chaos"). Bangzi tune is considered one of China's Four Great Characteristic Melodies. Qinqiang is the representative of the Bangzi opera and the most important origin of other Bangzi operas. It plays a key role in Chinese traditional culture as its birth and development process is the result of the development of Chinese local opera since ancient times. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ping Opera
Pingju or Ping opera () is a form of Chinese opera from northern China. History Pingju originated in Tangshan, Hebei, near the city of Tianjin.. Among all China's regional operas, it was the most famous in the Republican period for its passionate performances and romantic plots. Movies based upon and incorporating Pingju include Zhang Shichuan's 1936 ''Red Begonia'' ''Hǎitáng Hóng''), starring Bai Yushuang. Performers Bai Yushuang was known as the "Queen of Pingju". Other famed performers include Xin Fengxia and her mentor Hua Furong Hua or HUA may refer to: China * Hua, as in Huaxia and Zhonghua, a name of China ** Hoa people, Chinese people in Vietnam * Hua (state), a state in ancient China, destroyed by Qin * Hua (surname), a Chinese surname * Hua County, in Anyang, Hena .... References Bibliography * Further reading * Chinese opera Culture in Hebei Tangshan {{China-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantonese Opera
Cantonese opera is one of the major categories in Chinese opera, originating in southern China's Guangdong Province. It is popular in Guangdong, Guangxi, Hong Kong, Macau and among Chinese communities in Southeast Asia. Like all versions of Chinese opera, it is a traditional Chinese art form, involving music, singing, martial arts, acrobatics, and acting. History There is debate about the origins of Cantonese opera, but it is generally accepted that opera was brought from the northern part of China and slowly migrated to the southern province of Guangdong in the late 13th century, during the late Southern Song dynasty. In the 12th century, there was a theatrical form called the Nanxi or "Southern drama", which was performed in public theatres of Hangzhou, then capital of the Southern Song. With the invasion of the Mongol army, Emperor Gong of the Song dynasty fled with hundreds of thousands of Song people into Guangdong in 1276. Among them were Nanxi performers from Zhejiang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henan Opera
Yu opera (), or Yuju opera, sometimes known as Henan bangzi"Bangzi" meaning wooden clappers with bars of unequal length (), is one of China's famous national opera forms, alongside Peking opera, Yue opera, Huangmei opera and Pingju. Henan province is the origin of Yu opera. Henan's one-character abbreviation is "" (yù), and thus the opera style was officially named "" (Yùjù) after the founding of the People's Republic of China. The area where Yu opera is most commonly performed is in the region surrounding the Yellow River and Huai River. According to statistical figures, Yu opera was the leading opera genre in terms of the number of performers and troupes. While Yu opera is often called “Henan opera” in English, within Henan it is considered to be just one of the province’s three most important forms of opera (the other two are Quju 曲剧 and Yuediao 越调). Outside Henan, provinces such as Hubei, Anhui, Jiangsu, Shandong, Hebei, Beijing, Shanxi, Shaanxi, Gansu, Qinghai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hui Opera
Hui opera, or ''Huiju'' (), is a regional genre of Chinese opera originally from southern Anhui. It is popular in the area around Huangshan City and Chizhou, as well as Wuyuan County, Jiangxi, and was formerly also popular in neighboring Zhejiang. It has existed for over 300 years. It is named for the historical region of Huizhou (now the city of Huangshan, Anhui), where it originated. ''Huiju'' was introduced to Beijing during the Qianlong Emperor's eightieth birthday celebrations, and was influential in being a precursor of Beijing opera. The most prominent ''Huiju'' troupe is the Huiju Opera Troupe of Anhui Province, which was established in 1956 and is based in the city of Hefei Hefei (; ) is the capital and largest city of Anhui Province, People's Republic of China. A prefecture-level city, it is the political, economic, and cultural center of Anhui. Its population was 9,369,881 as of the 2020 census and its built-up ( .... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sichuan Opera
Sichuan opera (; Sichuanese Pinyin: Cuan1ju4; ) is a type of Chinese opera originating in China's Sichuan province around 1700. Today's Sichuan opera is a relatively recent synthesis of 5 historic melodic styles. Regionally Chengdu remains to be the main home of Sichuan opera, while other influential locales include Chongqing, Guizhou, Yunnan, Hubei and Taiwan. History Initially there were 5 distinct opera styles.Stanton, Sarah. Banham, Martin. 996(1996). The Cambridge Paperback Guide to Theatre. Cambridge press publishing. The history of each style varies greatly. At least one of the Chinese operatic styles began as early as the Three Kingdoms period with some form of ''Canjun opera''. During the Tang dynasty, a band of five came about in Chengdu. In the Song dynasty, the opera developed into ''zaju''. In the Ming dynasty, artists performed the skill in Jinling (modern-day Nanjing). During the reign of Yongzheng and Qianlong emperor in the Qing dynasty, in the Huabu areas, Kun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
